It is July of 1987, and Christof Douglas, president of an entertainment company, which is part of a multinational conglomerate, has just arrived at his summer cottage to meet his wife, Katya, for much-needed respite when he receives two urgent messages from a Miss Kelso, who implies he knows her. But there is only one problem: Douglas has never heard of heror so he thinks. Douglas, who has been working incessantly ever since his daughter was killed years earlier, continues at a frenetic pace, even when he should be reconnecting with his wife. When a big deal suddenly falls through and Douglas learns that Kelso has been murdered, however, he finds himself in the midst of a homicide investigation where he soon discovers that Kelso is really his former fiance, Maria Ladillya. When he finds out why Maria contacted him after all those years, Douglas must rely on his instinctsand fateas he is unwittingly pulled into an illegal, international operation that exposes lies, revenge, and cover-ups. In this espionage thriller, a broadcasting executive who is about to face loss like never before is consoled by a mysterious woman who encourages him to take a brave journey through his past, present, and future as he questions his true destiny.

This volume is an in-depth study of the short poetic cycle of Lygdamus, one of the authors included in Book III of the Corpus Tibullianum. The Introduction analyzes the controversial quaestio Lygdamea (identity and dating of the poet), the relationship between Lygdamus and his beloved, Neaera, the incorporation of his poems into the Corpus Tibullianum, and the manuscript tradition. This is followed by a rigorous critical edition (taking fully into account the earliest editions and conjectures). Finally, there is a detailed and exhaustive line-by-line and word-by-word commentary on each poem, paying particular attention to elegiac terms and motifs. This is the first comprehensive study of the work of Lygdamus, considered as a poet with his own literary identity.

A series of pastoral poems written by this Roman about 37BC.

It's not often that a classical myth causes a major scandal and lands a librettist in trouble with his royal mistress, but such was the case with this retelling of Jupiter's love affair with the nymph Io. One of Quinault's greatest dramas.

Modern readings of the Roman poet Catullus' work have always been constrained by doubts about the surviving text. Does the sequence of our corpus reflect the artistically coherent and meaningful arrangement of the poems? Why are the various parts of the collection so jarringly different in content and emotional tone? To what extent, if at all, can we explain these shifts by appealing to Catullus' famously vivid portrayals of his emotions and life circumstances? Catullus Through his Books argues that we possess three separate books of poems designed by the poet himself; at key moments in these books, the poems dramatise the creative activity of their own composition, embedding apparent autobiographical details and purportedly revealing the poet's intentions and goals. These dramas of composition direct us through the poems, integrating our understanding of each part and generating a holistic vision of Catullus as poet of self-destroying longing and irreparable loss.