This manual lays out techniques of the Keluarga Pencak Silat Nusantara (KPSN), one of the leading pencak silat organizations in Indonesia. Moving from the fundamental elements—stances and strikes—to exploring complex series of moves for exercise, self-defense, and competition, the manual shows the richness and uniqueness of this still relatively unknown martial art. The concise text and attractive illustrations provide an easy learning tool for beginners or enthusiasts looking to expand their knowledge of pencak silat.

The effort O'ong Maryono has made to compile a book on the development of pencak silat, is, in itself, commendable. This integrated presentation provides for a better and more comprehensive understanding of the various aspects of pencak silat. As well as discussing the historical aspects of pencak silat, O'ong Maryono also examines current issues in pencak silat. In other words, a retrospective and prospective view of pencak silat. I hope that this book will be widely read, and provide a 'lively' and substantial critical analysis that will improve the quality of discourse on pencak silat as a whole. Edy Sedyawati Director General of Culture Department of Education and Culture This book is quite unique. Unique in the literal sense: there is no other like it. It is quite a remarkable fact that although frequent reference is made to pencak silat in various contexts, and it even constitutes a specific type of literature and category of film that relate the heroic stories of its masters, never before has a writer attempted to gather comprehensive information about this 'art of self defence'. Therefore, this book by O'ong Maryono could be said to be uncontested. And herein lies its second uniqueness: this encyclopedic book was written not by a graduate in the peace and quiet of his study, but by an expert in silat in the frenzy of the contest arena. Henri Chambert-Loir Director Ecole Fran9ais D'Extreme-Orient

This publication brings together current scholarship that focuses on the significance of performing arts heritage of royal courts in Southeast Asia. The contributors consist of both established and early-career researchers working on traditional performing arts in the region and abroad. The first volume, Pusaka as Documented Heritage, consists of historical case studies, contexts and developments of royal court traditions, particularly in the nineteenth and twentieth centuries. The second volume, Pusaka as Performed Heritage, comprises chapters that problematise royal court traditions in the present century with case studies that examine the viability, adaptability and contemporary contexts for coexisting administrative structures.

In Martial Arts and the Body Politic in Indonesia Lee Wilson offers an innovative study of nationalism and the Indonesian state through the ethnography of the martial art of Pencak Silat. Wilson shows how technologies of physical and spiritual warfare such as Pencak Silat have long played a prominent role in Indonesian political society. He demonstrates the importance of these technologies to the display and performance of power, and highlights the limitations of theories of secular modernity for understanding political forms in contemporary Indonesia. He offers a compelling argument for a revisionist account of models of power in Indonesia in which authority is understood as precarious and multiple, and the body is politically charged because of its potential for transformation.

This is an open access book. The 4th International Conference on Tourism, Gastronomy, and Tourist Destination (TGDIC 2023) has the theme “Rethinking Sustainable Tourism and Gastronomy in Global Context.” Unlike the previous conferences which were held in Jakarta, Indonesia, this year the conference was held offline in Kuala Lumpur, Malaysia, on 16th – 18th October 2023. TGDIC 2023 serves as a forum for knowledge and experience sharing and invites tourism scholars, practitioners, decision-makers, and stakeholders from various regions to share their knowledge, experience, concepts, examples of good practice, and critical analysis with their international peers. In addition to the organizing committee and keynote speakers, the conference was attended by international presenters and participants from Indonesia, Malaysia, China, Switzerland, Thailand, India, and Taiwan.

This proceeding is a compilation of papers which is presented at “International Seminar” titled “Art and Spirituality” held by Postgraduate Program, ISI Padangpanjang, 9 November 2016. There are some main speakers who are invited: Dr. Diane Butler (United States), Dr. Megan Collins (New Zealand), Prof. Dr. I Wayan Rai S.,MA (ISBI Tanah Papua), Mr. Surasak Jamnongsarn (Thailand), and Dr. Joe Peters (National University of Singapore). Moreover, 25 writers from several backgrounds (academics and practioners) also presented their papers in this seminar. Hopefully, This “Art and Spirituality” proceeding could enrich repertoire of art references in Indonesia and also becomes an encouragement to academics and artists to “dish up” ideas in form of scientific papers.