Roaming Paris streets by night in the early 1930s, Brassa created arresting images of the city's dramatic nocturnal landscape. First published in French in 1932, this new edition brings one of Brassa's finest works back into print. The back alleys, metro stations, and bistros he photographed are at turns hauntingly empty or peopled by prostitutes, laborers, thugs, and lovers. "Paris by Night" is a stunning portrait of nighttime in the City of Light, as captured by its most articulate observer. 62 photos.

Roaming Paris streets by night in the early 1930s, Brassaï created arresting images of the city's dramatic nocturnal landscape.The back alleys, metro stations, and bistros he photographed are at turns hauntingly empty or peopled by prostitutes, laborers, thugs, and lovers.'Paris by Night', first published in French in 1932, collected sixty of these images, which have since become photographic icons.This new edition brings one of Brassaï's finest works back into print. 'Paris by Night' is a stunning portrait of nighttime in the City of Light, as captured by its most articulate observer.

Paris. The name alone conjures images of chestnut-lined boulevards, sidewalk cafés, breathtaking façades around every corner--in short, an exquisite romanticism that has captured the American imagination for as long as there have been Americans. In 1995, Adam Gopnik, his wife, and their infant son left the familiar comforts and hassles of New York City for the urbane glamour of the City of Light. Gopnik is a longtime New Yorker writer, and the magazine has sent its writers to Paris for decades--but his was above all a personal pilgrimage to the place that had for so long been the undisputed capital of everything cultural and beautiful. It was also the opportunity to raise a child who would know what it was to romp in the Luxembourg Gardens, to enjoy a croque monsieur in a Left Bank café--a child (and perhaps a father, too) who would have a grasp of that Parisian sense of style we Americans find so elusive. So, in the grand tradition of the American abroad, Gopnik walked the paths of the Tuileries, enjoyed philosophical discussions at his local bistro, wrote as violet twilight fell on the arrondissements. Of course, as readers of Gopnik's beloved and award-winning "Paris Journals" in The New Yorker know, there was also the matter of raising a child and carrying on with day-to-day, not-so-fabled life. Evenings with French intellectuals preceded middle-of-the-night baby feedings; afternoons were filled with trips to the Musée d'Orsay and pinball games; weekday leftovers were eaten while three-star chefs debated a "culinary crisis." As Gopnik describes in this funny and tender book, the dual processes of navigating a foreign city and becoming a parent are not completely dissimilar journeys--both hold new routines, new languages, a new set of rules by which everyday life is lived. With singular wit and insight, Gopnik weaves the magical with the mundane in a wholly delightful, often hilarious look at what it was to be an American family man in Paris at the end of the twentieth century. "We went to Paris for a sentimental reeducation-I did anyway-even though the sentiments we were instructed in were not the ones we were expecting to learn, which I believe is why they call it an education."

Already we're expecting something special. And that's exactly what Gary Zuercher gives us in this gorgeous collection of photographs. Over a period of five years, he took his cameras out into the Parisian night to capture stunningly evocative images of the bridges that span the Seine. Using his artistic eye and sophisticated photographic technique, he created these glorious black-and-white photographs, rich with detail and possessing a clear, luminous, quality. This collection is unique, and remarkable. No one else has ever photographed all the bridges that cross the Seine in Paris in this way. We don't see crowds of people, or heavy traffic. Nothing obscures the beauty and strength of the structures, the romance and symbolism of the bridges. Shooting in black and white allows the details to shine: the architectural elements, artwork, nearby buildings, trees on the riverbanks, and starry lamps casting paths of light across the water.

My many thanks especially for those who are no longer with us; My beautiful wife Martha, my boss and friend Ross (Rosie) Gilhousen (KC Royals, my friend and scout Floyd Chandler, my cousins, Ean Hunter (Sal Lombino), Blackboard Jungle, Billy Augastoni (Boston Braves double AA), Joseph Barbera, Hanna & Barbera, Daryl Garitson NBA and Tito Rodriguez (Band Leader) John McDonough NFL referee also to: My son Robert, my life long friends Norman Ackerman and Mike Zuckerman. Debbie Goldsmith, Dick Calvert (ex Dodger Scout), Art Stewart Director of scouting (KC Royals), The Latin ballplayers from the California Angels, Campy Campanaris, Dickie Thon, Juan Beniquez, Louis Sanchez and Angel Moreno, Especially to Gilberto Santa, Rosa a beautiful person and a superstar!

The book is a landmark volume which examines perplexing tourism debates such as the relevance of mass tourism, climate change, authenticity, tourism and poverty and slow tourism. Multidisciplinary in content, it covers applied aspects of sociology, anthropology, humanities and biosciences. The book is unique in its presentation and style and will be an essential resource for scholars, academics and practitioners.

From a former Israeli operative—and now a #1 London Times bestseller—comes the most authentic spy thriller of the year, perfect for fans of John Le Carré and Homeland. When an Israeli tech executive disappears from Charles de Gaulle airport with a woman in red at his side, logic dictates youthful indiscretion. But Israel is on a state of high alert nonetheless. And for Commissaire Léger of the Paris Police Force, all coincidences are suspect. When a second young Israeli from the flight is kidnapped, this time at gunpoint from his hotel room, his suspicions are confirmed—and a diplomatic crisis looms. As the race to identify the reasons behind the abductions intensifies, a covert Chinese commando team watches from the rooftops— while hour by hour the morgue receives fresh bodies from around Paris. This could be one long night in the City of Lights.