After the Civil War, many Americans did not identify strongly with the concept of a united nation. Francesca Morgan finds the first stirrings of a sense of national patriotism--of "these United States--in the work of black and white clubwomen in the late nineteenth and early twentieth centuries. Morgan demonstrates that hundreds of thousands of women in groups such as the Woman's Relief Corps, the National Association of Colored Women, the Universal Negro Improvement Association, the United Daughters of the Confederacy, and the Daughters of the American Revolution sought to produce patriotism on a massive scale in the absence of any national emergency. They created holidays like Confederate Memorial Day, placed American flags in classrooms, funded monuments and historic markers, and preserved old buildings and battlegrounds. Morgan argues that while clubwomen asserted women's importance in cultivating national identity and participating in public life, white groups and black groups did not have the same nation in mind and circumscribed their efforts within the racial boundaries of their time. Presenting a truly national history of these generally understudied groups, Morgan proves that before the government began to show signs of leadership in patriotic projects in the 1930s, women's organizations were the first articulators of American nationalism.

America’s Changing Icons is a discursive examination of the female patriotic icon in the United States. This creative and entertaining work examines her use and decline, particularly in the 20th century, with a particular focus on popular culture icons like Lady Columbia, Rosie the Riveter, and Wonder Woman. These fictional creations, used with advertisements; letters; and literature of the eras work together to craft a multi-layered and dynamic portrait of cultural politics, tides, and perceptions about American women, life, and place.

"Patriotic Lady" is a historical novel by Marjorie Bowen depicting the life of Emma, Lady Hamilton, best remembered as Lord Nelson's mistress. Their love story was so charming that it secured an eternal place in the collection of true-life historical romances. Yet, Marjorie Bowen portrays Emma unusually realistically. The author equally reflects her flaws and merits, as well as incredible adventures, plots, and intrigues that always follow the lives of prominent political figures.

Women of the Republic views the American Revolution through women's eyes. Previous histories have rarely recognized that the battle for independence was also a woman's war. The "women of the army" toiled in army hospitals, kitchens, and laundries. Civilian women were spies, fund raisers, innkeepers, suppliers of food and clothing. Recruiters, whether patriot or tory, found men more willing to join the army when their wives and daughters could be counted on to keep the farms in operation and to resist enchroachment from squatters. "I have Don as much to Carrey on the warr as maney that Sett Now at the healm of government," wrote one impoverished woman, and she was right. Women of the Republic is the result of a seven-year search for women's diaries, letters, and legal records. Achieving a remarkable comprehensiveness, it describes women's participation in the war, evaluates changes in their education in the late eighteenth century, describes the novels and histories women read and wrote, and analyzes their status in law and society. The rhetoric of the Revolution, full of insistence on rights and freedom in opposition to dictatorial masters, posed questions about the position of women in marriage as well as in the polity, but few of the implications of this rhetoric were recognized. How much liberty and equality for women? How much pursuit of happiness? How much justice? When American political theory failed to define a program for the participation of women in the public arena, women themselves had to develop an ideology of female patriotism. They promoted the notion that women could guarantee the continuing health of the republic by nurturing public-spirited sons and husbands. This limited ideology of "Republican Motherhood" is a measure of the political and social conservatism of the Revolution. The subsequent history of women in America is the story of women's efforts to accomplish for themselves what the Revolution did not.

The inner sanctum of Confederate president Jefferson Davis has been breached. Information is leaking to the enemy. Who is the spy? No one is privy to this information except Jeffersons advisors, and they are beyond repute. Based on a true story, Lady Patriot reveals an intimate look into the prejudices and patriotism of three ladies who lived during the Civil War: Varina Davis, Elizabeth Van Lew, and Mary Bowser. Lady Patriot combines Langes signature comedy and drama as it peels away traditional stereotypes prevalent in the South during the Confederacy.