Patsy Walker has managed to escape her past, her enemies and Hell itself (literally) - but nothing compares to job hunting in New York City! Between trying to make rent and dodging bullets, Patsy barely has time to deal with her mother's exploitative romance comics about Patsy's past resurfacing, much less how they start to interfere with her work and dating life. As she goes from living a double life to a triple, what the hell is Patsy Walker supposed to do? There'll be friendship and burgers, monsters and rent checks and a ghost from the past with questionable motives! Comics' most flexible heroine has been a provisional Avenger, a Defender, Satan's daughter-in-law and a dead woman -but she's never been anything like this! Collects PATSY WALKER, A.K.A. HELLCAT! #1-5.

"[Patsy Walker] is on a mission to find the heir to the magical shamanic realm of Attakpanik, but she's closer to sinking the whole continental shelf and taking Tony Stark and S.H.I.E.L.D. down with her"--p. [4] of cover.

In another world they might be gal pals who help each other through hard times. But when Patsy Walker and Jessica Jones meet at last in the Marvel Universe, could it be they'll end up as...best frenemies?! Not everyone can get along all the time, which is why the world's heroes are about to be rocked by a second Civil War! But when the fallout from the battlefield hits close to home, Patsy is forced to take stock of her life and face what it really costs to be A.K.A. Hellcat! Plus, fallouts with former friends don't get any worse than Patsy and Hedy. Now Ms. Wolfe is about to torment her rival more than ever, with a little help from Patsy's evil exboyfriends! Will Hellcat get burned by her old flames? COLLECTING: PATSY WALKER, A.K.A. HELLCAT! #7-#12.

Collects Patsy Walker, A.K.A. Hellcat! #13-18. Hellcat has had nothing but bad luck ever since the Black Cat crossed her path. But now that Felicia's got a whole girl gang in her claws, how can Patsy possibly win this cat fight?! Especially with her best friend on the fence, and distracted by an old flame...

Baghdad, 2003. The reign of Saddam Hussein is over. The Americans are in command. And no one is in control. Former cop turned military contractor Christopher Henry knows that better than anyone. He’s in the country to train up a new Iraqi police force, and one of his recruits has just been murdered. With civil authority in tatters and dead bodies clogging the streets, Chris is the only person in the Green Zone with any interest in finding out who killed him-and why. Chris’ inquiry brings him first to Sofia, an American-raised Iraqi who now sits on the governing council, and then to Nassir, a grizzled veteran of Saddam’s police force-and probably the last real investigator left in Baghdad. United by death but divided by conflicting loyalties, the three must help each other navigate the treacherous landscape of post-invasion Iraq in order to hunt down the killers. But are their efforts really serving justice-or a much darker agenda? Inspired by his real-life experiences as a CIA operations officer in Iraq, writer Tom King (BATMAN) teams with artist Mitch Gerads to deliver a wartime crime thriller like no other in THE SHERIFF OF BABYLON VOL. 1: BANG. BANG. BANG., collecting issues #1-6 of their groundbreaking Vertigo series.

Collects Patsy Walker: Hellcat (2008) #1-5 and material from Marvel Comics Presents (2007) #1-4. Patsy Walker, S.H.I.E.L.D. wants YOU to join the Initiative...and protect the frozen north. You heard me right, sister. The Klondike. Seward's Folly. Alaska. So pack some long johns and prepare for trouble. Plus, we all know Patsy Walker is Hellcat, so who's the other Hellcat?

For the better part of three decades romance comics were an American institution. Nearly 6000 titles were published between 1947 and 1977, and for a time one in five comics sold in the U.S. was a romance comic. This first full-length study examines the several types of romance comics, their creators and publishing history. The author explores significant periods in the development of the genre, including the origins of Archie Comics and other teen publications, the romance comic "boom and bust" of the 1950s, and their sudden disappearance when fantasy and superhero comics began to dominate in the late 1970s.