Contending that its characterization as a Christian document has hindered interpretation, Marshall aims to uncover the formerly hidden Jewishness of the Book of Revelation of John. The focus is on four text complexes which describe the "synagogue of Satan;" those who keep the commandments of God; the 144,000 gathered on Zion; and the holy city. Coverage extends to a description of the social and cultural context of the diaspora during the Judean war. Marshall teaches early Christianity and Second Temple Judaism at the U. of Toronto. Annotation copyrighted by Book News, Inc., Portland, OR.

Amos Wilder is widely known as a pioneer of an indigenously North American approach to biblical interpretation which takes language to be an expression not only of psychological but also of sociological and concrete reality. Recording the history of his interest in eschatological language, Wilder further advances the literary and rhetorical criticism of Scripture, especially by alerting interpreters to the deeper modes of language and communication often overlooked. The essays in this volume, recaptured and edited to clarify their relatedness, are presented in two groups. The first group includes essays that situate the parables of Jesus within the broader context of the biblical narrative. The second is a series of essays dealing with the problem of adequately interpreting the "kingdom language" of Jesus. The book includes an essay in which Wilder chronicles and advances his long interest in the task of doing justice to the imaginative dimension of biblical language. Wilder develops a contemporary hermeneutic that combines the full range of historical-critical methods with approaches generated by various modern disciplines which attempt to do full justice to the interrelationship of language and reality. The preface by James Breech offers an exposition of the main features of Wilder's hermeneutic, together with a discussion of Wilder's understanding of parabolic narrative and Jesus' symbolics.

In the sixteenth and seventeenth centuries, competing scholarly communities sought to define a Spain that was, at least officially, entirely Christian, even if many suspected that newer converts from Islam and Judaism were Christian in name only. Unlike previous books on conversion in early modern Spain, however, Parables of Coercion focuses not on the experience of the converts themselves, but rather on how questions surrounding conversion drove religious reform and scholarly innovation. In its careful examination of how Spanish authors transformed the history of scholarship through debate about forced religious conversion, Parables of Coercion makes us rethink what we mean by tolerance and intolerance, and shows that debates about forced conversion and assimilation were also disputes over the methods and practices that demarcated one scholarly discipline from another.

The parables of Jesus seem designed to sneak up on us and upend our assumptions. The familiar takes an unexpected turn and the listener's secret thoughts are exposed. In these twelve-session LifeGuide® Bible Study, John White invites us to lend an ear to thes greatest stories ever told—stories with power to reveal us to ourselves.

Outlines the parables of Jesus and discusses how each of the parables can be taught and preached.

Although the body has been the focus of much contemporary cultural theory, the models that are typically applied neglect the most salient characteristics of embodied existence—movement, affect, and sensation—in favor of concepts derived from linguistic theory. In Parables for the Virtual Brian Massumi views the body and media such as television, film, and the Internet, as cultural formations that operate on multiple registers of sensation beyond the reach of the reading techniques founded on the standard rhetorical and semiotic models. Renewing and assessing William James's radical empiricism and Henri Bergson's philosophy of perception through the filter of the post-war French philosophy of Deleuze, Guattari, and Foucault, Massumi links a cultural logic of variation to questions of movement, affect, and sensation. If such concepts are as fundamental as signs and significations, he argues, then a new set of theoretical issues appear, and with them potential new paths for the wedding of scientific and cultural theory. Replacing the traditional opposition of literal and figural with new distinctions between stasis and motion and between actual and virtual, Parables for the Virtual tackles related theoretical issues by applying them to cultural mediums as diverse as architecture, body art, the digital art of Stelarc, and Ronald Reagan's acting career. The result is an intriguing combination of cultural theory, science, and philosophy that asserts itself in a crystalline and multi-faceted argument.