Monasticism has a special position in the history of pastoral care. It produced innovations in various aspects of pastoral care despite, or more precisely, because of its isolation in legal or social terms from the secular world. The thirteen papers contained in this volume will reveal that there was a great variety in the ways pastoral care continued to be practised by monasticism, depending on time, space, and the nature of each religious order. Adopting a comparative approach, their historical and geographical range of investigation is not limited to medieval Europe but expands to the Americas and even to Japan in the early Modern Age. This volume bases on a conference held on 1 and 2 March 2019 at Okayama University, Japan, as part of the close collaboration between a Japanese research group on Christian/Buddhist religious movements and the Research Project "Monasteries in the High Middle Ages: Innovation Laboratories for European Life Designs and Regulatory Models" of the Saxon and the Heidelberg Academies of Sciences and Humanities, as well as the Research Center for Comparative History of Religious Orders (FOVOG, Dresden).

The Origins of Buddhist Monastic Codes in China contains the first complete translation of China's earliest and most influential monastic code. The twelfth-century text Chanyuan qinggui (Rules of Purity for the Chan Monastery) provides us with a wealth of detail on all aspects of life in public Buddhist monasteries during the Sung (960-1279). Part One consists of Yifa's overview of the development of monastic regulations in Chinese Buddhist history, a biography of the text's author, and an analysis of the social and cultural context of premodern Chinese Buddhist monasticism. Of particular importance are the interconnections made between Chan traditions and the dual heritages of Chinese culture and Indian Buddhist Vinaya. Although much of the text's source material is traced directly to the Vinayas and the works of the Vinaya advocate Daoan (312-385) and the Lu master Daoxuan (596-667), the Chanyuan qinggui includes elements foreign to the original Vinaya texts - elements incorporated from Chinese governmental policies and traditional Chinese etiquette. Following the translator's overview is a complete translation of the text, extensively annotated.

In World History as the History of Foundations, 3000 BCE to 1500 CE, Michael Borgolte investigates the origins and development of foundations from Antiquity to the end of the Middle Ages. In his survey foundations emerge not as mere legal institutions, but rather as “total social phenomena” which touch upon manifold aspects, including politics, the economy, art and religion of the cultures in which they emerged. Cross-cultural in its approach and the result of decades of research, this work represents by far the most comprehensive account of the history of foundations that has hitherto been published.

Cistercian Spirituality: An Ashram Perspective is a spiritual directory written by Fr. Francis Acharya for the monastic community that he founded at Kurisumala (Kerala, India). As the editor, Fr. Michael Casey, relates in the introduction: This book is offered to a wider world in the hope that it will serve as a means of making and deepening contact with the spirit of the Cistercian tradition not so much as it is written but as it has been lived for over six decades by a deeply spiritual man. To those who know of Kurisumala Ashram or who have read the biography of Fr. Francis, it will provide a gateway to an understanding of the interior life of this remarkable monk. In particular, his description of the stages of the experience of prayer will certainly be helpful to many who, like him, are lifelong seekers of the unseen God." Francis Acharya, OCSO, left the Belgian monastery of Scourmont in 1955, after twenty years as a Trappist, to live his monastic life in India. His experiences put him in contact with such other pioneering spirits as Henri Le Saux (Abishiktananda), Jules Monchanin (In Quest of the Absolute), and Bede Griffiths (Return to the Centre, The Golden String), and led to an uncommonly successful inculturation of Christian monasticism within Indian culture and spirituality at Kurisumala, where he served as Acharya, teacher, until his death in 2001. His biography, Kurisumala: Francis Mahieu Acharya, A Pioneer of Christian Monasticism in India, is also published by Cistercian Publications. "

Over more than two millennia, the world's leading religious traditions have provided the guidance in questions of when war can be justified, and of what methods and targets are permissible in war. Linking deep historical analysis to contemporary issues, this volume provides insight to the understanding of the role and influence of religion in the state politics. The book examines the norms of war in Hinduism, in Theravada Buddhism, in Japanese religion, in Judaism, in Roman Catholic Christianity, in Eastern Orthodox Christianity, in Protestant Christianity, in Shia Islam and in Sunni Islam, and discusses norms of war in cross-religious perspective.--Publisher's description.

With its vivid descriptions of courtly society, gardens, and architecture in early eleventh-century Japan, The Tale of Genji—recognized as the world’s first novel—has captivated audiences around the globe and inspired artistic traditions for one thousand years. Its female author, Murasaki Shikibu, was a diarist, a renowned poet, and, as a tutor to the young empress, the ultimate palace insider; her monumental work of fiction offers entry into an elaborate, mysterious world of court romance, political intrigue, elite customs, and religious life. This handsomely designed and illustrated book explores the outstanding art associated with Genji through in-depth essays and discussions of more than one hundred works. The Tale of Genji has influenced all forms of Japanese artistic expression, from intimately scaled albums to boldly designed hanging scrolls and screen paintings, lacquer boxes, incense burners, games, palanquins for transporting young brides to their new homes, and even contemporary manga. The authors, both art historians and Genji scholars, discuss the tale’s transmission and reception over the centuries; illuminate its place within the history of Japanese literature and calligraphy; highlight its key episodes and characters; and explore its wide-ranging influence on Japanese culture, design, and aesthetics into the modern era. p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 14.0px Verdana}