By the end of the nineteenth century, Paris was widely acknowledged as the cultural capital of the world, the home of avant-garde music and art, symbolist literature and bohemian culture. Edinburgh, by contrast, may still be thought of as a rather staid city of lawyers and Presbyterian ministers, academics and doctors. While its great days as a centre for the European Enlightenment may have been behind it, however, late Victorian Edinburgh was becoming the location for a new set of cultural institutions, with its own avant-garde, that corresponded with a renewed Scottish national consciousness. While Morningside was never going to be Montparnasse, the period known as the Belle Epoque was a time in both French and Scottish society when there were stirrings of non-conformity, which often clashed with a still powerful establishment. And in this respect, French bourgeois society could be as resistant to change as the suburbs of Edinburgh. With travel and communication becoming ever easier, a growing number of international contacts developed that allowed such new and radical cultural ideas to flourish. In a series of linked essays, based on research into contemporary archives, documents and publications in both countries, as well as on new developments in cultural research, this book explores an unexpected dimension of Scottish history, while also revealing the Scottish contribution to French history. In a broader sense, and particularly as regards gender, it considers what is meant by 'modern' or 'radical' in this period, without imposing any single model. In so doing, it seeks not to treat Paris-Edinburgh links in isolation, or to exaggerate them, but to use them to provide a fresh perspective on the internationalism of the Belle Epoque.

Paris is the city of chic—and as such, its innate style shines throughout the city, even in the simplest spaces. Quaint bistros, picturesque alleyways, artists’ studios and unique characters are elevated to a modern-day genre painting when set in Paris. From skateboarders to antiquarians, this volume is a glimpse into Parisian life, as if peering over the edge of the balcony at your own pied-a-terre.

"In July 1905, in Paris, a young woman, a bride, becomes Marie Schad. In April 1984, in London, Marie Schad is declared to be no more--indeed, to never have been, and returns to France. Paris Bride pursues this no-woman in a wild attempt to glimpse her face in the modernist crowd. With increasing desperation the pages of Stephane Mallarmé, Oscar Wilde, Franz Kafka, Virginia Woolf, Katherine Mansfield, Louis Aragon, André and Walter Benjamin are all ransacked for traces of Marie. What is pieced precariously together is an experimental life--a properly modernist life, a life that, by its very obscurity, lives the obscure life of modernism itself.

A New York Times bestseller For readers of Eat Pray Love, Under the Tuscan Sun, and The 4-Hour Workweek, comes a funny, romantic, and inspiring travel memoir about a woman who quits her job, moves to Paris, and finds love—and herself. Exhausted and on the verge of burnout, Janice MacLeod cuts back, saves up, and buys herself two years of freedom in Europe. In Paris, Janice meets Christophe, the cute butcher down the street—who doesn't speak English. They embark on a whirlwind Paris romance, and she soon realizes she can never return to the world of twelve-hour workdays. But her dwindling savings force her to find a way to fund her dreams again. So Janice turns to her three loves—words, art, and Christophe—to figure out a way to make her happily-ever-after in Paris last forever. Not only is this a charming nonfiction love story, but it's also filled with financial tips, including MacLeod's list of "100 Ways to Save," and other practical advice to make your dream of living abroad reality. Paris Letters invites you to experience the magic of Paris, find inspiration in Janice's journey, and perhaps, ignite your own quest for a life less ordinary. Praise for Paris Letters: "Janice MacLeod's charming Paris Letters takes us on her starry-eyed discovery of Paris, the joys of learning the French language, a unique career in art and, best of all, the romance of a lifetime! C'est bon!"—Lynne Martin, author of Home Sweet Anywhere "Written as though to a best friend telling her story over lattes—or café crème. Relatable and inspiring ... cleverly crafted with wit and unexpected wisdom"—New York Journal of Books "Aspirational fiction? No, a true story to inspire similar dreamers out there."—National Geographic's "Intelligent Travel" A wonderful gift for the armchair traveler, artist, and people who love to travel.