A slipcase hardcover edition of J.M. Barrie's Peter Pan, brought newly to life by the lavish illustrations of Brecht Evens.

The beloved classic fantasy adventure PETER PAN (originally published in 1911 as PETER AND WENDY), has been adapted countless times for film, stage, and spin-offs -- but it's never been seen as depicted by the brushwork of celebrated Belgian cartoonist Brecht Evens. This elaborately illuminated version of Barrie's perennial masterwork takes an inventive approach to world-building, treating Neverland as an imaginative space of infinite possibility to explore. Pirate ships, lost cities, fairy societies, unknowable beasts and magical creatures -- each of which fall, as Barrie wrote, "somewhere between reality and all we've ever dreamed." Featuring an introduction by Maria Tatar. 9x12", 176 pages. Signed by Dave McKean, and numbered in an edition of 250.

The adventures of the three Darling children in Never-Never Land with Peter Pan, the boy who would not grow up.

J M Barrie's most famous character, Peter Pan, originated in a whimsical story from his book The Little White Bird. Peter Pan in Kensington Gardens is a revised version of that same story, and the Peter Pan we meet is a younger, slightly different character to the Peter Pan of Barrie's later, better-known works. Peter is a small boy who is, like all boys, part bird. When he hears his future being discussed he flies out the window and away to Kensington Gardens. There he discovers that he is now more boy than bird, and so he is stranded in the park, unable to fly any longer.

A collection of the stories of Blackwood, precursor of Lovecraft and early master of weird fiction and uncanny horror has been lavishly illustrated by the celebrated graphic artist Pope..

An exquisitely drawn exploration of three lost souls’ emotional terrain As night falls in the City of Belgium, three strangers in their late twenties—a most dangerous age—arrive at a popular restaurant. Jona is about to move away; he calls his wife, who’s already settled in Berlin, before trying to make plans with friends for one last night on the town. No one bites—they’re all busy or maybe they just don’t want to party—but he’s determined to make this night something to remember. Victoria is lively and energetic, but surrounded by friends and family who are buzzkills, always worrying about what is best for her. Rodolphe glumly considers his own misery and then suddenly snaps out of it, becoming the life of the party. The three careen through the city’s nightlife spots and underbelly, getting ever deeper in the messiness of human existence as they chase pleasure—or at least a few distractions from their daily lives. Each has a series of misadventures that reveal them to be teetering on the edge of despair, of destruction, of becoming the people they’ll be for the rest of their lives. The City of Belgium occupies a place between lucid dream and tooth-grinding nightmare.