They are simple phrases. They sound Christian—like something you might find in the Bible. We’ve all heard these words. Maybe we’ve said them. They capture some element of truth, yet they miss the point in important ways. Join Adam Hamilton in this 5-week Bible study to search for the whole truth by comparing common Christian clichés with the wisdom found in Scripture. The clichés include: Everything happens for a reason. God helps those who help themselves. God won’t give you more than you can handle. God said it, I believe it, that settles it. Love the sinner, hate the sin.

Winner of the 2003 Trillium Book Award "Stories are wondrous things," award-winning author and scholar Thomas King declares in his 2003 CBC Massey Lectures. "And they are dangerous." Beginning with a traditional Native oral story, King weaves his way through literature and history, religion and politics, popular culture and social protest, gracefully elucidating North America's relationship with its Native peoples. Native culture has deep ties to storytelling, and yet no other North American culture has been the subject of more erroneous stories. The Indian of fact, as King says, bears little resemblance to the literary Indian, the dying Indian, the construct so powerfully and often destructively projected by White North America. With keen perception and wit, King illustrates that stories are the key to, and only hope for, human understanding. He compels us to listen well.

You've heard of these groups - the secretive ones that only the crème de la crème are invited into, the ones outsiders speculate about for centuries - I'm the second in my family invited to attend, but to them, I'm fresh meat. New blood. New money, too. They think they'll elbow past me, that I'm here for their amusement, for them to walk all over, they'll find out soon enough that I'm not. I may look like one of them, with my designer bags and clothes straight from the Parisian runways, but I'm not. I'm here for answers, to take revenge for blood spilled on their centuries-old Persian rugs. I transferred here in search for answers about what happened to my older brother, who hightailed out of here, and my friend who seemingly disappeared into thin air. I certainly wasn't here for the attention of the star hockey player, regardless of how much he willed my eyes his way. I wasn't here for his scrutiny or his judgment or to read into his mysterious aura. I was here for the society, because only they held the answers I needed. That was, until I found out that in order to get those answers, I needed to go through him. He's saying if I want in, I have to play by their rules, follow their lead. It's a game I'm willing to play. I may be the second person I know of to be invited into their society, but I'll be the first to make it out intact. *This is a complete standalone novel*

"Why do we lie? What types of lies are there? What are the consequences of lying? What methods are used to detect lies? And when is it okay or even good to lie? From forgeries and hoaxes to plagiarism and placebos, [this book] offers historical anecdotes, scientific studies, and sociocultural analyses to help unpack the complex world of untruths"--Amazon.com.

Nothing in Soviet-style communism was as shrouded in mystery as its secret police. Its paid employees were known to few and their actual numbers remain uncertain. Its informers and collaborators operated clandestinely under pseudonyms and met their officers in secret locations. Its files were inaccessible, even to most party members. The people the secret police recruited or interrogated were threatened so effectively that some never told even their spouses, and many have held their tongues to this day, long after the regimes fell. With the end of communism,ÿmany ofÿtheÿnewly established governments?among them Romania?s?opened their secret police archives. From those files,ÿas well asÿher personal memories, the author has carried out historical ethnography of the Romanian Securitate.ÿSecrets and Truthsÿis not only of historical interest but has implications for understanding the rapidly developing ?security state? of the neoliberal present. ÿ

In this “powerful personal story woven with a rich analysis of what we all seek” (Sergey Brin, cofounder of Google), Mo Gawdat, Chief Business Officer at Google’s [X], applies his superior logic and problem solving skills to understand how the brain processes joy and sadness—and then he solves for happy. In 2001 Mo Gawdat realized that despite his incredible success, he was desperately unhappy. A lifelong learner, he attacked the problem as an engineer would: examining all the provable facts and scrupulously applying logic. Eventually, his countless hours of research and science proved successful, and he discovered the equation for permanent happiness. Thirteen years later, Mo’s algorithm would be put to the ultimate test. After the sudden death of his son, Ali, Mo and his family turned to his equation—and it saved them from despair. In dealing with the horrible loss, Mo found his mission: he would pull off the type of “moonshot” goal that he and his colleagues were always aiming for—he would share his equation with the world and help as many people as possible become happier. In Solve for Happy Mo questions some of the most fundamental aspects of our existence, shares the underlying reasons for suffering, and plots out a step-by-step process for achieving lifelong happiness and enduring contentment. He shows us how to view life through a clear lens, teaching us how to dispel the illusions that cloud our thinking; overcome the brain’s blind spots; and embrace five ultimate truths. No matter what obstacles we face, what burdens we bear, what trials we’ve experienced, we can all be content with our present situation and optimistic about the future.

Just the Funny Parts is a juicy and scathingly funny insider look at how pop culture gets made. For more than thirty years, writer, producer and director Nell Scovell worked behind the scenes of iconic TV shows, including The Simpsons, Late Night with David Letterman, Murphy Brown,NCIS,The Muppets, and Sabrina, the Teenage Witch, which she created and executive produced. In 2009, Scovell gave up her behind-the-scenes status when the David Letterman sex scandal broke. Only the second woman ever to write for his show, Scovell used the moment to publicly call out the lack of gender diversity in late-night TV writers’ rooms. “One of the boys” came out hard for “all of the girls.” Her criticisms fueled a cultural debate. Two years later, Scovell was collaborating with Sheryl Sandberg on speeches and later on Lean In, which resulted in a worldwide movement. Now Scovell is opening up with this fun, honest, and often shocking account. Scovell knows what it’s like to put words in the mouths of President Barack Obama, Mark Harmon, Candice Bergen, Bob Newhart, Conan O’Brien, Alyssa Milano, and Kermit the Frog, among many others. Through her eyes, you’ll sit in the Simpson writers’ room… stand on the Oscar red carpet… pin a tail on Miss Piggy…bond with Star Trek’s Leonard Nimoy… and experience a Stephen King-like encounter with Stephen King. Just the Funny Parts is a fast-paced account of a nerdy girl from New England who fought her way to the top of the highly-competitive, male-dominated entertainment field. The book delivers invaluable insights into the creative process and tricks for navigating a difficult workplace. It's part memoir, part how-to, and part survival story. Or, as Scovell puts it, “It’s like Unbroken, but funnier and with slightly less torture.”