Performing Peace and Friendship tells the story of how the Soviet Union succeeded in utilizing the World Festival of Youth and Students in its cultural diplomacy from late Stalinism through the early Khrushchev period. Pia Koivunen discusses the evolution of the youth gathering into a Soviet cultural product starting from the first festival held in Prague in 1947 and ending with the Moscow 1957 gathering, the latter becoming one of the most frequently referred moments of Khrushchev’s Thaw. By combining both institutional and grass-roots’ perspectives, the book widens our understanding of what Soviet cultural diplomacy was in practice, re-evaluates the agency of young people and provides new insights into the Soviet role in the cultural Cold War. Koivunen argues that rather than simply being orchestrated rallies by the Kremlin bureaucrats, the World Youth Festivals also became significant spaces of transnational encounters for young people, who found ways to employ the event for overcoming the various restrictions and boundaries of the Cold War world.

This volume explores how peacemakers can productively work with informal mini coalitions of states or intergovernmental organizations that provide support for resolving conflicts and implementing peace agreements--an innovation often referred to as groups of "Friends."

“Peacebuilding” serves as a catch-all term to describe efforts by an array of international organizations, nongovernmental organizations, and agencies of foreign states to restore or construct a peaceful society in the wake—or even in the midst—of conflict. Despite this variety, practitioners consider themselves members of a global profession. In The Distinction of Peace, Catherine Goetze investigates the genesis of peacebuilding as a professional field of expertise since the 1960s, its increasing influence, and the ways it reflects global power structures. Goetze describes how the peacebuilding field came into being, how it defines who belongs to it and who does not, and what kind of group culture it has generated. Using an innovative methodology, she investigates the motivations of individuals who become peacebuilders, their professional trajectories and networks, and the “good peacebuilder” as an ideal. For many, working in peacebuilding in various ways—as an aid worker on the ground, as a lawyer at the United Nations, or as an academic in a think tank—has become not merely a livelihood, but also a form of participation in world politics. As a field, peacebuilding has developed techniques for incorporating and training new members, yet its internal politics also create the conditions of exclusion that often result in practical failures of the peacebuilding enterprise. By providing a critical account of the social mechanisms that make up the peacebuilding field, Goetze offers deep insights into the workings of Western domination and global inequalities.

This volume is the first book-length account of Yves Montand’s controversial tour of the Soviet Union at the turn of the years 1956/57. It traces the mixed messages of this internationally visible act of cultural diplomacy in the middle of the turbulent Cold War. It also provides an account of the celebrated French singer-actor’s controversial career, his dedication to music and to peace activism, as well as his widespread fandom in the USSR. The book describes the political background for the events of the year 1956, including the changing Soviet atmosphere after Stalin’s death, portrays the rising transnational stardom of Montand in the 1940s and 1950s, and explores the controversies aroused by his plan to visit Moscow after the Hungarian Uprising. The book pays particular attention to Montand’s reception in the USSR and his concert performances, drawing on unique archival material and oral history interviews, and analyses the documentary Yves Montand Sings (1957) released immediately after his visit.

How nations move from war to peace Is the world destined to suffer endless cycles of conflict and war? Can rival nations become partners and establish a lasting and stable peace? How Enemies Become Friends provides a bold and innovative account of how nations escape geopolitical competition and replace hostility with friendship. Through compelling analysis and rich historical examples that span the globe and range from the thirteenth century through the present, foreign policy expert Charles Kupchan explores how adversaries can transform enmity into amity—and he exposes prevalent myths about the causes of peace. Kupchan contends that diplomatic engagement with rivals, far from being appeasement, is critical to rapprochement between adversaries. Diplomacy, not economic interdependence, is the currency of peace; concessions and strategic accommodation promote the mutual trust needed to build an international society. The nature of regimes matters much less than commonly thought: countries, including the United States, should deal with other states based on their foreign policy behavior rather than on whether they are democracies. Kupchan demonstrates that similar social orders and similar ethnicities, races, or religions help nations achieve stable peace. He considers many historical successes and failures, including the onset of friendship between the United States and Great Britain in the early twentieth century, the Concert of Europe, which preserved peace after 1815 but collapsed following revolutions in 1848, and the remarkably close partnership of the Soviet Union and China in the 1950s, which descended into open rivalry by the 1960s. In a world where conflict among nations seems inescapable, How Enemies Become Friends offers critical insights for building lasting peace.

""Folksy, eclectic, disarmingly humble, and astonishingly wide-ranging, Hauerwas offers us a provocative reading of Bonhoeffer that, not surprisingly, assimilates him closely to John Howard Yoder. At the same time, Hauerwas replies to recent criticisms of his work by Jeffrey Stout. Contending that truth depends on performance far more than on theory, Hauerwas steps forward as a pacifist gadfly for a more truly faithful church and a more recognizably democratic society."" --George Hunsinger, Princeton Theological Seminary ""This book shows how lively and fecund Hauerwas's thought remains. A dazzling performance, capable of entertaining and instructing professional theologians as much as those who think the world might be a better place without theologians in it."" --Paul J. Griffiths, University of Illinois at Chicago ""Stan Hauerwas has done it again! He is able skillfully to blend into his book the passion for truth and justice of two of his greatest influences, Dietrich Bonhoeffer and John Howard Yoder. He takes these heroic advocates for peace into his own present-day struggle for the soul of the American nation. Hauerwas, an admirable Christian pacifist himself, dares Christians to be the 'Jesus people' they claim to be and to follow Jesus into the gospel path of nonviolence."" --Geffrey B. Kelly, author of Liberating Faith: Bonhoeffer's Message for Today ""Never totally predictable. Always a fresh perspective. And yet once again in these essays--on narrative, politics, Bonhoeffer, and the church--we hear the engaging, discerning, and brilliant voice we have come to know as Stanley Hauerwas."" --Mark Thiessen Nation, Eastern Mennonite Seminary ""Contending with and learning from the witness of Dietrich Bonhoeffer, whose life is often thought to provide a Christian alternative to pacifism, Hauerwas deepens the account of Christian nonviolence he has been articulating for decades. His theology is strengthened and clarified by his encounter with the exemplary figure of Bonhoeffer."" --Alan Jacobs, Wheaton College ""Without loss of the provocative edge that has made him a vital and distinctive Christian voice, Hauerwas's Performing the Faith allows him to cast a retrospective eye on his work. At the same time, in a brilliant essay under the title of the book, he develops a profoundly important description of faithfulness."" --Dennis O'Brien, University of Rochester Stanley Hauerwas is the Gilbert T. Rowe Professor Emeritus of Theological Ethics at Duke Divinity School, Duke University.