Traces the central role played by aristocratic patronage in the transformation of the city of Rome at the end of antiquity. It moves away from privileging the administrative and institutional developments related to the rise of papal authority as the paramount theme in the city's post-classical history. Instead the focus shifts to the networks of reciprocity between patrons and their dependents. Using material culture and social theory to challenge traditional readings of the textual sources, the volume undermines the teleological picture of ecclesiastical sources such as the Liber Pontificalis, and presents the lay, clerical, and ascetic populations of the city of Rome at the end of antiquity as interacting in a fluid environment of alliance-building and status negotiation. By focusing on the city whose aristocracy is the best documented of any ancient population, the volume makes an important contribution to understanding the role played by elites across the end of antiquity.

How did the community we glimpse in the New Testament become an institution quite willing to have the emperor Constantine as a primary public partner? By tracing the use of resources, titles, and functions of leaders and patterns of honor giving, Wheatley traces from a wide variety of sources both acceptance and revision of Roman patronage in this countercultural community. Along the way, it is possible to see dissident groups like the Montanists and Marcionites more clearly and sympathetically, and to ask ourselves some pertinent questions about how a Christian community might function in the twenty-first century.

Behind every great movement of God stands a few generous men and women called Gospel Patrons. This book tells three of their stories from history and invites us to believe God, step out, and serve the purposes of God in our generation too. For bulk orders and more resources, please visit: gospelpatrons.org "I read this book from cover to cover. I couldn't put it down. I'm praying for thousands of similar Gospel Patrons for our generation." -Todd Harper, President of Generous Giving "This is a great read! I love the way these stories paint a picture of stewarding relationship, affluence, and influence to lay up treasure in heaven." -David Wills, President of National Christian Foundation "Gospel Patrons is one of the most important books I have seen this year! It's 100 years overdue and these untold stories urgently need to be told today." -George Verwer, Founder of Operation Mobilization "As I read Gospel Patrons, I found myself weeping for joy. May the Lord powerfully use this vision around the globe!" -Howard Dayton, Founder of Compass--Finances God's Way

David A. deSilva demonstrates in this book how paying attention to the cultural themes of honor, patronage, kinship and purity opens us to new facets of the New Testament documents.

The distinctions and similarities among Roman, Jewish, and Christian burials can provide evidence of social networks, family life, and, perhaps, religious sensibilities. Is the Roman development from columbaria to catacombs the result of evolving religious identities or simply a matter of a change in burial fashions? Do the material remains from Jewish burials evidence an adherence to ancient customs, or the adaptation of rituals from surrounding cultures? What Greco-Roman funerary images were taken over and "baptized" as Christian ones? The answers to these and other questions require that the material culture be viewed, whenever possible, in situ, through multiple disciplinary lenses and in light of ancient texts. Roman historians (John Bodel, Richard Saller, Andrew Wallace-Hadrill), archaeologists (Susan Stevens, Amy Hirschfeld), scholars of rabbinic period Judaism (Deborah Green), Christian history (Robin M. Jensen), and the New Testament (David Balch, Laurie Brink, O.P., Margaret M. Mitchell, Carolyn Osiek, R.S.C.J.) engaged in a research trip to Rome and Tunisia to investigate imperial period burials first hand. Commemorting the Dead is the result of a three year scholarly conversation on their findings.

Drawing on rich archival research and focusing on works by leading artists including Guido Reni and Gian Lorenzo Bernini, Karen J. Lloyd demonstrates that cardinal nephews in seventeenth-century Rome – those nephews who were raised to the cardinalate as princes of the Church – used the arts to cultivate more than splendid social status. Through politically savvy frescos and emotionally evocative displays of paintings, sculptures, and curiosities, cardinal nephews aimed to define nepotism as good Catholic rule. Their commissions took advantage of their unique position close to the pope, embedding the defense of their role into the physical fabric of authority, from the storied vaults of the Vatican Palace to the sensuous garden villas that fused business and pleasure in the Eternal City. This book uncovers how cardinal nephews crafted a seductively potent dialogue on the nature of power, fuelling the development of innovative visual forms that championed themselves as the indispensable heart of papal politics. The book will be of interest to scholars working in art history, early modern studies, religious history, and political history.

Gillian Mackie examines the decorative schemes, now often the only way to determine the function, patronage, and meaning of the building, of surviving early medieval chapels built in Italy and Istria from AD312-740.