Antiquity was a multi-cultural and multi-religious world. Meetings and interactions between cultures in East and West, and the consequent widespread exchange of ideas had an enormous impact on cultural practices and the creation of identities. These cultural diversities are reflected by both the archaeological material and the written sources. Patrons of luxurious buildings, elaborate grave monuments, and churches used architecture and images to demonstrate political, social and religious power. These buildings and their embellishment with sculpture, mosaics and paintings were strong factors in communicating identity and attitudes both in the public and private spheres. The continuous production of mythological sculpture and mosaics coexisted, sometimes peacefully other times with violent consequences, with an increasing influence from new philosophical mind sets originating in the East, such as Christianity. In this period of rapid social and religious change new patrons appeared, such as bishops, who were responsible for the construction of churches commemorating the Christian triumph. The seminar focuses on the way patrons, pagan as well as Christian, conveyed messages through material culture and the responses of the viewers.

Late antique Corinth was on the frontline of the radical political, economic and religious transformations that swept across the Mediterranean world from the second to sixth centuries CE. A strategic merchant city, it became a hugely important metropolis in Roman Greece and, later, a key focal point for early Christianity. In late antiquity, Corinthians recognised new Christian authorities; adopted novel rites of civic celebration and decoration; and destroyed, rebuilt and added to the city's ancient landscape and monuments. Drawing on evidence from ancient literary sources, extensive archaeological excavations and historical records, Amelia Brown here surveys this period of urban transformation, from the old Agora and temples to new churches and fortifications. Influenced by the methodological advances of urban studies, Brown demonstrates the many ways Corinthians responded to internal and external pressures by building, demolishing and repurposing urban public space, thus transforming Corinthian society, civic identity and urban infrastructure. In a departure from isolated textual and archaeological studies, she connects this process to broader changes in metropolitan life, contributing to the present understanding of urban experience in the late antique Mediterranean.

What does it mean to identify oneself as pagan or Christian in Late Antiquity and the Early Middle Ages? How are religious identities constructed, negotiated, and represented in oral and written discourse? How is identity performed in rituals, how is it visible in material remains? Antiquity and the Middle Ages are usually regarded as two separate fields of scholarship. However, the period between the fourth and tenth centuries remains a time of transformations in which the process of religious change and identity building reached beyond the chronological boundary and the Roman, the Christian and ‘the barbarian’ traditions were merged in multiple ways. Being Pagan, Being Christian in Late Antiquity and Early Middle Ages brings together researchers from various fields, including archaeology, history, classical studies, and theology, to enhance discussion of this period of change as one continuum across the artificial borders of the different scholarly disciplines. With new archaeological data and contributions from scholars specializing on both textual and material remains, these different fields of study shed light on how religious identities of the people of the past are defined and identified. The contributions reassess the interplay of diversity and homogenising tendencies in a shifting religious landscape. Beyond the diversity of traditions, this book highlights the growing capacity of Christianity to hold together, under its control, the different dimensions – identity, cultural, ethical and emotional – of individual and collective religious experience.

Through intensive surveys of three fortifications in late Roman Greece, Frey reveals the untapped potential of spolia in demonstrating the critical role played by non-elites in bringing about the architectural and social changes that mark the end of classical antiquity. As his analysis demonstrates, when studied less as displaced objects to be classified by type and more as evidence for the construction process itself, spolia offer a unique opportunity to examine the ways in which common builders met the challenge of using pre-existing building materials to meet their contemporary architectural needs. This “bottom-up” approach offers an alternative to the traditional view that attributes change and innovation only to the genius of prominent individuals known to us in historical sources.

Places and spaces are key factors in how individuals and groups construct their identities. Identity theories have emphasised that the construction of an identity does not follow abstract and universal processes but is also deeply rooted in specific historical, cultural, social and material environments. The essays in this volume explore how various groups in Late Antiquity rooted their identity in special places that were imbued with meanings derived from history and tradition. In Part I, essays explore the tension between the Classical heritage in public, especially urban spaces, in the form of ancient artwork and civic celebrations and the Church's appropriation of that space through doctrinal disputes and rival public performances. Parts II and III investigate how particular locations expressed, and formed, the theological and social identities of Christian and Jewish groups by bringing together fresh insights from the archaeological and textual evidence. Together the essays here demonstrate how the use and interpretation of shared spaces contributed to the self-identity of specific groups in Late Antiquity and in so doing issued challenges, and caused conflict, with other social and religious groups.

In the last twenty years scholarship on late antique and early medieval Ravenna has resulted in a certain number of publications mainly focused on the fields of architecture, mosaics and archaeology. On the contrary, much less attention has been paid on labour – both manual and intellectual – as well as the structure of production and objects derived from manufacturing activities, despite the fact that Ravenna is the place which preserves the highest number of historical evidence among all centres of the late Roman Mediterranean. Its cultural heritage is vast and composite, ranging from papyri to inscriptions, from ivories to marbles, as well as luxury objects, pottery, and coins. Starting from concrete typologies of hand-manufactured goods existing in the Ravennate milieu, the book aims at exploring the multifaceted traditions of late antique and early Byzantine handicraft from the fourth to the eighth century AD. Its perspective is to pay attention more on patronage, social taste, acculturation, workers and the economic industry of production which supported the demand, circulation and distribution of artefacts, than on the artistic evaluation of the objects themselves.

Inscribing Faith in Late Antiquity considers the Greek and Latin texts inscribed in churches and chapels in the late antique Mediterranean (c. 300–800 CE), compares them to similar texts from pagan, Jewish, and Muslim spaces of worship, and explores how they functioned both textually and visually. These texts not only recorded the names and prayers of the faithful, but were powerful verbal and visual statements of cultural values and religious beliefs, conveying meaning through their words as well as through their appearances. In fact, the two were intimately connected. All of these texts – Christian, Jewish, Muslim, and pagan – acted visually, embracing their own materiality as mosaic, paint, or carved stone. Colourful and artfully arranged, the inscriptions framed human relationships with the divine, encouraged responses from readers, and made prayers material. In the first in-depth examination of the inscriptions as words and as images, the author reimagines the range of aesthetic, cultural, and religious experiences that were possible in spaces of worship. Inscribing Faith in Late Antiquity is essential reading for those interested in Roman, late antique, and Byzantine material and visual culture, inscriptions and other texts, and religious life in the ancient Mediterranean.