Penamour. Painful love. This anthology plunges you into love’s darkest corners: unrequited affections, shattered promises, betrayal’s sting. Brace yourself for emotional honesty, raw and unflinching. Penamour isn’t for the faint of heart, but for those who dare to explore love’s bittersweet depths.

A journal of Latin palaeography, particularly of Latin book-script until the middle of the eleventh century.

The essays in this volume explore the nature of time, our God-given medium of ascent, known, as Augustine puts it, through the ordered study of the “liberal disciplines that carry the mind to the divine (disciplinae liberales intellectum efferunt ad divina)”: grammar and dialectic, for example, to promote thinking; geometry and astronomy to grasp the dimensions of our reality; music, an invisible substance like time itself, as an exemplary bridge to the unseen substance of thoughts, ideas, and the nature of God (theology). This ascending course of study rests on procedure, progress, and attainment — on before, following, and afterwards — whose goal is an ascending erudition that lets us finally contemplate, as Augustine says in De ordine, our invisible medium — time — within time itself: time is immaterial, but experienced as substantial. The essays here look at projects that chronicle time “from the beginning,” that clarify ideas of creation “in time” and “simultaneous times,” and the interrelationships between measured time and eternity, including “no-time.” Essays also examine time as revealed in social and political contexts, as told by clocks, as notated in music and embodied in memorializing stone. In the final essays of this volume, time is understood as the subject and medium of consciousness. As Adrian Bardon says, “time is not so much a ‘what’ as a ‘how’”: a solution to “organizing experience and modeling events.” Contributors are (in order within the volume) Jesse W. Torgerson, Ken A. Grant, Danielle B. Joyner, Nancy van Deusen, Peter Casarella, Aaron Canty, Jordan Kirk, Vera von der Osten-Sacken, Gerhard Jaritz, Jason Aleksander, Sara E. Melzer, Mark Howard, Andrew Eschelbacher, Hans J. Rindisbacher, James F. Knapp, Peggy A. Knapp, Raymond Knapp, Michael Cole, Ike Kamphof and Leonard Michael Koff.

When her mother dies in a car accident along a great highway in India, far from her country and her family, Tsering decides to take a handful of her ashes to Tibet. She arrives at the foothills of her mother’s ancestral home in a nomadic village in East Tibet to realize that she had been preparing for this homecoming all her life. Everything is familiar to her, especially the flowers of the Tibetan summer. She understands then the gift her mother had bequeathed her: the love of a land. A Home in Tibet is a daughter’s haunting tribute to a mother and a homeland. A story about the love between a mother and a daughter who only had each other as family and refuge, it gestures to the journeys made by those exiled from their lands, and the dreams of daughters.