Ohio Archaeology is a valuable resource for readers, teachers and students who want to learn more about the lifeways and legacies of the first Ohioans.

• Shows how the archetypal symbols of the Pohnpaid petroglyphs have exact counterparts in other ancient cultures throughout the world • Provides evidence that Pohnpaid is closely related to--yet predates--neighboring Nan Madol • Includes hundreds of Pohnpaid petroglyphs and stone circle photos, many never before seen While residing on the small Pacific island of Pohnpei in the 1990s, Carole Nervig discovered that a recent brush fire had exposed hundreds of previously unknown petroglyphs carved on gigantic boulders. This portion of the megalithic site called Pohnpaid was unknown even to Pohnpei’s state historic preservation officer. The petroglyphs were unlike others from Oceania, so Nervig began investigating and comparing them with petroglyphs and symbols from around the world. In this fully illustrated exploration, Nervig documents her discoveries on Pohnpei, revealing how the archetypal symbols of the Pohnpaid petroglyphs have exact counterparts in other ancient cultures and universal motifs throughout the world, including the Australian Aborigines, the Inca in Peru, the Vedic civilization of India, early Norse runes, and Japanese symbols. She provides evidence that Pohnpaid is closely related to--yet predates--neighboring Nan Madol and shows how Pohnpaid was an outpost of the sunken Kahnihmueiso, a city of the now-vanished civilization of Mu, or Lemuria. Discussing the archaeoastronomical function of the Pohnpaid stones, the author examines how many of the glyphs symbolize celestial phenomena and clearly reveal how their creators were sky watchers with a sophisticated understanding of astronomy, geophysics, geomancy, and engineering. She shows how the scientific concepts depicted in the petroglyphs reveal how the citizens of Mu had a much deeper understanding of the living Earth than we do, which gave them the ability to manipulate natural forces both physically and energetically. Combining archaeological evidence with traditional oral accounts, Nervig reveals Pohnpaid not only as a part of a geodetic network of ancient sacred sites and portals but also as a remnant of the now submerged but once enlightened Motherland of Mu.

Rock Art of Kentucky is the first comprehensive documentation of the fragile remnants of Kentucky's prehistoric Native American rock art sites. Found in twenty-two of Kentucky's counties, these sites pan a period of more than three thousand years. The most frequent design elements in Kentucky rock art are engravings of the footprints of birds, quadrupeds, and humans. Other design elements include anthropomorphs, mammals, birds, reptiles, fish, and abstract and geometric figures. Included in the book are stunning illustrations of the sixty confirmed sites and ten destroyed or questionable sites. In the thirty some years during which this information was collected, there has been an alarming deterioration of many of the sites. Ancient carvings have been destroyed by graffiti or have lost extensive detail because of climatic or environmental conditions, such as acid rain. Although all the Kentucky sites are officially listed on the National register of Historic Places, several no long exist or are at present inaccessible. In addition to making data available for the first time to the national and international archaeological community for further comparative and interpretive studies, Rock Art of Kentucky is also for nonspecialists interested in prehistoric Kentucky and Native American studies.