Greek and Roman epic poetry has always provided creative artists with a rich storehouse of themes: this volume is the first systematic attempt to chart its afterlife across a range of diverse performance traditions, with analysis ranging widely across time, place, genre, and academic and creative disciplines.

When Near Becomes Far explores the representations and depictions of old age in the rabbinic Jewish literature of late antiquity (150-600 CE). Through close literary readings and cultural analysis, the book reveals the gaps and tensions between idealized images of old age on the one hand, and the psychologically, physiologically, and socially complicated realities of aging on the other hand. The authors argue that while rabbinic literature presents a number of prescriptions related to qualities and activities that make for good old age, the respect and reverence that the elderly should be awarded, and harmonious intergenerational relationship, it also includes multiple anecdotes and narratives that portray aging in much more nuanced and poignant ways. These anecdotes and narratives relate, alongside fantasies about blissful or unnoticeable aging, a host of fears associated with old age: from the loss of physical capability and beauty to the loss of memory and mental acuity, and from marginalization in the community to being experienced as a burden by one's children. Each chapter of the book focuses on a different aspect of aging in the rabbinic world: bodily appearance and sexuality, family relations, intellectual and cognitive prowess, honor and shame, and social roles and identity. As the book shows, in their powerful and sensitive treatments of aging, rabbinic texts offer some of the richest and most audacious observations on aging in ancient world literature, many of which still resonate today.

The death and devastation wrought by the tsunami in South Asia, Hurricane Katrina in the Gulf states, the earthquake in Pakistan, the mudslides in the Philippines, the tornadoes in the American Midwest, another earthquake in Indonesia-these are only the most recent acts of God to cause people of faith to question God's role in the physical universe. Volcanic eruptions, wildfires, epidemics, floods, blizzards, droughts, hailstorms, and famines can all raise the same questions: Can God intervene in natural events to prevent death, injury, sickness, and suffering? If so, why does God not act? If not, is God truly the All-Loving, All-Powerful, and All-Present Being that many religions proclaim? Grappling with such questions has always been an essential component of religion, and different faiths have arrived at wildly different answers. To explore various religious explanations of the tragedies inflicted by nature, author Gary Stern has interviewed 43 prominent religious leaders across the religious spectrum, among them Rabbi Harold Kushner, author of When Bad Things Happen to Good People; Father Benedict Groeschel, author of Arise from Darkness; The Rev. James Rowe Adams, founder of the Center for Progressive Christianity; Kenneth R. Samples, vice president of Reason to Believe; Dr. James Cone, the legendary African American theologian; Tony Campolo, founder of the Evangelical Association for the Promotion of Education; Dr. Sayyid Syeed, general secretary of the Islamic Society of North America; Imam Yahya Hendi, the first Muslim chaplain at Georgetown University; Dr. Arvind Sharma, one of the world's leading Hindu scholars; Robert A. F. Thurman, the first American to be ordained a Tibetan Buddhist monk; David Silverman, the national spokesman for American Atheists; and others—rabbis, priests, imams, monks, storefront ministers, itinerant holy people, professors, and chaplains—Jews, Roman Catholics, mainline Protestants, evangelical Christians, Muslims, Hindus, Buddhists, and Atheists-people of belief, and people of nonbelief, too. Stern asked each of them probing questions about what their religion teaches and what their faith professes regarding the presence of tragedy. Some feel that the forces of nature are simply impersonal, and some believe that God is omniscient but not omnipotent. Some claim that nature is ultimately destructive because of Original Sin, some assert that the victims of natural disasters are sinners who deserve to die, and some explain that natural disasters are the result of individual and collective karma. Still others profess that God causes suffering in order to test and purify the victims. Stern, an award-winning religion journalist, has extensive experience in this type of analytical journalism. The result is a work that probes and challenges real people's beliefs about a subject that, unfortunately, touches everyone's life.

#1 NEW YORK TIMES BEST SELLER • From the award-winning, best-selling author of the classic A Little Life—a bold, brilliant novel spanning three centuries and three different versions of the American experiment, about lovers, family, loss and the elusive promise of utopia. A BEST BOOK OF THE YEAR: VOGUE • ESQUIRE • NPR • GOODREADS To Paradise is a fin de siècle novel of marvelous literary effect, but above all it is a work of emotional genius. The great power of this remarkable novel is driven by Yanagihara’s understanding of the aching desire to protect those we love—partners, lovers, children, friends, family, and even our fellow citizens—and the pain that ensues when we cannot. In an alternate version of 1893 America, New York is part of the Free States, where people may live and love whomever they please (or so it seems). The fragile young scion of a distinguished family resists betrothal to a worthy suitor, drawn to a charming music teacher of no means. In a 1993 Manhattan besieged by the AIDS epidemic, a young Hawaiian man lives with his much older, wealthier partner, hiding his troubled childhood and the fate of his father. And in 2093, in a world riven by plagues and governed by totalitarian rule, a powerful scientist’s damaged granddaughter tries to navigate life without him—and solve the mystery of her husband’s disappearances. These three sections comprise an ingenious symphony, as recurring notes and themes deepen and enrich one another: A townhouse in Washington Square Park in Greenwich Village; illness, and treatments that come at a terrible cost; wealth and squalor; the weak and the strong; race; the definition of family, and of nationhood; the dangerous righteousness of the powerful, and of revolutionaries; the longing to find a place in an earthly paradise, and the gradual realization that it can’t exist. What unites not just the characters, but these Americas, are their reckonings with the qualities that make us human: Fear. Love. Shame. Need. Loneliness.

A NEW YORK TIMES NOTABLE BOOK OF THE YEAR • From the widely acclaimed, bestselling author of American War—a beautifully written, unrelentingly dramatic, and profoundly moving novel that looks at the global refugee crisis through the eyes of a child. "Told from the point of view of two children, on the ground and at sea, the story so astutely unpacks the us-versus-them dynamics of our divided world that it deserves to be an instant classic." —The New York Times Book Review More bodies have washed up on the shores of a small island. Another overfilled, ill-equipped, dilapidated ship has sunk under the weight of its too many passengers: Syrians, Ethiopians, Egyptians, Lebanese, Palestinians, all of them desperate to escape untenable lives back in their homelands. But miraculously, someone has survived the passage: nine-year-old Amir, a Syrian boy who is soon rescued by Vänna. Vänna is a teenage girl, who, despite being native to the island, experiences her own sense of homelessness in a place and among people she has come to disdain. And though Vänna and Amir are complete strangers, though they don’t speak a common language, Vänna is determined to do whatever it takes to save the boy. In alternating chapters, we learn about Amir’s life and how he came to be on the boat, and we follow him and the girl as they make their way toward safety. What Strange Paradise is the story of two children finding their way through a hostile world. But it is also a story of empathy and indifference, of hope and despair—and about the way each of those things can blind us to reality.