This practical handbook aims to clarify the need for and the use of transcription methodology and provides a useful, efficient guide to creating good transcripts for a variety of people using ethnographic methods. Appropriate for varying levels of expertise, it will be an essential tool for transcriptionists, ethnographers, researchers, oral historians, participant observers, and even amateurs who plan to write their family history.

This collection of essays pursues two new approaches to Q, the speeches of Jesus paralleled in the Gospels of Matthew and Luke. The essays in Part One suggest that recent work in ethnopoetics, the ethnography of performance, and theory of verbal art (especially that of John Miles Foley) both complements and challenges standard approaches to the teaching of Jesus. They explore how Q speeches might be appreciated as oral performance that resonates with listeners in a community context by referencing Israelite popular tradition. The essays in Part Two examine how the work of anthropologist and political scientist James C. Scott on popular tradition, "the moral economy of the peasant," and "hidden transcripts" may illuminate the social context and political implications of Q speeches. --From publisher's description.

Is music a language of the emotions? How do recorded pop songs differ from works created for live performance? Is John Cage's silent piece, 4'33", music? Stephen Davies's new book collects some of his most important papers on central topics in the philosophy of music. As well as perennial questions, Davies addresses contemporary controversies, including the impact of modern technology on the presentation and reception of both new and old musical works. These essays, two ofthem new and previously unpublished, are self-standing but thematically connected, and will be of great interest to philosophers, aestheticians, and to theorists of music and art.

An intertextual examination of the storytelling of Israeli backpackers that analyzes their unique patterns of communication to create a thorough picture of this "narrative community." Backpacking, or Tarmila’ut, has been a time-honored rite of passage for young Israelis for decades. Shortly after completing their mandatory military service, young people set off on extensive backpacking trips to "exotic" and "authentic" destinations in so-called Third World regions in India, Nepal, and Thailand in Asia, and also Colombia, Ecuador, Peru, Brazil, Chile, and Argentina in Central and South America. Chaim Noy collects the words and stories of Israeli backpackers to explore the lively interplay of quotations, constructed dialogues, and social voices in the backpackers’ stories and examine the crucial role they play in creating a vibrant, voiced community. A Narrative Community illustrates how, against the peaks of Mt. Everest, avalanches, and Incan cities, the travelers’ storytelling becomes an inherently social drama of shared knowledge, values, hierarchy, and aesthetics. Based on forty-five in-depth narrative interviews, the research in this book examines how identities and a sense of belonging emerge on different social levels—the individual, the group, and the collective—through voices that evoke both the familiar and the Other. In addition, A Narrative Community makes a significant contribution to modern tourism literature by exploring the sociolinguistic dimension related to tourists’ accounts and particularly the transformation of self that occurs with the experience of travel. In particular, it addresses the interpersonal persuasion that travelers use in their stories to convince others to join in the ritual of backpacking by stressing the personal development that they have gained through their journeys. This volume is groundbreaking in its dialogical conceptualization of the interview as a site of cultural manifestation, innovation, and power relations. The methods employed, which include qualitative sampling and interviewing, clearly demonstrate ways of negotiating, manifesting, and embodying speech performances. Because of its unique interdisciplinary nature, A Narrative Community will be of interest to sociolinguists, folklore scholars, performance studies scholars, tourism scholars, and those interested in social discourses in Israel.