‘Raat baaki, baat baaki... Hona hai jo, ho jaane do...’ Sensuous, glamorous and bold, Parveen Babi set the Hindi cinema screen ablaze during the 1970s and ’80s, breaking the ‘pious, nice girl’ mould of the film heroine and redefining it after her own style. On screen, she sizzled in unforgettable roles in blockbusters like Deewaar, Shaan, Kaalia and Amar Akbar Anthony – while, off-screen, her bohemian and unabashed lifestyle lit up gossip columns, and her appearance on the cover of Time magazine, a first for an Indian, created a stir nationwide. Yet, for all the sensational rumours and films her life inspired, Parveen has remained something of an enigma to generations of fans. In Parveen Babi: A Life, Karishma Upadhyay traces the journey of a shy but ambitious girl from an aristocratic family in Junagadh, Gujarat, to a life of merciless scrutiny that comes with being in the Bollywood spotlight. Exploring with depth and sensitivity the myriad facets of the actress’s life, she lays bare little-known details about Parveen’s doomed romances, her obsession with the spiritual guide who advised her to quit films, the tumultuous years of battling mental illness and her tragic, untimely demise. Rich with insights from the star’s friends, former lovers and colleagues, this compelling narrative captures the nuances of an extraordinary life – the highs and lows of finding fame, love and solace, and then, in the end, losing it all.

Robert John Christo; popularly known as Bob Christo; was born in 1938 in Sydney; Australia. After completing his civil engineering in Sydney; he took on projects which involved supporting the military supply lines of the South Vietnamese army and working as construction supervisor on the film sets of Apocalypse Now. Led by his instincts; Christo zealously followed one aspiration after another: chasing after a lost spy ship; running an escort service; modelling for African beer; singing in rock concerts; and so on. Bob Christo landed his first film role at the age of sixteen in a German movie; after working as an extra in the Düsseldorf National Theatre; Germany. Hoping to meet Parveen Babi in India; he chanced upon a part in Sanjay Khan’s Abdullah (1980) and then went on to act in hundreds of Hindi; Telugu; Tamil; Malayalam and Kannada films. In the year 2000 he became a yoga instructor after shifting base from Mumbai to Bangalore; where he passed away on 20 March 2011.

Few lives have been more eventful and controversial than Protima Bedi's, and Timepass, derived from her unfinished autobiography, journals and her letters to family, friends and lovers, is a startlingly frank and passionate memoir. Protima recounts with unflinching honesty the events that shaped her life: her humiliation as a child at being branded the ugly duckling, repeated rape by a cousin when she was barely ten, the failure of her 'open' marriage with Kabir Bedi, her many sexual encounters, and the romantic relationships she had with prominent politicians and artistes. She writes, too, of her intense involvement with dance, her relationship with her guru and fellow dancers, the difficult mission of establishing Nrityagram, and the suicide of her son--a tragedy from which she never fully recovered. In a moving epilogue to the book, her daughter, Pooja Bedi, describes her last days and the circumstances of her death. Illustrated with over fifty photographs, Timepass is the story of a remarkable woman who had the spirit, the courage and the intelligence to live life entirely on her own terms. I have broken every single rule that our society has so carefully constructed. doing and never given a damn. I have flaunted my youth, my sex, my intelligence, and I have done it shamelessly. I have loved many, been loved by some...

'A journey to the end of thought. An empty box within an empty box. There is no truth. The robot is dreaming.' This Dog Barking chronicles the story of U.G. Krishnamurti, the Cosmic Naxalite, from his troubled childhood to his disillusionment with many of the leading spiritual teachers of the twentieth century and his catastrophic personal life. In 1967, UG underwent a series of biological mutations that left him in the 'natural state' - functioning without the interference of thought. With no fixed address, no followers and no organization, UG spent the next thirty years travelling the world with an uncompromising message: that 'mind is a myth' and the human condition should be demystified and de-psychologized and viewed in purely physiological terms.Candid and clear-eyed, this is a profoundly thought-provoking biography of one of the most radical philosophers of our age.

100 Iconic Bollywood Costumes is a definitive guide to these colorful silver screen outfits and more Beautifully illustrated and a must-buy for fans and scholars of women's fashion and Bollywood cinema Full of insider know-how from designer legends such as Manish Malhotra 100 Iconic Bollywood Costumes is a celebration of fashion in Indian cinema, studded with beautiful illustrations of India's most enduring glam icons. It pays tribute to the colorful silver screen looks that have not only come to define their lms and actresses, but have also shaped the way millions of Indian women view style: Madhubala's classic Anarkali in Mughal-e-Azam (1960), Kajol's tomboy chic in Kuch Kuch Hota Hai (1998), Kareena Kapoor's game-changing Patialas in Jab We Met (2007), and many more. Packed with insider know-how on the creative processes behind these influential costumes - from designer legends such as Manish Malhotra to the stylish performers themselves - 100 Iconic Bollywood Costumes is a must-have for both fans and scholars of women's fashion, Bollywood cinema, and the quintessential quirks of modern Indian culture.

Offers a compilation of discussions between UG Krishnamurti and various questioners in India, Switzerland, Austria, Netherlands and UK. This book aims to show that the religious states of bliss and ecstasy can never be experienced, can never be grasped, contained, much less given expression to, by any man.

In this pathbreaking work, Shrayana Bhattacharya maps the economic and personal trajectories--the jobs, desires, prayers, love affairs and rivalries--of a diverse group of women. Divided by class but united in fandom, they remain steadfast in their search for intimacy, independence and fun. Embracing Hindi film idol Shah Rukh Khan allows them a small respite from an oppressive culture, a fillip to their fantasies of a friendlier masculinity in Indian men. Most struggle to find the freedom-or income-to follow their favourite actor. Bobbing along in this stream of multiple lives for more than a decade-from Manju's boredom in 'rurban' Rampur and Gold's anger at having to compete with Western women for male attention in Delhi's nightclubs, to Zahira's break from domestic abuse in Ahmedabad-Bhattacharya gleans the details on what Indian women think about men, money, movies, beauty, helplessness, agency and love. A most unusual and compelling book on the female gaze, this is the story of how women have experienced post-liberalization India.