Global Trade and Cultural Authentication, edited by Joanne Eicher, showcases the complexity and enduring aesthetic and ingenuity of Kalabari artisans. The Kalabari people, most of whom make their homes in the eastern Niger Delta region of western Africa, are renowned for the artistry in working with globally imported textiles and dress for centuries. The 22 essays in this edited volume feature the work of leading Nigerian and American scholars and offer an in-depth, nuanced understanding of Kalabari textiles, aesthetics, and engagement with past and present global trade networks. Using dress and textiles as a lens, Global Trade and Cultural Authentication explores the Kalabari people's centuries-long role in the global trade arena. Their economic interconnectedness demonstrates that Africa was never a "dark continent" but, rather, critically involved in a global trade built around Kalabari resourcefulness and imagination.

"Global Africa will complicate conventional views of Africa as a place of violence, despair and victimhood--a place and space that other people, states, and organizations act on and steal from. Instead, they aim to document some of the significant global connections, circulations, and contributions that African people, ideas, and goods have made in the world--not just in the United States, but in South Asia, Latin America, Europe, and elsewhere. They will showcase new framings of Africa, but will not romanticize the conditions and circumstances in which too many people on the continent currently live. The essays in this volume will amplify those voices that offer complex and insightful explanations, strategies for solutions, and inspiration for the future."--Provided by publisher.

Fashion History: A Global View proposes a new perspective on fashion history. Arguing that fashion has occurred in cultures beyond the West throughout history, this groundbreaking book explores the geographic places and historical spaces that have been largely neglected by contemporary fashion studies, bringing them together for the first time. Reversing the dominant narrative that privileges Western Europe in the history of dress, Welters and Lillethun adopt a cross-cultural approach to explore a vast array of cultures around the globe. They explore key issues affecting fashion systems, ranging from innovation, production and consumption to identity formation and the effects of colonization. Case studies include the cross-cultural trade of silk textiles in Central Asia, the indigenous dress of the Americas and of Hawai'i, the cosmetics of the Tang Dynasty in China, and stylistic innovation in sub-Saharan Africa. Examining the new lessons that can be deciphered from archaeological findings and theoretical advancements, the book shows that fashion history should be understood as a global phenomenon, originating well before and beyond the fourteenth century European court, which is continually, and erroneously, cited as fashion's birthplace. Providing a fresh framework for fashion history scholarship, Fashion History: A Global View will inspire inclusive dress narratives for students and scholars of fashion, anthropology, and cultural studies.

The received account on African evangelical Christianity regarding social witness in a section of Western scholarship is that it is anti-development and a-political. Such an account heavily draws from an instrumentalist and functionalist assessment of such Christianity without recourse to its emic perspective. Using the case-study method, this book presents an ethnographic examination of this functionalist reading by investigating, describing and analysing evangelical Christian theological and socio-political consciousness within the context of oil and conflict in Nigeria’s Niger Delta region. Adopting approaches from practical theology, congregational studies, and anthropology of religion, the author challenges such a reading using data gathered from three congregations in the region. His discourse revolves around answers to the following four critical questions: • What are the underlying theological issues and beliefs of Nigerian evangelical Christians within the context of oil and conflict? • What is their prevalent praxis within the context of Nigeria’s political economy of oil and conflict? •How accurate is the received account that African evangelical and ‘fundamentalist’ Christianity lacks social responsibility and is a-political and anti-development? • What would a contextual political theology for Nigeria’s political economy of oil look like? The theological issues are varied and the prevalent praxis nuanced, which then serves as a veritable critique of the claim that African evangelical Christianity lacks social responsibility due to its preoccupation with soul-winning. Whereas such Christianity places much emphasis on the winning of souls as an expression of its spirituality, it is neither oblivious nor indifferent to its socio-political milieu. Rather it sees such spirituality as a form of political praxis. Some of the trajectories of the spirituality include a theology of conversion, a theology of prayer, and an ethics of crude oil, with Total Freedom as the nomenclature for the specific theological perspective offered for Nigeria’s political economy of oil. While locating this theological perspective within the taxonomy of Liberation Theology, the affinity and dissonance between the two are identified.