Jon Kear examines Cezanne's youth in Provence, a formative period which left a deep and abiding impression on the artist's painting, as well as exploring his turbulent time in Paris and the larger-than-life artistic persona he created for himself during these years. His initial style, characterized by violent and explicit subject matter and a rugged manner of painting, gave rise to an enduring mythology of the artist. Jon Kear explores the personal and artistic relationships that influenced Cezanne: from his close friendship with Emile Zola to his artistic dialogue with Edouard Manet, collaboration with Camille Pissarro and association with the impressionists. Above all, this book tells the story of Cezanne's life as a part of the pivotal shift towards the twentieth century, illuminating how much his work and ideas helped to usher it in. -- Back cover of book.

Presents a revision of the late Columbia University art historian's lectures given at Indiana University in 1961.

This fourth volume of Professor Meyer Schapiro's Selected Papers contains his most important writings - some well-known and others previously unpublished - on the theory and philosophy of art. Schapiro's highly lucid arguments, graceful prose, and extraordinary erudition guide readers through a rich variety of fields and issues: the roles in society of the artist and art, of the critic and criticism; the relationships between patron and artist, psychoanalysis and art, and philosophy and art. Adapting critical methods from such wide-ranging fields as anthropology, linguistics, philosophy, biology, and other sciences, Schapiro appraises fundamental semantic terms such as "organic style, " "pictorial style," "field and vehicle, " and "form and content"; he elucidates eclipsed intent in a well-known text by Freud on Leonardo da Vinci, in another by Heidegger on Vincent van Gogh. He reflects on the critical methodology of Bernard Berenson, and on the social philosophy of art in the writings of both Diderot and the nineteenth century French artist/historian Eugene Fromentin. Throughout all of his writings, Meyer Schapiro provides us with a means of ordering our past that is reasoned and passionate, methodical and inventive. In so doing, he revitalizes our faith in the unsurpassed importance of both critical thinking and creative independence.