The first book on Rebecca Riots since 1989 The book looks at the Rebecca riots protest movement in Victorian Wales, in a context informed by not only British and European historiography but also other disciplines including literature and anthropology. The book is informed by recent work in cultural and gender history, which it applies for the first time to the symbolic and ritual content of the protests. The book’s epilogue discusses historical protest in the context of the contemporary resurgence of leaderless extra-parliamentary protest around the world including Occupy, Anonymous, and anti-austerity movements.

The first book on Rebecca Riots since 1989 The book looks at the Rebecca riots protest movement in Victorian Wales, in a context informed by not only British and European historiography but also other disciplines including literature and anthropology. The book is informed by recent work in cultural and gender history, which it applies for the first time to the symbolic and ritual content of the protests. The book’s epilogue discusses historical protest in the context of the contemporary resurgence of leaderless extra-parliamentary protest around the world including Occupy, Anonymous, and anti-austerity movements.

This is the first introductory textbook intended for transgender/trans studies at the undergraduate level. The book can also be used for related courses in LGBTQ, queer, and gender/feminist studies. It encompasses and connects global contexts, intersecting identities, historic and contemporary issues, literature, history, politics, art, and culture. Ardel Haefele-Thomas embraces the richness of intersecting identities—how race, ethnicity, sexual orientation, class, nation, religion, and ability have cross-influenced to shape the transgender experience and trans culture across and beyond the binary. Written by an accomplished teacher with experience in a wide variety of higher learning institutions, this new text inspires readers to explore not only contemporary transgender issues and experiences but also the global history of gender diversity through the ages. Introduction to Transgender Studies features: -A welcoming approach that creates a safe space for a wide range of students, from those who have never thought about gender issues to those who identify as transgender, trans, nonbinary, agender, and/or gender expansive. -Writings from the Community essays that relate the chapter theme to the lived experiences of trans and LGB people and allies from different parts of the world. -Key concepts, film and media suggestions, topics for discussion, activities, and ideas for writing and research to engage students and serve as a review at exam time. -Instructors’ resources that will be available that include key teaching points with discussion questions, activities, research projects, tips for using the media suggestions, PowerPoint presentations, and sample syllabi for various course configurations. Intended for introductory transgender, LGBTQ+, or gender studies courses through upper-level electives related to the expanding field of transgender studies, this text has been successfully class-tested in community colleges and public and private colleges and universities.

Chartism, the British mass movement for democratic and social rights in the 1830s and 1840s, was profoundly shaped by the radical tradition from which it emerged. Yet, little attention has been paid to how Chartists saw themselves in relation to this diverse radical tradition or to the ways in which they invented their own tradition. Paine, Cobbett and other ‘founding fathers’, dead and alive, were used and in some cases abused by Chartists in their own attempts to invent a radical tradition. By drawing on new and exciting work in the fields of visual and material culture; cultures of heroism, memory and commemoration; critical heritage studies; and the history of political thought, this book explores the complex cultural work that radical heroes were made to perform.

The year 1966 was when many TV viewers all over America discovered the wonders of "in living color." The 1966-1967 primetime television lineup was remarkable not only for the legendary shows that aired, but also because it was the first season in which every show on primetime, across all three major networks, was broadcast entirely in color. Celebrating this iconic year of television, this book covers every scripted episodic show that aired on the ABC, CBS, and NBC networks during the 1966-1967 season in primetime. It includes longtime favorites such as Batman, Bonanza, Voyage to the Bottom of the Sea, and The Lucy Show and the notable shows that premiered that year such as Star Trek, The Monkees, Green Hornet, Mission: Impossible, It's About Time, and the color revival of Dragnet. Organized by genre, each entry examines a show from conception to cancelation (and sometimes beyond), ratings, critical and fan reactions, and the show's use of color.

Reprint of the original, first published in 1872. The publishing house Anatiposi publishes historical books as reprints. Due to their age, these books may have missing pages or inferior quality. Our aim is to preserve these books and make them available to the public so that they do not get lost.