Peace, Culture, and Violence examines deeper sources of violence by providing a critical reflection on the forms of violence that permeate everyday life and our inability to recognize these forms of violence. Exploring the elements of culture that legitimize and normalize violence, the essays collected in this volume invite us to recognize and critically approach the violent aspects of reality we live in and encourage us to envision peaceful alternatives. Including chapters written by important scholars in the fields of Peace Studies and Social and Political Philosophy, the volume represents an endeavour to seek peace in a world deeply marred by violence. Topics include: thug culture, language, hegemony, police violence, war on drugs, war, terrorism, gender, anti-Semitism, and other topics. Contributors are: Amin Asfari, Edward Demenchonok, Andrew Fiala, William Gay, Fuat Gursozlu, Joshua M. Hall , Ron Hirschbein, Todd Jones, Sanjay Lal, Alessandro Rovati, Laleye Solomon Akinyemi, David Speetzen, and Lloyd Steffen.

Through this volume, UNESCO aims to further reflection on the major changes facing the international community today: how to replace the existing culture of violence with a culture of peace. The text presents contributions by eminent peace researchers, philosophers, jurists and educators on the multiple facets of a culture of peace. The contributors underline the universal nature of a culture of peace - some delve into its very concept, others analyze the manner in which it is achieved, while others concentrate on the global endeavour to which UNESCO is dedicated.

"Confronted with the roiling changes of the post-WWI world--from growing stateless populations to the resurgence of right-wing movements--the League of Nations aimed to counteract dangerous conflicts between national interests and generate instead a transnational, cosmopolitan dialogue on truth and justice. Amid widespread anxiety over truth and falsehood, an army of League personnel produced streams of documents in the pursuit of "shaping global public opinion." Combining the tools of global intellectual history and cultural history, A Violent Peace explores the power and the vulnerability of information systems while laying bare "the anatomy of fascism" in the interwar period. Carolyn Biltoft reopens the archives of the League to show how its attempt to operationalize information science in support of the post-WWI order proved ultimately pyrrhic as informational power struggles devolved into violence. A meditation on instability in information systems, the allure of fascism, and the contradictions at the heart of a global and violent modernity, A Violent Peace paints a rich portrait of the emergence of the age of information--and all its attendant problems"--

A Violent Peace offers a radical account of the United States' transformation into a total-war state. As the Cold War turned hot in the Pacific, antifascist critique disclosed a continuity between U.S. police actions in Asia and a rising police state at home. Writers including James Baldwin, Ralph Ellison, and W.E.B. Du Bois discerned in domestic strategies to quell racial protests the same counterintelligence logic structuring America's devastating wars in Asia. Examining U.S. militarism's centrality to the Cold War cultural imagination, Christine Hong assembles a transpacific archive—placing war writings, visual renderings of the American concentration camp, Japanese accounts of the atomic bombing of Hiroshima, black radical human rights petitions, Korean War–era G.I. photographs, Filipino novels on guerrilla resistance, and Marshallese critiques of U.S. human radiation experiments alongside government documents. By making visible the way the U.S. war machine waged informal wars abroad and at home, this archive reveals how the so-called Pax Americana laid the grounds for solidarity—imagining collective futures beyond the stranglehold of U.S. militarism.

This book explores how media and religion combine to play a role in promoting peace and inciting violence. It analyses a wide range of media - from posters, cartoons and stained glass to websites, radio and film - and draws on diverse examples from around the world, including Iran, Rwanda and South Africa. Part One considers how various media forms can contribute to the creation of violent environments: by memorialising past hurts; by instilling fear of the ‘other’; by encouraging audiences to fight, to die or to kill neighbours for an apparently greater good. Part Two explores how film can bear witness to past acts of violence, how film-makers can reveal the search for truth, justice and reconciliation, and how new media can become sites for non-violent responses to terrorism and government oppression. To what extent can popular media arts contribute to imagining and building peace, transforming weapons into art, swords into ploughshares? Jolyon Mitchell skillfully combines personal narrative, practical insight and academic analysis.

This volume brings together leading sociologists and anthropologists to break new ground in the study of cultural violence. First sketched in Raphael Lemkin’s seminal writings on genocide, and later systematically defined by peace studies scholar Johan Galtung, the concept of cultural violence seeks to explain why and how language, symbols, rituals, practices, and objects are so frequently in the crosshairs of socio-political change. Recent conflicts in the Middle East, Africa, and Central Asia, along with renewed public interest in the repertoire of violence applied to the control and erasure of indigenous populations, highlights the gaps in our understanding of why cultural violence occurs, what it consists of, and how it relates to other forms of collective violence.

As recent events demonstrate, violence, especially ethnic violence, is exceptionally hard to extinguish. Cease-fires almost never bring a complete end to the killing, and formal peace agreements are more often than not undone by men unwilling to forsake the gun. As John Darby argues in this original, holistic, and comparative treatment of the subject, "even when political violence is ended by a cease-fire, it reappears in other forms to threaten the evolving peace process." Unlike most scholars, Darby focuses on peace processes that have involved actors other than the United Nations. He analyzes the nature and impact of four interrelated kinds of violence: violence by the state, violence by militants, violence in the community, and the emergence of new violence-related issues during negotiations. For each kind of violence, the author draws out the policy implications, suggesting how the "guardians" of the peace process can defeat would-be spoilers and change a culture of violence. The volume concludes by distilling five propositions on the relationship between violence and peace processes. Insightful, concise, and highly readable, the book will engage the scholar, inspire the policymaker, and inform the student. In-depth profiles of the five featured cases (Northern Ireland, South Africa, Sri Lanka, Israel-Palestine, and the Basque country) provide ample background and enrich understanding.