Passages: On geo-analysis and the aesthetics of precarity is a multi-genre and transdisciplinary text addressing themes such as colonialism, nuclear zones of abandonment, migration control regimes, transnational domestic work, the biocolonial hostilities of the hospitality industry, legal precarities behind the international criminal justice regime, the shadow-worlds of the African soccerscape, and immunity regimes related to the COVID-19 pandemic. This book invites inquiry into today’s apocalyptic narratives, humanitarian reason, and international criminal justice regimes, as well as the precarity generated by citizen time and 'consulate time'. The aesthetic breaks emerging from the book’s image-text montage draw attention to the ethics of encounter and passage that challenges colonial, domestic, and nation-statist sovereignty regimes of inattention.

London's histories of migration and settlement and the resulting diverse, hybrid communities have engendered new forms of social and cultural activity reflected in a wealth of novels, poems, films and songs. Postcolonial London explores the imaginative transformation of the city by African, Asian, Caribbean and South Pacific writers since the 1950s. John McLeod engages freshly with the work of both well-known and emergent writers, including Sam Selvon, Doris Lessing, V. S. Naipaul, Salman Rushdie, Hanif Kureishi, Colin MacInnes, Bernardine Evaristo, Linton Kwesi Johnson and Fred D'Aguiar. In reading a select body of writing in its social contexts and exploring contrasting attitudes to London's diasporic transformation, he traces an exciting history of resistance to the prejudice and racism that have at least in part characterised the postcolonial city. Rewritings of London, he argues, bear witness to the determination, imagination and creativity of the city's migrants and their descendants. This is a superb study of the ways in which 'imperial centre' might be rewritten as postcolonial metropolis. It represents essential reading for those interested in British or postcolonial literature, or in theorisations of the city and metropolitan culture.

Did Jesus rise from the dead? The question is one on which the truth of the Christian faith turns (1 Cor. 15). If Jesus did not rise, you may as well close down your church! In this volume, prominent Internet apologist James Patrick Holding and a team of Christian authors provide a series of essays defending the Resurrection as a historical event, taking on criticisms from every angle - from that which is scholarly to that which is plain lunacy! With this book, you'll be prepared to meet many of today's greatest challenges to the core event of the Christian faith. "Both the interested reader and especially the student of this subject should find many worthwhile discussions that are easily worth the price of the book." - from the Foreword by Dr. Gary Habermas

Performance and performativity are important terms for a theorization of gender and race/ethnicity as constitutive of identity. This collection reflects the ubiquity, diversity, and (historical) locatedness of ethnicity and gender by presenting contributions by an array of international scholars who focus on the representation of these crucial categories of identity across various media, including literature, film, documentary, and (music) video performance. The first section, "Political Agency," stresses instances where the performance of ethnicity/gender ultimately aims at a liberating effect leading to more autonomy. The second section, "Diasporic Belonging," explores the different kinds of negotiations of ethnic performances in multi-ethnic contexts. The third part, "Performances of Ethnicity and Gender" scrutinizes instances of the combined performance of ethnicity and gender in novels, films, and musical performances. The last section "Cross-Ethnic Traffic" contains a number of contributions that are concerned with attempts at crossing over from "one ethnicity into another" by way of performance.

In essays and analyses of 12 stories by established writers and students, bestselling author Madison Smartt Bell emphasizes the primary importance of form as the backdrop against which all other elements of a story much work.

Offers a fresh perspective on Richard Rorty by situating his work in the arena of political theory. Reinterpreting Rorty's antirepresentationalism as a Romantic affirmation of the power of imaginative writing, this work provides an assessment of this important thinker's value to the political discourse of the 21st century.

Like sounds of beautiful music, worship can renew us for God's glory and our good by the invigorating power of God's reverberating Word. It is God's story that redeems all our stories. We want to tell it again and again as best we can, clearly conveying its message, meaning, richness, claim, and call. Through its every facet and component, worship that is biblically expositional can heighten how we proclaim God's story, faithfully and creatively pointing to the One who alone offers us true identity, security, and destiny. "If you seek me you will find me, if you search with all your heart," declares the Lord. With the ancient prophets and apostles we must repeat and repeat and repeat the most wonderful truth that God wants to be found. In Christian worship such tremendous and tender encounter is available to us as nowhere else.