This book reconsiders the archaeology of the Pazyryk, the horse-riding people of the Altai Mountains who lived in the 4th–3rd centuries BCE, in light of recent scientific studies and excavations not only in Russia but also Kazakhstan, Mongolia and China, together with new theories of landscape. Excavation of the Pazyryk burials sparked great interest because of their wealth of organic remains, including tattooed bodies and sacrificed horses, together with superb wooden carvings and colorful textiles. In view of this new research, the role of the Pazyryk Culture in the ancient globalized world can now be more focused and refined. In this synthetic study of the region, the Pazyryk Culture is set into the landscape using recent studies on climate, technology, human and animal DNA and local resources. It shows that this was a powerful, semi-sedentary, interdependent group with contacts in Eurasia to their west, and to their east in Mongolia and south in China. This book is for archaeologists, anthropologists, art historians, social and economic historians as well as persons with general interests in mobile pastoralism, the emergence of complex societies, the social roles of artifacts and the diverse nature of an interconnected ancient world.

Numerous Iron-Age nomadic alliances flourished along the 5000-mile Eurasian steppe route. From Crimea to the Mongolian grassland, nomadic image-making was rooted in metonymically conveyed zoomorphic designs, creating an alternative ecological reality. The nomadic elite nucleus embraced this elaborate image system to construct collective memory in reluctant, diverse political alliances organised around shared geopolitical goals rather than ethnic ties. Largely known by the term "e;animal style"e;, this zoomorphic visual rhetoric became so ubiquitous across the Eurasian steppe network that it transcended border regions and reached the heartland of sedentary empires like China and Persia. This book shows how a shared fluency in animal-style design became a status-defining symbol and a bonding agent in opportunistic nomadic alliances, and was later adopted by their sedentary neighbours to showcase worldliness and control over the "e;Other"e;. In this study of enormous geographical scope, the author raises broader questions about the place of nomadic societies in the art-historical canon.

This book presents 45 papers presented at a major international conference held at the British Museum during the 2017 BP exhibition 'Scythians: warriors of ancient Siberia'. Papers include new archaeological discoveries, results of scientific research and studies of museum collections, most presented in English for the first time.

Published by the American Geophysical Union as part of the Geophysical Monograph Series, Volume 198. Climates, Landscapes, and Civilizations brings together a collection of studies on the history of complex interrelationships between humans and their environment by integrating Earth science with archeology and anthropology. At a time when climate change, overpopulation, and scarcity of resources are increasingly affecting our ways of life, the lessons of the past provide multiple reference frames that are valuable for informing our future decisions and action plans. Volume highlights include discussions of multiple connotations of the Anthropocene, landscapes as a link between climate and humans, synoptic approaches to explore large-scale cultural patterns, regional studies for contextualizing cultural complexity, and environmental determinism and social theory. Straddling the fields of Earth sciences, anthropology, and archaeology and presenting research from across several continents, Climates, Landscapes, and Civilizations will appeal to a wide readership among scientists, scholars, and the public at large.

Sergei Ivanovich Rudenko was a prominent Russian/Soviet anthropologist and archaeologist who discovered and excavated the most celebrated of Scythian burials, Pazyryk in Siberia. During the excavation of Pazyryk tombs, he discovered the world's most spectacular tattooed mummy said to belong to the Pazyryk Culture which flourished between the 7th and 3rd centuries BC. Herodotus and other ancient writers referred to the Altay as "the golden mountain". It was there that the impregnable citadel of the Scythians (or Sacae) lay hidden for centuries. Rudenko, however, was cautious enough not to assign his findings to the Scythians. He attributed the kurgan finds to the formidable Iron Age horsemen and warriors, whom he dubbed the "Pazyryks." Although they left no written records, Pazyryk artifacts are distinguished by a sophisticated level of artistry and craftsmanship. The Pazyryk tombs discovered by Rudenko were in an almost perfect state of preservation. They contained skeletons and intact bodies of horses and embalmed humans, together with a wealth of artifacts including saddles, riding gear, a chariot, rugs, clothing, jewelry, musical instruments, amulets, tools, and an "apparatus for inhaling hemp smoke." Also found in the tombs were fabrics from Persia and China, which the Pazyryks must have obtained on journeys covering thousands of miles.

The human desire to adorn the body is universal and timeless. While specific forms of body decoration and the motivations for them vary by region, culture, and era, all human societies have engaged in practices designed to augment and enhance people’s natural appearance. Tattooing, the process of inserting pigment into the skin to create permanent designs and patterns, is one of the most widespread forms of body art and was practiced by ancient cultures throughout the world, with tattoos appearing on human mummies by 3200 BCE. Ancient Ink, the first book dedicated to the archaeological study of tattooing, presents new, globe-spanning research examining tattooed human remains, tattoo tools, and ancient art. Connecting ancient body art traditions to modern culture through Indigenous communities and the work of contemporary tattoo artists, the volume’s contributors reveal the antiquity, durability, and significance of body decoration, illuminating how different societies have used their skin to construct their identities.

Offers a stunning archaeological and art historical exploration of the changing traditions of belief in pre-Bronze and Bronze Age North Asia