DIVConcisely written text accompanied by more than 150 simply drawn illustrations together demonstrate vanishing points and eye level and explain such concepts as appearance versus reality and perspective distortion. /div

Practical, step-by-step approach to perspective, shading, and projection. Features superb pedagogy, summary statements, exercises, illustrations. (vs. James, Konig, Montague).

This richly illustrated guide to perspective drawing features 17 reproductions of ancient and modern art, plus more than 200 instructive figures. The first half encourages freehand drawing, cultivating practical exposure to the principles of perspective. The second part addresses the laws and theories that constitute the science of perspective. Encouraging students to begin immediately with pencil drawings, the first part examines the application of perspective to depicting light and shade, textured objects, and imaginary as well as existing forms. The second part deals exclusively with rules of perspective, covering a wide scope and explaining the mechanics of perspective thoroughly and yet simply. Intended as an auxiliary to the first half's drawing instructions, part two is organized for ready reference as students progress through part one.

The amateur artist faces many challenges. To Len A. Doust, perspective is by far the most problematic. With his trademark humor, the author/artist turns his expert eye toward that "dreaded, horrid word." In a clearly written how-to guide on mastering the art of perspective, he carefully: • describes the roles of lines, boxes, and circles • provides shortcuts for visualizing shapes and forms • incorporates thirty-three plates of helpful illustrations One of the most concise introductions available for beginners, this practical volume will be an important addition to any artist's resource library.

Do you want to draw and paint beautiful illustrations with an accurate perspective? Are you intimidated by all those mathematical calculations a typical book about perspective drawing contains? Do you feel that all these calculations hinder your creative drawing process? Then this book s definitely for you. In this book, you will discover the magic of Composition and Perspective for drawing and painting beautiful, expressive artworks. Learn to draw amazingly fun sketches and paintings using easy-to-use, yet powerful techniques for solid compositions and accurate perspective. Learn the basics of composition and perspective such as: - Nine 'rules' of composition - Horizon - Vanishing points - Foreshortening - Picture plane - One-point perspective - Two-point perspective - Three-point perspective - Five-point (Fisheye) perspective - Atmospheric perspective Never again get bogged down by the technicality of perspective drawing. Rather, learn to enjoy expressive sketching while maintaining a sense of the correct perspective and beautiful composition. And that's not all! Along with several artworks, you will find links to FREE video demonstrations where the author shows you exactly how these artworks were created. So, let's go ahead and see the world from a new perspective!

A good sketch starts with good bones—this guide from an architectural illustrator shows how to think like an architect and master accurate perspective. This book in the Urban Sketching Handbook series uses drawings and simple steps to explain the often challenging and overwhelming concepts of perspective in practical and useful ways for on-site sketching. Most books are either too abstract or don’t provide enough information that relates to what you actually do when you’re out in the busy, wide world about to start a drawing. Where do you start? How do you edit what you see to flatten and shrink it onto your paper? How does perspective work? The Urban Sketching Handbook: Understanding Perspective helps you learn to think like an architect, to draw buildings and spaces by reducing what you see to simple, basic shapes, then adding layers in simple steps, and finally finishing your sketch with detail, tone, and color—in accurate perspective. Full of helpful tips, it even deconstructs sketches to show you how to create them! Once you understand perspective, it will change the way you see the world—you’ll see perspective everywhere. Key concepts explored in this volume include: Basic Terms * Basic Spatial Principles * Types of Perspective * Building a Sketch in Layers * Special Conditions

In this thought-provoking practical guide, a noted artist and educator demonstrates that learning to violate the rules of perspective (profitably) is as important for the practicing artist as learning the principles of perspective themselves. Only in this way can students free themselves from the constraints of tradition and find their own imaginative paths. However, it is vital that students first have a solid grasp of classical perspective before they can think about adapting it creatively. In presenting the principles of perspective drawing, Mr. Watson devotes a chapter each to step-by-step discussions of such topics as the picture plane, foreshortening and convergence, the circle, the cone, three-point perspective, universal perspective, figures in perspective, and much more. To illustrate his points he offers expert analysis of the works of such leading illustrators as John Atherton, V. Bobri, R. M. Chapin, Jr., Albert Dorne, Robert Fawcett, Constantin Guys, W. N. Hudson, Carl Roberts, Ben Stahl, and Aldren A. Watson, as well as drawings by Pieter de Hooch and Paul Cézanne. The result is a ground-breaking study that artists, illustrators, and draftsmen will find invaluable in learning to create works with convincing perspective. Ernest W. Watson taught at Pratt Institute for over 20 years, co-founded and served as editor-in-chief of the magazine American Artist, and co-founded the prestigious art publishing house of Watson-Guptill.