A whimsical novel with strong but emotive female characters in the tradition of Fried Green Tomatoes features a pair of sisters in Minnesota, including an abandoned mother, who open a cozy beauty salon. Reprint.

When teenage hockey player Joe Andreson and his widowed mother move to Minneapolis, Joe falls under the seductive spell of Kristi Casey, Ole Bull High’s libidinous head cheerleader. Joe balances Kristi’s lustful manipulation with the down-to-earth companionship of his smart, platonic girlfriend, Darva. But it is Kristi who will prove to be a temptation (and torment) throughout Joe’s life. Years later, Joe can’t believe that life has deposited him in the aisles of Haugland Foods. But he soon learns that being a grocer is like being the mayor of a small town: His constituents confide astonishing things and always appreciate Joe’s generous dispensing of the milk of human kindness. The path Kristi has charged down, on the other hand, is as wild as Joe’s is tame. But who has really risked more? Who has lived more? And who is truly happy? As Joe discovers, sometimes people are lucky enough to be standing in the one place where the view of the world is breathtaking, if only they’ll open their eyes to all there is to see. Praise for The View from Mount Joy: “A delightful journey . . . full of humor and poignancy and the potential for joy in everyday life.” –The Charlotte Observer “Deeply satisfying . . . Bursting with the same deliciously deadpan dialogue that is now a Landvik trademark . . . [The View from Mount Joy provides] quite possibly Landvik’s most lovable character to date.” –Minneapolis Star Tribune “Pervaded by the same tenderness readers loved in Landvik’s other books The View from Mount Joy . . . Should inspire interesting book club discussions.” –St. Paul Pioneer Press “[Landvik] has an easy, engaging narrative style laced with humor.” –The Boston Globe “Landvik’s latest homespun homage is pure bliss.” –Booklist NAMED ONE OF THE BEST BOOKS OF THE YEAR BY ST. PAUL PIONEER PRESS

Set adrift when her mother sells the salon that has been a neighborhood institution for decades, Nora Rolvaag takes a camping trip, intending to do nothing more than roast marshmallows over an open fire and under a starry sky. Two chance encounters, however, will have enormous consequences, and her getaway turns out to be more of a retreat from her daily life than she ever imagined. But Nora is the do-or-die-trying daughter of Patty Jane, who now must embrace the House of Curl’s slogan: “Expect the Unexpected.” With her trademark wit and warmth, Lorna Landvik follows Nora and an ever-growing cast of characters between city and wooded retreat, Minnesota and Norway, a past that’s secret and a future that’s promising, but uncertain. Responding to a mysterious letter with a Norwegian postmark, Nora’s grandmother Ione travels to her native land to tend to a dying cousin and her husband—two people who played a painful, pivotal role in her past. Nora accompanies her and is surprised by her grandmother’s long-ago love story—but even more surprised by the beginning of her own. A book about making new beginnings out of old endings, Once in a Blue Moon Lodge invites readers to check in, set down their baggage, and spend time with the kind of people who understand that while they can’t control all that life throws at them, they can at least control how they catch it. And as anyone who has stopped in at Patty Jane’s House of Curl will tell you: you’re in for a rollicking good time with characters whose strengths, foibles, and choices will have you laughing and crying. Hankerings for coffee and gingerbread cookies may also be experienced.

New York Times Bestseller • Finalist for the Pulitzer Prize • An Oprah's Book Club Selection “Powerful . . . [Kingsolver] has with infinitely steady hands worked the prickly threads of religion, politics, race, sin and redemption into a thing of terrible beauty.” —Los Angeles Times Book Review The Poisonwood Bible, now celebrating its 25th anniversary, established Barbara Kingsolver as one of the most thoughtful and daring of modern writers. Taking its place alongside the classic works of postcolonial literature, it is a suspenseful epic of one family's tragic undoing and remarkable reconstruction over the course of three decades in Africa. The story is told by the wife and four daughters of Nathan Price, a fierce, evangelical Baptist who takes his family and mission to the Belgian Congo in 1959. They carry with them everything they believe they will need from home, but soon find that all of it—from garden seeds to Scripture—is calamitously transformed on African soil. The novel is set against one of the most dramatic political chronicles of the twentieth century: the Congo's fight for independence from Belgium, the murder of its first elected prime minister, the CIA coup to install his replacement, and the insidious progress of a world economic order that robs the fledgling African nation of its autonomy. Against this backdrop, Orleanna Price reconstructs the story of her evangelist husband's part in the Western assault on Africa, a tale indelibly darkened by her own losses and unanswerable questions about her own culpability. Also narrating the story, by turns, are her four daughters—the teenaged Rachel; adolescent twins Leah and Adah; and Ruth May, a prescient five-year-old. These sharply observant girls, who arrive in the Congo with racial preconceptions forged in 1950s Georgia, will be marked in surprisingly different ways by their father's intractable mission, and by Africa itself. Ultimately each must strike her own separate path to salvation. Their passionately intertwined stories become a compelling exploration of moral risk and personal responsibility.

Levels of the Game is John McPhee's astonishing account of a tennis match played by Arthur Ashe against Clark Graebner at Forest Hills in 1968. It begins with the ball rising into the air for the initial serve and ends with the final point. McPhee provides a brilliant, stroke-by-stroke description while examining the backgrounds and attitudes which have molded the players' games. "This may be the high point of American sports journalism"- Robert Lipsyte, The New York Times

Beautifully rendered, heartbreakingly adorable, and wonderfully wacky knitted caps for newborns and toddlers Thirty-eight million Americans knit, and that number grows every day. The baby hat is the perfect project for knitters of any level, with enchanting patterns that are easy enough for rank beginners but also interesting enough for the most accomplished needle wielders, in yarns that range from silk and linen to cashmere and mohair. Susan Anderson’s Itty-Bitty Hats presents thirty-eight irresistible designs for infants and toddlers—fun, hip, creative patterns with decorative flourishes that are witty, whimsical, and undeniably unique. The projects are arranged by order of difficulty and accompanied by beautiful photographs, instructive how-to illustrations, and utterly clear instructions (with no confusing abbreviations or insider shorthand). Anderson also provides an indispensable introductory section on stitches, materials, equipment, terminology, and techniques, allowing even the most inexperienced knitter to get started confidently. Made for boys and girls, by parents and grandparents, aunts and even uncles, and, of course, best friends, the handmade hat is the perfect shower or birth or birthday gift—and Itty-Bitty Hats is the perfect gift for any knitter.