Originally published: London: Faber & Faber, 2016.

Perijee and Me is a hilarious and touching story about an unusual friendship, a heart-stopping adventure, and the power of kindness when you’re faced with an alien invasion. If E.T. the Extra Terrestrial is still “right here” in your heart, then you’re sure to fall hard for the misunderstood Perijee and the one girl who’s desperate to save him. Caitlin is the only young person living on Middle Island. On the first day of vacation, she finds a tiny alien on the beach. Caitlin becomes close to her secret friend, whom she names Perijee, and treats him like a brother. Caitlin has a reading disability, but finds she is a good teacher, telling Perijee everything she knows about the world. There’s only one problem: Perijee won’t stop growing. And growing . . . Caitlin will have to convince the adults around her—and Perijee himself—that the creature they see as a terrifying monster is anything but. When things get out of hand, brave Caitlin embarks on a journey to save Perijee before it’s too late. Praise: "Elements of humor and an attractive jacket add to this chapter book's undeniable appeal." --Booklist "A cute read for kids who like a strong dose of absurdity." --School Library Journal "Montgomery's jam-packed narrative doesn't slow for an instant in this exaggeratedly comic drama. . . . Humor carries the day." --Kirkus Reviews "Caitlin's desperation for friendship is palpable, and the book powerfully conveys the longing for connection that drives her to risky actions. This British import is earnest, often quietly thoughtful, and quirky." --The Bulletin of the Center for Children's Books “Montgomery engages us with . . . high drama, hurtling towards a heartwarming resolution.” —The Sunday Times (London)

Caitlin, the only young person living on Middle Island, finds Perijee, a tiny alien, on the beach and he becomes her secret friend, but Perijee's rapid growth is a big problem.

A collection of fifty-two weekly projects is designed to reveal how the author's personal creative and artistic journey transformed his life and provides inspiration for the reader's own artistic odyssey through such endeavors as painting, writing, drawing, carving, singing, dancing, cooking, and performing. Original.

The practical followup to the acclaimed bestseller In 2001, the groundbreaking book Quarterlife Crisis® addressed the unique and unsettling trials of entering modern adulthood. For the first time, it identified how twentysomethings were lost and confused, and lamented the absence of a guide-a roadmap with solutions for how to emerge from the crisis successful, happy, and sane. Now, the author of Quarterlife Crisis® delivers that roadmap. Alexandra Robbins goes beyond defining the problem of the quarterlife crisis and puts readers on the path to conquering it. She asks-and answers-the tough, soul-searching questions that keep young adults awake at night: - How do I weigh doing what I love versus making money? - Will I ever find my "soul mate"? - Why is it so hard to make friends? - Why are my twenties so different from what I expected? With new voices as well as follow-up interviews with some of the original Quarterlife Crisis® twentysomethings, Conquering Your Quarterlife Crisis® is the new go-to guide for people who want it all...but just aren't sure what that is yet.

In That Thing You Do With Your Mouth, actress and voice-over artist Samantha Matthews offers—in the form of an extended monologue, prompted and arranged by New York Times bestselling author (and Matthews’s cousin once removed) David Shields—a vivid investigation of her startling sexual history. From her abuse at the hands of a family member to her present-day life in Barcelona, where she briefly moonlighted as a dubber of Italian pornography into English, Matthews reveals herself to be a darkly funny, deeply contemporary woman with a keen awareness of how her body has been routinely hijacked, and how she has been “formatted” by her early trauma. Her story is a study of her uneasy relationships with female desire, her tormentors, and her lovers—with whom she seeks out both the infliction and receipt of harm. This book is an attempt, sometimes self-thwarted, to break down barriers: sexual and emotional for Matthews, literary for Shields. For them, the only response to the unspeakable is to speak, to do that thing you do with your mouth, as directly and honestly as possible. Their provocative performance refuses neat resolution or emotional pornography; it will have readers, from literary critics to Jezebel commentators, raving, raging, celebrating, talking.