Why has there not been more progress with reducing poverty in India? Patrons of the Poor offers a rich and contemporary account of politics and policymaking in India, as it seeks to provide an answer to this vital question. Despite unprecedented economic growth, the last twenty years have witnessed a growing divergence across Indian states in terms of their poverty alleviation records. In that context, and given that state governments are responsible for a wide range of redistributive policies, this book analyses trends in state politics and policymaking. Based on the analysis, it explains why some Indian states have managed to reduce poverty more effectively than others. Using detailed case studies from Karnataka and Tamil Nadu, the author examines the policymaking processes and political histories of these states. He argues that patterns of caste dominance combined with the degree of competition in populist policies can significantly explain whether states adopt pro-poor policies or not. Lakshman's analysis combines a deep reading of state-specific political and sociological data with a range of interviews with top political leaders, senior bureaucrats, and academics to corroborate his core argument.

A pregnant mother, a teacher who had fallen ill, a thirty-year-old homeless thief, refugees from war-torn communities, orphans, widows, the mentally disabled and domestic servants. What this diverse group of individuals—mentioned in a wide range of manuscript and print sources in German, Hebrew, and Yiddish—had in common was their appeal to early modern Jewish communities for aid. Poor relief administrators, confronted with multiple requests and a finite communal budget, were forced to decide who would receive support and how much, and who would not. Then as now, observes Debra Kaplan, public charity tells us about both donors and recipients, revealing the values, perceptions, roles in society, and the dynamics of power that existed between those who gave and those who received. In The Patrons and Their Poor, Kaplan offers the first extensive analysis of Jewish poor relief in early modern German cities and towns, focusing on three major urban Ashkenazic Jewish communities from the Western part of the Holy Roman Empire: Altona-Hamburg-Wandsbek, Frankfurt am Main, and Worms. She demonstrates how Jewish charitable institutions became increasingly formalized as Jewish authorities faced a growing number of people seeking aid amid limited resources. Kaplan explores the intersections between various sectors of the population, from wealthy patrons to the homeless and stateless poor, providing an intimate portrait of the early modern Ashkenazic community.

A NATIONAL BOOK AWARD FINALIST "Brilliant, honest, and equal parts heartbreaking and soul-healing." --Laurie Halse Anderson, author of SHOUT "A singular voice in the world of literature." --Jason Reynolds, author of Long Way Down A powerful coming-of-age story about grief, guilt, and the risks a Filipino-American teenager takes to uncover the truth about his cousin's murder. Jay Reguero plans to spend the last semester of his senior year playing video games before heading to the University of Michigan in the fall. But when he discovers that his Filipino cousin Jun was murdered as part of President Duterte's war on drugs, and no one in the family wants to talk about what happened, Jay travels to the Philippines to find out the real story. Hoping to uncover more about Jun and the events that led to his death, Jay is forced to reckon with the many sides of his cousin before he can face the whole horrible truth -- and the part he played in it. As gripping as it is lyrical, Patron Saints of Nothing is a page-turning portrayal of the struggle to reconcile faith, family, and immigrant identity.

To whom should we ascribe the great flowering of the arts in Renaissance Italy? Artists like Botticelli and Michelangelo? Or wealthy, discerning patrons like Cosimo de' Medici? In recent years, scholars have attributed great importance to the role played by patrons, arguing that some should even be regarded as artists in their own right. This approach receives sharp challenge in Jill Burke's Changing Patrons, a book that draws heavily upon the author's discoveries in Florentine archives, tracing the many profound transformations in patrons' relations to the visual world of fifteenth-century Florence. Looking closely at two of the city's upwardly mobile families, Burke demonstrates that they approached the visual arts from within a grid of social, political, and religious concerns. Art for them often served as a mediator of social difference and a potent means of signifying status and identity. Changing Patrons combines visual analysis with history and anthropology to propose new interpretations of the art created by, among others, Botticelli, Filippino Lippi, and Raphael. Genuinely interdisciplinary, the book also casts light on broad issues of identity, power relations, and the visual arts in Florence, the cradle of the Renaissance.

A study of patronage politics and the persistence of clientelism across a range of countries.

Originally presented as the author's thesis (Ph. D.)--Trinity Evangelical Divinity School, 2008.

Patrons of Enlightenment emphasizes the dependency of thinkers upon patrons and compares the patron-client relationships in the French, English, and Scottish republics of letters.