Persepolis: Discovery and Afterlife of a World Wonder presents the first full study of the history of archaeological exploration at Persepolis after its destruction in 330 BC. Based in part on archival evidence, anecdotal information, and unpublished documents, this book describes in detail the history of archaeological exploration, visual documentation, and excavations at one of the most celebrated sites of the ancient world. The book addresses a broad audience of readers ranging from students of the archaeology, history, and art history of ancient, medieval, and modern Iran to scholars in Classical Studies and Ancient Near Eastern Studies.

The Companion Encyclopedia of Middle Eastern and North African Film is a unique, one volume work which illuminates a fascinating variety of cinema which is little known outside its own area. The Encyclopedia is divided into nine chapters, each written by a leading scholar in the field. Each chapter covers the history and major issues of film within that area, as well as providing bibliographies of the leading films, directors and actors. The areas covered are: Central Asia, Egypt, Iran, Lebanon, Syria, Iraq, Kuwait, Libya, The Magreb, Palestine, Turkey. This Encyclopedia will be an invaluable reference tool for students and scholars of Film and Media Studies. It contains more than 60 black and white photographs of featured films, includes references and suggestions for further reading at the end of each chapter, and the volume concludes with comprehensive name, film and general indexes.

Interest and fascination in Achaemenid Persia has burgeoned in recent years. It is time for a major new appraisal of the glorious civilization founded by Cyrus the Great and continued by his successors, the Great Kings Darius I, Xerxes and Artaxerxes I. This volume offers precisely that: a sustained and comprehensive overview of the field of Achaemenid studies by leading scholars and experts. It discusses all aspects of Achaemenid history and archaeology between 550 BCE and 330 BCE, and embraces the whole vast territory of the Persian Empire from North Africa to India and from Central Asia to the Persian Gulf. Topics covered in this title include aspects of Achaemenid religion, administration, material culture, ethnicity, gender and the survival of Achaemenid traditions. The publication of the book is an event: it represents a watershed not only in better appreciation and understanding of the rich and complex cultural heritage established by Cyrus, but also of the lasting significance of the Achaemenid kings and the impact that their remarkable civilization has had on wider Persian and Middle Eastern history. First published by I.B.Tauris in association with the Iran Heritage Foundation

Social history of Iranian cinema that explores cinema's role in creating national identity and contextualizes Iranian cinema within an international arena.

Visual recreation of the ancient city of Persepolis, as it was 2500 years ago.

Persepolis and Jerusalem reconsiders Iranian influence upon Jewish apocalyptic, and offers grounds upon which such study may proceed. After describing the history of scholarship on the question of Iranian influence and on Jewish apocalyptic, Jason M. Silverman reformulates the methodology for understanding apocalyptic and influence. Two chapters set the discussion firmly in the Achaemenid Empire, describing the sources for Iranian religion, the issues involved in attempting a historical reconstruction, the methodology by which one can date the various texts and ideas, and the potential loci for Iranian-Judaean interaction. The historical context is expanded through media-contextualization, particularly Oral Theory, and critiques the standard text-centric method of current Biblical Scholarship. With this background, pericopes from Ezekiel, Daniel, and 1 Enoch are analyzed for Iranian influence. The study then brings together the contexts and analyses to argue for an 'Apocalyptic Hermeneutic' which relates the phenomena of apocalypticism, apocalypse, and millenarianism-seeing the hermeneutic as a dialectical thread holding them all together as well as apart- and posits this as the best place to understand Iranian influences.