-The first book of photographs about the persecution and deportation of the Jews in the Netherlands during WWII The Persecution of the Jews in Photographs, the Netherlands 1940-1945 is the first book of its kind on the subject. Both the professional photographers commissioned by the occupying forces and amateurs took moving photographs. On 10 May 1940, the day of the German invasion, there were 140,000 Jewish inhabitants living in the Netherlands. The full extent of their terrible fate only became known after the war: at least 102,000 were murdered, died of mistreatment or were worked to death in the Nazi camps. This tragedy has had a profound effect on Dutch society. Photographic archives and private collections were consulted in the Netherlands and abroad. Extensive background data was researched, which means that the moving pictures have an even greater force of expression. The result is an overwhelming collection of almost 400 photographs, accompanied by detailed captions.

Photograph, page after page, the Shoah unfolds as inexorable horror-captured with resonance that remains unequaled.

“A meticulous and shattering investigation of eight horrific pictures...”—L’Arche In December 1941, on a shore near the Latvian city of Liepaja, Nazi death squads (the Einsatzgruppen) and local collaborators murdered in three days more than 2,700 Jews. The majority were women and children, most men having already been shot during the summer. The perpetrators took pictures of the December killings. These pictures are among the rare photographs from the first period of the extermination, during which over 800 000 Jews from the Baltic to the Black Sea were shot to death. By showing the importance of photography in understanding persecution, Nadine Fresco offers a powerful meditation on these images while confronting the essential questions of testimony and guilt. From the forward by Dorota Glowackay: Straddling the boundary between historical inquiry and personal reflection, this extraordinary text unfolds as a series of encounters with eponymic Holocaust photographs. Although only a small number of photographs are reproduced here, Fresco provides evocative descriptions of many well-known images: synagogues and Torah scrolls burning on the night of Kristallnacht; deportations to the ghettos and the camps; and, finally, mass executions in the killing fi elds of Eastern Europe. The unique set of photographs included in On the Death of Jews shows groups of women and children from Liepaja (Liepája), shortly before they were killed in December 1941 in the dunes of Shkede (Škéde) on the Baltic Sea. In the last photograph of the series, we see the victims’ bodies tumbling into the pit.

Published in association with the United States Holocaust Memorial Museum Combining rich documentation selected from the five-volume series on Jewish Responses to Persecution, this text combines a carefully curated selection of primary sources together with basic background information to illuminate key aspects of Jewish life during the Holocaust. Many available for the first time in English translation, these letters, reports, and testimonies, as well as photographs and other visual documents, provide an array of first-hand contemporaneous accounts by victims. With its focus on highlighting the diversity of Jewish experiences, perceptions and actions, the book calls into question prevailing perceptions of Jews as a homogenous, faceless, or passive group and helps complicate students’ understanding of the Holocaust. While no source reader can comprehensively cover this vast subject, this volume addresses key aspects of victim experiences in terms of gender, age, location, chronology, and social and political background. Selected from vast archival collections by a team of expert scholars, this book provides a wealth of material for discussion, reflection, and further study on issues of mass atrocities in their historical and current manifestations. The book’s cover photograph depicts the 1942 wedding of Salomon Schrijver and Flora Mendels in the Jewish quarter of Amsterdam. Salomon and Flora Schrijver were deported via Westerbork to Sobibor where they were murdered on July 9, 1943. USHMMPA (courtesy of Samuel Schryver).

Published in association with the United States Holocaust Memorial Museum Jewish Responses to Persecution: Volume II, 1938–1940 is the second volume of the five-volume set within the series "Documenting Life and Destruction: Holocaust Sources in Context." This volume brings together in an accessible historical narrative a broad range of documents—including diaries, letters, speeches, newspaper articles, reports, Jewish identity cards, and personal photographs—from Jews in Nazi-dominated Europe and beyond Europe's borders. The volume skillfully illuminates the daily lives of a diverse range of Jews who suffered under Nazism, their coping strategies, and their efforts to assess the implications for the present and future of the persecution they faced during this period. Volume II begins with Kristallnacht in 1938 and continues through the Jewish flight out of Germany, the onset of World War II, the forced relocation of the Jews of Europe to the East, and the formation of Jewish ghettos, particularly in Poland. The twelve chapters, divided into four parts, track the trajectory of German expansion and anti-Jewish policies chronologically, attesting to a clear progression of persecution over time and space. At the same time, they reflect the vast differences in the responses of Jewish communities, groups, and individuals within and beyond the Germans' grasp, differences that resulted both from the unevenness of the Reich's policy toward Jews as well as the varied backgrounds, traditions, expectations, and life histories of Jews affected by German policy. This volume raises essential questions, such as: What was the spectrum of Jewish perceptions and actions under Nazi domination? How did Jews affected directly, or others standing on the outside, view the situation? In what ways were Jews able to influence their own fate under persecution? What role did Jewish tradition play in how the present and future were interpreted? The answers inherent in the documents are often varied or inconclusive; nonetheless these sources add considerably to our understanding of the Holocaust.

A single photograph--an exceptionally rare "action shot" documenting the horrific murder of a Jewish family--drives a riveting forensic investigation by a gifted Holocaust scholar.

Fran ois Truffaut called Night and Fog "the greatest film ever made." But when Alain Resnais finished his documentary, with its depiction of Nazi atrocities, the resistance of the French censors was fierce. A mere decade had passed since the end of the war, and the French public was unprepared to confront the horrors shown in the film--let alone the possibility of French complicity. In fact it would be through Night and Fog that many viewers first learned, as film critic Serge Daney put it, "that the worst had only just taken place." An engrossing account of the genesis, production, and legacy of Resnais's incomparable film, this book documents in extraordinary detail how a film that began as a cinematic spin-off of an educational exhibition on "resistance, liberation, and deportation" went on to become a significant step in the building of a collective consciousness of the tragedy of World War II. Sylvie Lindeperg frames her investigation with the story of historian Olga Wormser-Migot, who played an integral role in the research and writing of Night and Fog--and whose slight error on one point gave purchase to the film's detractors and revisionists and Holocaust deniers. Lindeperg follows the travails of Resnais, Wormser-Migot, and their collaborators in a pan-European search for footage, photographs, and other documentation. She uncovers creative use of liberation footage to stand in for daily life of the camps featured to such shocking effect in the film--a finding that raises hotly debated questions about reenactment and witnessing even as it enhances our understanding of the film's provenance and impact. A microhistory of a film that altered the culture it reflected, Night and Fog offers a unique interpretation of the interworking of biography, history, politics, and film in one epoch-making cultural moment.