Louis Dumont's Essays on Individualism is an ambitious attempt to place the modern ideology of individualism in a broad anthropological perspective. The result of twenty years of scholarship and inquiry, the interrelated essays gathered here not only trace the genesis and growth of individualism as the dominant force in Western philosophy, but also analyze the differences between this modern system of thought and those of other, nonmodern cultures. The collection represents an important contribution to Western society's understanding of itself and its place in the world.

This book explores the festival of Thaipusam in terms of its own inner dynamics - the traditions and belief structures which ensure the festival's continuing relevance to Malaysian Hindus. It argues that Thaipusam reflects a growing sense of Hindu identity in Malaysia and an as yet inchoate unity. It contends that while the kavadi ritual provides profound meaning at the individual and group level, Thaipusam furnishes a public arena for and gives expression to a powerful Hindu resurgence, largely, though not exclusively, fuelled by Dravidian assertiveness. In situating the festival within the context of a Malaysia dominated by Malay and Islamic power brokers, a society in which both the Indian community and Hinduism are relegated to the margins, the book explores the festival of Thaipusam as a vehicle for mobilization of religious symbols and values which not only simultaneously articulate ethnicity and thus resist the forces which threaten cultural and religious integrity, but which also ultimately signal wider allegiances to the broader politico-cultural world of an imagined, immeasurably rich, and enduring Indo-Hindu civilization.

The phenomenon of caste has probably aroused more controversy than any other aspect of Indian life and thought. Susan Bayly's cogent and sophisticated analysis explores the emergence of the ideas, experiences and practices which gave rise to the so-called 'caste society' from the pre-colonial period to the end of the twentieth century. Using an historical and anthropological approach, she frames her analysis within the context of India's dynamic economic and social order, interpreting caste not as an essence of Indian culture and civilization, but rather as a contingent and variable response to the changes that occurred in the subcontinent's political landscape through the colonial conquest. The idea of caste in relation to Western and Indian 'orientalist' thought is also explored.

First published in 1974. Routledge is an imprint of Taylor & Francis, an informa company.

With a wide arc encompassing the institutional big men, who run technical institutes and colleges, and the micro-politics of friendships and relationships, this book is a deep dive into the world of Indian engineering colleges. It juxtaposes the stark realities and lived experiences of students against the global sensibilities and standards to which such institutes lay claim. From the 1980s to the early 2000s, Tamil Nadu witnessed a record rise in the number of private engineering colleges. However, despite the manifold increase in the number of institutions and consequently, first-generation learners, hierarchies and inequalities continue to be reproduced in these almost temple-like institutions. Groups lacking the explicit markers of cultural and social capital struggle to find employment. By presenting perspectives on engineering students desires, anxieties, and processes of self-construction, the monograph examines how gender differences are reinforced through language, rules, regulations, surveillance, and control. In shifting the theoretical emphasis from subjects to subjectivities, Hebbar draws on the youths narratives of upward social mobility, crafting respectability, and notions of adulthood, holding a mirror to the fraught social scape of Indias private education sector.

A study of the impact of caste and class on conceptions of gender, this book focuses on the lower castes/classes of South India. Examining the lives and work of ‘untouchable’ women in a village in Tamilnadu, the author explores the recently articulated critique of feminism that race, caste, and class may be more important factors than gender in a p

A Journey through Story to Poṉṉivaḷa Nāḍu: An Ancient Tamil Kingdom This remarkable epic-length legend presents a rich and well-rounded view of local South Asian folk history, masterfully interwoven with many social themes and multiple layers of religious tradition. The text provides a lively read and can be enjoyed by students of all backgrounds and levels. This richly decorated oral telling combines numerous poetic songs with direct conversations and detailed narrative passages. The descriptive segments help to advance a broader story trajectory, leading the reader towards a long-foretold, yet still surprising, conclusion. In 1965 a highly respected troubadour duo, C. Rāmacāmi of Erucaṇampāḷayam, and his nephew Paḷaṇicāmi, sang this magnificent legend in front of a live South Indian village audience. It took them eighteen nights to complete this tale! Weeks later the senior performer, Rāmacāmi, patiently dictated this same story to a local assistant who was working for the translator at the time. The text was meticulously written down by hand, phrase-by-phrase, over many days. Both bards wanted to preserve a story they knew in their hearts was truly unique and sacred. Each gave the present collector permission to share the words of this tale. They wanted the whole world to learn about a great legend they had themselves spent years learning. This story is about the potential for social renewal and those two singers believed it could better the lives of all who listened to it. Fifty-five years later, following in in the footsteps of these two men, their enthusiasm has now born fruit in a book they had both hoped for but could never have written themselves.