From the Sunday Times bestselling author of 50 People Who Buggered Up Britain, Quentin Letts, comes his blistering new book on how Britain's out-of-touch, illiberal elite fills its boots. 'HILARIOUS' Daily Mail 'With its vicious takedowns, Quentin Letts' laugh-out-loud Patronising Bastards will have the lefty-elite running scared' The Sun Not since Marie Antoinette said 'Let them eat cake' have the peasants been so revolting. Western capitalism's elites are bemused: Brexit, Trump, and maybe more eruptions to follow. But their rulers were so good to them! Hillary Clinton called the ingrates 'a basket of deplorables', Bob Geldof flicked them a V sign, Tony Blair thought voters too thick to understand the question. Wigged judges stared down their legalistic noses at a surging, pongy populous. These people who know best, these snooterati with their faux-liberal ways, are the 'Patronising Bastards'. Their downfall is largely of their own making - their Sybaritic excesses, an obsession with political correctness, the prolonged rape of reason and rite. You'll find these self-indulgent show-ponys not just in politics and the cloistered old institutions but also in high fashion, football, among the clean-eating foodies and at the Baftas and Oscars, where celebritydom hires PR smoothies to massage reputations and mislead, distort, twist. Political columnist and bestselling author Quentin Letts identifies these condescending creeps and their networks, their methods and their dubious morals. Letts kebabs them like mutton. It's baaaahd. It's juicy. Richard Branson, Emma Thompson, Shami Chakrabarti, Jean-Claude Juncker and any head waiter who calls you 'young man' - this one's for you!

From the Sunday Times bestselling author of 50 People Who Buggered Up Britain, Quentin Letts, comes his blistering new book on how Britain's out-of-touch, illiberal elite fills its boots. 'HILARIOUS' Daily Mail 'With its vicious takedowns, Quentin Letts' laugh-out-loud Patronising Bastards will have the lefty-elite running scared' The Sun Not since Marie Antoinette said 'Let them eat cake' have the peasants been so revolting. Western capitalism's elites are bemused: Brexit, Trump, and maybe more eruptions to follow. But their rulers were so good to them! Hillary Clinton called the ingrates 'a basket of deplorables', Bob Geldof flicked them a V sign, Tony Blair thought voters too thick to understand the question. Wigged judges stared down their legalistic noses at a surging, pongy populous. These people who know best, these snooterati with their faux-liberal ways, are the 'Patronising Bastards'. Their downfall is largely of their own making - their Sybaritic excesses, an obsession with political correctness, the prolonged rape of reason and rite. You'll find these self-indulgent show-ponys not just in politics and the cloistered old institutions but also in high fashion, football, among the clean-eating foodies and at the Baftas and Oscars, where celebritydom hires PR smoothies to massage reputations and mislead, distort, twist. Political columnist and bestselling author Quentin Letts identifies these condescending creeps and their networks, their methods and their dubious morals. Letts kebabs them like mutton. It's baaaahd. It's juicy. Richard Branson, Emma Thompson, Shami Chakrabarti, Jean-Claude Juncker and any head waiter who calls you 'young man' - this one's for you!

From the Sunday Times bestselling author Which fifty people made Britain the wreck she is? From ludicrous propagandist Alastair Campbell to the Luftwaffe's allies, the modernist architects, it's time to name the guilty. Quentin Letts sharpens his nib and stabs them where they deserve it, from TV gardener Alan Titchmarsh, the dumbed-down buffoon who put the 'h' in Aspidistra, to the perpetrators of the 'Credit Crunch'. Margaret Thatcher ruptured our national unity. The creators of EastEnders trashed our brand over high tea. Thus, he argues, are the people who made our country the ugly, scheming, cheating, beer-ridden bum of the Western world. Here are the fools and knaves and vulgarians who ripped down our British glories and imposed the tawdry and the trite. In a half century we have gone from end-of-Empire to descent-into-Hell.

'The inimitable Quentin Letts dares to say in a new book what we've all been secretly thinking' Mail on Sunday 'Fuming and chuckling by turns' Daily Telegraph 'Underneath the jocularity of Letts's style is a lot of real anger' Roger Lewis, The Times Hands, face, space. Curfews. Don't drink. Bend your knees. Conform, obey, comply - surrender. British life has become infested by bossiness. Post Lockdown, Quentin Letts storms back with a vituperative howl against the 'bossocracy'. They tell us what to do, what to say, how to think. Letts gives them a prolonged, resonant raspberry. He names the guilty men and women: Dominic Cummings, Prof Neil Ferguson, that strutting self-polisher Nicola Sturgeon, the Archbishop of Canterbury, Cressida Dick, Michael Gove, even the sainted Sir David Attenborough. Bang! They all take a barrel. And then there's publicity-prone plonker Matt Hancock posing for photographs while doing his 'Mr Fit' press-ups. Reasonable people have had enough of being bossed about. And when reasonable people stop respecting the law, society has a problem. 'Brilliantly critical, but always warm-hearted and fair' Rory Knight Bruce, The Field

David has no greater wish than to explore the mountains behind his new home in North Carolina and as he does he finds a wonder never dreamed of, the Phoenix. The Phoenix introduces David to an endless list of his friends from mythology and in the process opens David's eyes to the wide world both the unseen world and seen world. In the unseen world David and the Phoenix share many adventures all the while a scientist is trying to capture the Phoenix to prove to the world that the bird is real. The phoenix takes David on "educational field trips" to meet sea monsters, fauns and other creatures. Plus they hatch a hysterical plot to scare off an over eager scientist from the phoenix's trail. David learns some valuable lessons about life, one is that nothing remains the same as one grows up. The other is... well perhaps you should read the book yourself and find your own lessons within the pages. A well written story, "David and the Phoenix" has no particular time setting so that it could very well be placed in current time. It brings back to me memories of times when life was much simpler, more pleasant and without the problems we as adults face. It's a story of childhood and the dreams that children of every age share and which we all to soon leave behind. Of course, there is the traditional fiery death of the phoenix in the story.

Embracing studies of football fans across Europe, this book tackles questions of power, national and regional identities, and race and racism, highlighting the changing role of fans in the game. Combining new approaches to the study of fan culture with critical assessments of the commercialization of the game, this fascinating book offers a comprehensive and timely examination of the state of European football supporters culture as the game prepares itself for the next millennium. The contributors, all leading figures in sports studies, consider: * whether football remains the peoples game, or if it is now run entirely by and for club owners and directors who have overseen the flotation of clubs on the stock exchange, a new focus on merchandising and the escalation of players salaries * the role of FIFA and UEFA in the struggle for control of world football * manifestations of racism and extreme nationalism in football, from the English medias xenophobic coverage of Euro 96 to the demonisation of Eric Cantona * media representations of national identity in football coverage in Germany, France and Spain * the interplay of national, religious and club identities among fans in England, Scotland, Ireland, Portugal and Scandinavia * the role of the law in regulating football * the future for supporters at a time when watching the match is more likely to mean turning on the television than going to a football ground.

We have always made monsters: in art, in myth, in religion; out of clay or bronze, pixels or hybrid flesh; from the stuff of human nightmares; by cursing women with bestial traits. This anthology brings together fiction and accessible academic writing in conversation about monsters and their roles in our lives-and ours in theirs.