Spanning four seasons, 10 countries, three teaching jobs, and countless buses, Patagonian Road chronicles Kate McCahill's solo journey from Guatemala to Argentina. In her struggles with language, romance, culture, service, and homesickness, she personifies a growing culture of women for whom travel is not a path to love but to meaningful work, rare inspiration, and profound self-discovery. Following Paul Theroux's route from his 1979 travelogue, McCahill transports the reader from a classroom in a Quito barrio to a dingy room in an El Salvadorian brothel, and from the neighborhoods of Buenos Aires to the heights of the Peruvian Andes. A testament to courage, solitude, and the rewards of taking risks, Patagonian Road proves that discovery, clarity, and simplicity remain possible in the 21st century, and that travel holds an enduring capacity to transform.

Patagonia is the ultimate landscape of the mind. Like Siberia and the Sahara, it has become a metaphor for nothingness and extremity. Its frontiers have stretched beyond the political boundaries of Argentina and Chile to encompass an evocative idea of place. A vast triangle at the southern tip of the New World, this region of barren steppes, soaring peaks and fierce winds was populated by small tribes of hunter-gatherers and roaming nomads when Ferdinand Magellan made landfall in 1520. A fateful moment for the natives, this was the start of an era of adventure and exploration. Soon Sir Francis Drake and John Byron, and sailors from Europe and America, would be exploring Patagonia's bays and inlets, mapping fjords and channels, whaling, sifting the streams for gold in the endless search for Eldorado. As the land was opened up in the nineteenth century, a crazed Frenchman declared himself King. A group of Welsh families sailed from Liverpool to Northern Patagonia to found a New Jerusalem in the desert. Further down the same river, Butch and Sundance took time out from bank robbing to run a small ranch near the Patagonian Andes. All these, and later travel writers, have left sketches and records, memoirs and diaries evoking Patagonia's grip on the imagination. From the empty plains to the crashing seas, from the giant dinosaur fossils to glacial sculptures, the landscape has inspired generations of travellers and artists.

This book offers a comprehensive and systematic overview of the flourishing genre of the contemporary Latin American road movie, of which Diarios de motocicleta and Y tu mamá también are only the best-known examples. It offers the first systematic survey of the genre and explains why the road movie is key to contemporary Latin American cinema and society. Proposing the new category of “counter-road movie,” and paying special attention to the genre’s intricate relationship to modernity, Nadia Lie charts the variety of the road movie through films by both renowned and emerging filmmakers. The Latin American (Counter-) Road Movie and Ambivalent Modernity engages with ongoing debates on transnationalism and takes the reader along a wide range of topics, from exile to undocumented migration, from tourism to internally displaced people.

The acclaimed travel writer journeys by train across the Americas from Boston to Patagonia in this international bestselling travel memoir. Starting with a rush-hour subway ride to South Station in Boston to catch the Lake Shore Limited to Chicago, Paul Theroux takes a grand railway adventure first across the United States and then south through Mexico, Central America, and across the Andes until he winds up on the meandering Old Patagonian Express steam engine. His epic commute finally comes to a halt in a desolate land of cracked hills and thorn bushes that reaches toward Antarctica. Along the way, Theroux demonstrates how train travel can reveal “"the social miseries and scenic splendors” of a continent. And through his perceptive prose we learn that what matters most are the people he meets along the way, including the monologuing Mr. Thornberry in Costa Rica, the bogus priest of Cali, and the blind Jorge Luis Borges, who delights in having Theroux read Robert Louis Stevenson to him.

An account of Theroux's trip by train from Boston to Bogota, Columbia.

"Nowhere is a Place recounts Paul Theroux's and Bruce Chatwin's impressions of this little-known windswept wilderness and reveals the powerful effect Patagonia has had on the Western literary imagination since the age of exploration. Patagonia has cast its spell on authors as diverse as Magellan, Darwin, W. H. Hudson, Shakespeare, Samuel Taylor Coleridge, Conan Doyle, Edgar Allan Poe, and Herman Melville. "It has a look of antiquity, of desolation, of eternal peace. " (W. H. Hudson)" "Jeff Gnass's spectacular full-color photographs capture Patagonia's stark, compelling beauty: from the granite spires of Torres del Paine in Chile to sculpted icebergs at the terminus of Glaciar Moreno to great lenticular clouds gliding above Cordillera Paine in Chile. As Gnass explains in his notes, Nowhere Is a Place offers "a clear impression of one of the wildest places on earth, and also encourages understanding of this unique region and a realization of the need for such wild places where man is forever a visitor.""--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

Tim Cahill reports on the road trip to end all road trips: a journey that took him from Tierra del Fuego to Prudhoe Bay, Alaska, in a record-breaking twenty three and a half days.