In the decades following World War II, both Japan and Italy were rebuilding after the ravages of war, constructing democratic political systems after a period of fascism and transforming into economic powerhouses, all of which profoundly influenced their respective cultures. Artists in both nations were working in these similar conditions, examining their formidable artistic traditions and seeking a new path forward in the wake of modernism - ways of making art objects that had never been made before. 'Parallel Views' presents a breadth of postwar masters of Italian and Japanese art.

The substantial effort of parallelizing scientific programs is only justified if the resulting codes are efficient. Thus, all types of performance tuning are important to parallel software development. But performance improvements are much more difficult to achieve with parallel programs than with sequential programs. One way to overcome this difficulty is to bring in graphical tools. This monograph covers recent developments in parallel program visualization techniques and tools and demonstrates the application of specific visualization techniques and software tools to scientific parallel programs. The solution of initial value problems of ordinary differential equations, and numerical integration are treated in detail as two important examples.

This book provides a detailed study of geometrical drawing through simple and well-explained worked-out examples and exercises. This book is designed for students of first year Engineering Diploma course, irrespective of their branches of study. The book is divided into seven modules. Module A covers the fundamentals of manual drafting, lettering, freehand sketching and dimensioning of views. Module B describes two-dimensional drawings like geometrical constructions, conics, miscellaneous curves and scales. Three-dimensional drawings, such as projections of points, lines, plane lamina, geometrical solids and their different sections are well-explained in Module C. Module D deals with intersection of surfaces and their developments. Drawing of pictorial views is illustrated in Module E, which includes isometric projection, oblique projection and perspective projections. The fundamentals of machine drawing are covered in Module F. Finally, in Module G, the book introduces computer-aided drafting (CAD) to make the readers familiar with the state-of-the-art techniques of drafting. KEY FEATURES : Follows the International Standard Organization (ISO) code of practice for drawing. Includes a large number of dimensioned illustrations, worked-out examples, and Polytechnic questions and answers to explain the geometrical drawing process. Contains chapter-end exercises to help students develop their drawing skills.

The eye-arresting images in this original contemporary art book feature two popular mediums, painting and photography. Although the art is inspired by the Long Island landscape, its visual appeal in artists’ interpretations of locations is universal. Paired with the dialog of the artists, the narrative becomes an intimate conversation with the reader. Combining life, loss, serendipity and art, it portrays two artists, whose conceptually similar work evolved independently until social media brought them together. Their collaboration continues to produce treasures of stunning, memorable beauty. The improbable pairing of Holly Gordon, photographer from Bay Shore, Long Island, and Ward Hooper, painter from Northport, Long Island, is a symbiotic match. Their artistic relationship is an affirmation of the human spirit in an age where most can’t seem to detach from objects. These two contemporary artists discovered a serendipitous connection to the earlier American artistic and personal alliance of Arthur Dove and Helen Torr, whose work was inspired by the same Long Island locations. The past thus joined the present, deepening Gordon and Hooper’s bond, both personally and geographically. In Gordon and Hooper’s intimate relationship there is a sense of empathy, connection, and mutual discovery that is invincible. Ward Hooper and Holly Gordon understand that the meaning of their journey extends beyond themselves. Their camaraderie and brilliant exposition beckons others to do the same and thereby reach their own heights in art and life. The transformative journey that unfolds centers on art as a positive force that ultimately unites two creative spirits. I found the imagery captivating and the text inspirational. Learning about how these two people from different art disciplines came together to help heal and enrich each others’ lives (and create wonderful imagery throughout the process) made me appreciate my life and relationships even more. The book may even encourage you to create something new, or collaborate with someone you already know...or someone who is out there waiting to be a part of your “Light's Journey.” -- Andrew Darlow, Photographer, Educator and Author ......A love story of friendship and renewal. Holly and Ward were meant to meet to discover their connection through art and nature. Two wonderful artists exploring life together through the warmth of colors, brush and lens strokes and subjects they created separately at different times and then together revealing their deep passion for life, friendship and art. --Charlee M. Miller, Executive Director, Art League of Long Island, Dix Hills, N.Y. Parallel Perspectives: The Brush/Lens Project gives us seamlessly created images that work on many levels: They pay attention to tiny details yet pulse with large swaths of vibrant color. They look like paintings — but they could be photographs, and vice versa. These are eye-arresting scenes, a visual harvest of the natural beauty that surrounds us, creating lasting sights that celebrate what talented artists have always quested for: the light. Holly Gordon finds images and builds digital layers that blend an unflinching assessment by a documentary photographer and environmentalist with a painterly sensitivity; Ward Hooper’s loose brushstrokes capture the ever-shifting light and shadow through watercolors that are as elusive as the light. Their collaboration continues to produce treasures of stunning, memorable beauty.—Annie Wilkinson Blachley’s features and cover stories have been published by The New York Times, Los Angeles Times, and national and regional newspapers and magazines. She is a copy editor and columnist for the Long Island Press and writes several monthly columns for Long Island Woman Magazine

Programming is now parallel programming. Much as structured programming revolutionized traditional serial programming decades ago, a new kind of structured programming, based on patterns, is relevant to parallel programming today. Parallel computing experts and industry insiders Michael McCool, Arch Robison, and James Reinders describe how to design and implement maintainable and efficient parallel algorithms using a pattern-based approach. They present both theory and practice, and give detailed concrete examples using multiple programming models. Examples are primarily given using two of the most popular and cutting edge programming models for parallel programming: Threading Building Blocks, and Cilk Plus. These architecture-independent models enable easy integration into existing applications, preserve investments in existing code, and speed the development of parallel applications. Examples from realistic contexts illustrate patterns and themes in parallel algorithm design that are widely applicable regardless of implementation technology. The patterns-based approach offers structure and insight that developers can apply to a variety of parallel programming models Develops a composable, structured, scalable, and machine-independent approach to parallel computing Includes detailed examples in both Cilk Plus and the latest Threading Building Blocks, which support a wide variety of computers

This book is a defense of perspectivism in the age of post-truth. At the crossroads of science, art, and philosophy, it unearths a tradition that we must rediscover: the point of view is not only what divides, it is also what is shared. Today, perspective is associated with individualism and personal viewpoints. But in an age of post-truth, the only robust answer to relativism lies in fact in a reappraisal of perspectivism. In discussion with contemporary new realisms of various sorts, this book makes a case why perspectivism alone can avoid us falling back into epistemological naivetés. A journey into the history of optics, art, philosophy, and social psychology, this book unearths the forgotten tradition of perspectiva communis, which makes perspective the vector of a common horizon. This book argues that vision is never immediate. Rather, to see through is the key to understanding the perspectival operation. We never see by ourselves—all seeing must pass through something other than itself, through the mediation and the detour of an apparatus or the witness of a third party. Besides the theoretical framework for this new approach to perspective, this book presents a series of case studies ranging from innovative interpretations of classical authors and key moments in the history of art—from ancient painting, trompe l’oeil, and Brunelleschi’s experiment in Renaissance Florence—to the issue of perspective in the work of contemporary artists such as Robert Smithson. The Share of Perspective will be of interest to scholars and advanced students working in aesthetics, phenomenology, art history, and the history of sciences.