What is memory today? How can it be approached? Why does the contemporary world seem to be more and more haunted by different types of memories still asking for elaboration? Which artistic experiences have explored and defined memory in meaningful ways? How do technologies and the media have changed it? These are just some of the questions developed in this collection of essays analysing memory and memory shapes, which explores the different ways in which past time and its elaboration have been, and still are, elaborated, discussed, written or filmed, and contested, but also shared. By gathering together scholars from different fields of investigation, this book explores the cultural, social and artistic tensions in representing the past and the present, in understanding our legacies, and in approaching historical time and experience. Through the analysis of different representations of memory, and the investigation of literature, anthropology, myth and storytelling, a space of theories and discourses about the symbolic and cultural spaces of memory representation is developed.

A scene so wildly and awfully desolate...it cannot fail to impress me with gloomy thoughts" - so Scott perceived the stark Antarctic landscape in 1905. Antarctica traces images of the continent from early invented maps of Terra Australis Incognita up to Amundsen's arrival at 90 degrees South. Approaching Antarctica from sea and then land, the book analyses the differing perceptions of beauty and terror experienced by explorers, the stories they brought back and the power of new images refashioned at home.

If there is one book that's missing from the ever-growing number of hockey books available, it is an A-to-Z guide of the sport's all-time greatest stars. Finally, that book has arrived. Veteran hockey authors Stan and Shirley Fischler's Who's Who in Hockey is the complete guide to the game's greatest players.This indispensable hockey reference book features all of the sport's most notable players, from Wayne Gretzky and Howie Morenz to Rocket Richard, Marcel Pronovost, and Bep Guidolin.For easy reference, this comprehensive 480-page volume is divided into three parts: pre-World War II players, World War II to Expansion, and From 1967-68 to the present.Each player's entry includes his biography, personal statistics, and career highlights, along with anecdotal information. In addition to player listings, this power-packed book will include: o Dozens of player photoso Capsule histories of every past and present NHL franchiseo The colorful history behind the Stanley Cupo Profiles of the game's best coaches and managers o Profiles of others who've helped make the game great, such as Pete and Jerry Cusimano, who pioneered the Detroit tradition of throwing octopuses onto the ice for luck.Perhaps the most complete compendium of biographies on hockey's greatest players ever published, Who's Who in Hockey will be a hot item with both die-hard and newer fans of this popular professional sport.

The editors and contributors to this pioneering volume have focused the lense of geography on new territory as they inquire critically into the spatial dimensions of Judaism, Christianity, and Islam, making this interdisciplinary project truly a new idea in the study of comparative religion and human geography. Editors Jamie Scott and Paul Simpson-Housley have organized the study into three broad areas of inquiry and have coined the term Geographics to encompass the three distinct yet interrelated spatial dimensions implicated in the study of religion. The first area concerns the literal role played by specific sites, regions, or geographical phenomena in the development of the three religions. The focus here is on city, wilderness, river valley, and mountain as well as flood, earthquake, whirlwind, and famine with attention devoted to methodological, epistemological, and ontological issues. The symbolic or interpreted role played by these same specific entities in the three religions is the second notion to be explored. The third focus is an inquiry into the geography of prophetic and apocalyptic visions and the role of geographical imagination in the development of religious self-understanding. This interface of natural and historical geography with the geography of the prophetic and apocalyptic imagination produces a graphic, sometimes terrifying landscape. The volume's nine essayists have approached their chapters with this threefold schematization in mind so that the book consists of one study devoted to each of these dimensions in Judaism, Christianity, and Islam, as well as an introduction and afterword by the editors. Each essay discusses the relationship of the spatial and the sacred in scripture and in subsequent literary and theological reflection upon scriptural themes. The range of topics and variety of approaches used reflect the interpretive ambiguities that stem from the unique social, political, and economic functions conferred on places and spaces of particular significance in the life and thought of a religious tradition or community. The section on Judaism explores Jewish agricultural settlements in Palestine; the Temple Mount al-haram al-sharif; and the Garden of Eden. Indepth looks at Finland, women's geography, and the apocalyptic world comprise the section on Christianity. Iranian feasting and pilgrimage circuits, modern Egypt, and sacred geography are assessed in the final section on Islam. This carefully edited, innovative study offers a unique approach to the study of religion and will be read profitably by scholars and students of religion and geography.

`The expression of human experience it embodies ... includes all personal history'. Saul Bellow's view of the city is far from that of classic geographical descriptions which look at growth or decline, demographic patterns, traffic flows and economic potential: these empirically conceived models of urban geography fail to accommodate the crucial human aspect of city life. Located at the interface of geography and literature, Writing the City visualizes the city through the hopes, aspirations, disappointments and pains of international novelists and creative writers. From Manchester, Montreal and Sydney to Osaka, Varanasi amd Odessa, cities become more than their built environment, more than a set of class or economic relationships: they are also an experience to be lived, suffered and undergone. Thus cities are seen in terms of the innocence of an Eden now lost, a threat of sinful Babylon and the promise of a New Jerusalem.

'Atkinson and Housley have produced a book that is a very competent, interesting and useful addition to other work in the field. Its distinctive contribution for me, lies in the exploration of the relationship between, and developments within interactionist sociologies' - Sociology What is symbolic interactionism? This refreshing and authoritative book provides readers with: · A guide to the essential thinking, research and concepts in interactionism · A demonstration of the use of the interactionist approach · An explaination of why the interactionist influence has not been fully acknowledged in Britain. The authors argue that few sociologists in Britain have identified themselves with symbolic interactionism, even though many have engaged with interactionist ideas in their research and methodological work. We are all interactionists now, in the sense that many of the key ideas of interactionism have become part of the mainstream of sociological thought. Currently fashionable approaches to sociology display a kind of collective amnesia. A good deal of today's ideas that are presented as 'novel' or 'innovative' only appear so because earlier contributions - interactionism among them - are not explicitly acknowledged.

Philip Guston (1913-1980) is one of the outstanding figures in twentieth century American art. Beginning as a muralist in the thirties, Guston embraced the lyrical vocabulary of Abstract Expressionism in his paintings and drawings after his move to the East Coast. Following an artistic crisis in the mid-sixties, his return to figuration focusing first on simple things of ordinary life, later evolving to the enigmatic and iconic cartoonlike forms for which he is now best known shook the art world. Night Studio is a deeply personal account of growing up in the shadow of a great artist, a daughter's quest to better understand her father, based on letters and notes by the artist, and interviews with those who knew him. First published to critical acclaim in 1988, this beautifully designed new edition is richly illustrated with a new selection of photographs and paintings, many in color. Also available: Philip Guston: Drawings for Poets ISBN 9783944874197 Philip Guston: Prints ISBN 9783944874180