LADIES AND GENTLEMEN, IT'S TIME TO REALLY MEET THE BEATLES. For John Lennon, a young, idealistic zombie guitarist with dreams of global domination, Liverpool seems the ideal place to form a band that could take over the world. In an inspired act, Lennon kills and reanimates local rocker Paul McCartney, kicking off an unstoppable partnership. With the addition of newly zombified guitarist George Harrison and drummer/Seventh Level Ninja Lord Ringo Starr, the Beatles soon cut a swath of bloody good music and bloody violent mayhem across Europe, America, and the entire planet. In this searing oral history, discover how the Fab Four climbed to the Toppermost of the Poppermost while stealing the hearts, ears, and brains of smitten teenage girls. Learn the tale behind a spiritual journey that resulted in the dismemberment of Maharishi Mahesh Yogi. Marvel at the seemingly indestructible quartet’s survival of a fierce attack by Eighth Level Ninja Lord Yoko Ono. And find out how the boys escaped eternal death at the hands of England’s greatest zombie hunter, Mick Jagger. Through all this, one mystery remains: Can the Beatles sublimate their hunger for gray matter, remain on top of the charts, and stay together for all eternity? After all, three of the Fab Four are zombies, and zombies live forever. . . .

New York Times Bestseller An accessible, compelling introduction to today’s major policy issues from the New York Times columnist, best-selling author, and Nobel prize–winning economist Paul Krugman, now with a new preface. There is no better guide than Paul Krugman to basic economics, the ideas that animate much of our public policy. Likewise, there is no stronger foe of zombie economics, the misunderstandings that just won’t die. In Arguing with Zombies, Krugman tackles many of these misunderstandings, taking stock of where the United States has come from and where it’s headed in a series of concise, digestible chapters. Drawn mainly from his popular New York Times column, they cover a wide range of issues, organized thematically and framed in the context of a wider debate. Explaining the complexities of health care, housing bubbles, tax reform, Social Security, and so much more with unrivaled clarity and precision, Arguing with Zombies is Krugman at the height of his powers. It is an indispensable guide to two decades’ worth of political and economic discourse in the United States and around the globe, and now includes a preface on "Zombies in the Age of COVID-19." With quick, vivid sketches, Krugman turns his readers into intelligent consumers of the daily news and hands them the keys to unlock the concepts behind the greatest economic policy issues of our time. In doing so, he delivers an instant classic that can serve as a reference point for this and future generations.

Tracing the the potential of sound, infrasound, and ultrasound to access anomalous zones of transmission between the realms of the living and the dead. For as long as recording and communications technologies have existed, operators have evoked the potential of sound, infrasound, and ultrasound to access anomalous zones of transmission between the realms of the living and the dead. In Unsound:Undead, contributors from a variety of disciplines chart these undead zones, mapping out a nonlinear timeline populated by sonic events stretching from the 8th century BC (the song of the Sirens), to 2013 (acoustic levitation), with a speculative extension into 2057 (the emergence of holographic and holosonic phenomena). For the past seven years the AUDINT group has been researching peripheral sonic perception (unsound) and the ways in which frequencies are utilized to modulate our understanding of presence/non-presence, entertainment/torture, and ultimately life/death. Concurrently, themes of hauntology have inflected the musical zeitgeist, resonating with the notion of a general cultural malaise and a reinvestment in traces of lost futures inhabiting the present. This undead culture has already spawned a Lazarus economy in which Tupac, ODB, and Eazy-E are digitally revivified as laser-lit holograms. The obscure otherworldly dimensions of sound have also been explored in the sonic fictions produced by the likes of Drexciya, Sun Ra, and Underground Resistance, where hauntology is virtually extended: the future appears in the cracks of the present. The contributions to this volume reveal how the sonic nurtures new dimensions in which the real and the imagined (fictional, hyperstitional, speculative) bleed into one another, where actual sonic events collide with spatiotemporal anomalies and time-travelling entities, and where the unsound serves to summon the undead. Contributors Lawrence Abu Hamdan, Lendl Barcelos, Charlie Blake, Lisa Blanning, Brooker Buckingham, Al Cameron, Erik Davis, Kodwo Eshun, Matthew Fuller, Kristen Gallerneaux, Lee Gamble, Agnès Gayraud, Steve Goodman, Anna Greenspan, Olga Gurionova, S. Ayesha Hameed, Tim Hecker, Julian Henriques, Toby Heys, Eleni Ikoniadou, Amy Ireland, Nicola Masciandaro, Ramona Naddaff, Anthony Nine, The Occulture, Luciana Parisi, Alina Popa, Paul Purgas, Georgina Rochefort, Steven Shaviro, Jonathan Sterne, Jenna Sutela, Eugene Thacker, Dave Tompkins, Shelley Trower, and Souzana Zamfe.

Betsy Taylor, Queen of the undead, has snagged a dream job in a shoe store (just like a normal person!). But when vampires start getting killed off, Betsy enlists the help of the sexy vampire Sinclair. Now she's really treading dangerous ground-but this time in brand-new high heels.

"The year is 1912. Theodore Weiss, a German scientist, has discovered a strange new plague that ravages its victims, transforming them into soulless, flesh-hungry monsters"--P. [4] of cover.

In his new novel, John Ajvide Lindqvist does for zombies what his previous novel, Let the Right One In, did for vampires. Across Stockholm the power grid has gone crazy. In the morgue and in cemeteries, the recently deceased are waking up. One grandfather is alight with hope that his grandson will be returned, but one husband is aghast at what his adored wife has become. A horror novel that transcends its genre by showing what the return of the dead might really mean to those who loved them.

THE HILLS ARE ALIVE...WITH THE SOUND OF SUCKING Maria von Trapp is sweet, innocent, and can sing like an angel. Oh, and she's also a bloodthirsty vampire. When Maria is kicked out of the zombie-infested abbey where she's been residing for the past 612 years, she's forced to take care of the family Von Trapp, a rowdy clan in need of some serious discipline... or vampirification. After Maria turns the Von Trapp children into children of the night and marries the Von Trapp patriarch, the family seems destined for eternal (really, really eternal) bliss. But the Nazi Undeath Squads are on the march, intent on ridding Europe of bloodsuckers. And Maria will have to do everything in her power—supernatural or otherwise—to save her vampire brood. Sixteen going on seventeen members of our legal team have instructed us to tell you, even though it should be obvious, that My Favorite Fangs was not prepared, authorized, licensed, approved, or endorsed by any person or entity involved in the creation or production of The Sound of Music film, or any version of the stage musical. That seventeenth wouldn't take our call because he was too busy drinking his tea—a drink with jam and bread—to weigh in.