A ruthless Russian tycoon lures biologists Nell and Geoffrey to his underground metropolis, where they are confronted by a vicious menagerie of biological horrors that are rising up to consume the world.

The last decade has seen the EU beset by crisis and Covid-19 has presented yet another threat to its existence. Luuk van Middelaar assesses the EU's response and how it has been shaped by it.

The City is the best, funniest, saddest, and most thought-provoking compilation ever assembled on the urban scene. James A. Clapp has arranged more than three thousand quotations—epigrams, epithets, verses, proverbs, scriptural references, witticisms, lyrics, literary references, and historical observations—on urban life from antiquity until the present. These quotes are drawn from the written and spoken words of more than one thousand writers throughout history. This volume, with contributions from speakers, poets, song writers, politicians philosophers, scientists, religious leaders, historians, social scientists, humorists, architects, journalists, and travelers from and to many lands is designed to be used by writers, speechmakers, students, and scholars on cities and urban life. Clapp’s text is striking for its sharp contrasts of urban and rural life and the urbanization process in different historical times and geographical areas. This second edition includes four hundred new entries, updated birth dates and occupations of quoted authors, and an expanded and updated introduction and preface. Clapp also added new introduction pages for each section containing pictures and unique quotations. The indexes have also been expanded to include more subjects and cities. The scope of this book is international, including entries on most major and many minor cities of the world. It is noteworthy for its pleasures as well as its insights.

Collecting texts taken from letters, diaries, literature, scientific journals and reports, Pandæmonium gathers a beguiling narrative as it traces the development of the machine age in Britain. Covering the years between 1660 and 1886, it offers a rich tapestry of human experience, from eyewitness reports of the Luddite Riots and the Peterloo Massacre to more intimate accounts of child labour, Utopian communities, the desecration of the natural world, ground-breaking scientific experiments, and the coming of the railways. Humphrey Jennings, co-founder of the Mass Observation movement of the 1930s and acclaimed documentary film-maker, assembled an enthralling narrative of this key period in Britain's national consciousness. The result is a highly original artistic achievement in its own right. Thanks to the efforts of his daughter, Marie-Louise Jennings, Pandæmonium was originally published in 1985, and in 2012 it was the inspiration behind Danny Boyle's electrifying Opening Ceremony for the London Olympic Games. Frank Cottrell Boyce, who wrote the scenario for the ceremony, contributes a revealing new foreword for this edition.

God's Demon is a "fascinating"* dark fantasy novel of a fallen warrior seeking atonement from award-winning author and renowned artist Wayne Barlowe. Lucifer's War, which damned legions of angels to Hell, is an ancient and bitter memory shrouded in the smoke and ash of the Inferno. The Fallen, those banished demons who escaped the full wrath of Heaven, have established a limitless and oppressive kingdom within the fiery confines of Hell. Lucifer has not been seen since the Fall and the mantle of rulership has been passed to the horrific Prince Beelzebub, the Lord of the Flies. The Demons Major, Heaven's former warriors, have become the ruling class. They are the equivalent to landed lords, each owing allegiance to the de facto ruler of Hell. They reign over their fiefdoms, tormenting the damned souls and adding to their wealth. One Demon Major, however, has not forgotten his former life in Heaven. The powerful Lord Sargatanas is restless. For millennia Sargatanas has ruled dutifully but unenthusiastically, building his city, Adamantinarx, into the model of an Infernal metropolis. But he has never forgotten what he lost in the Fall—proximity to God. He is sickened by what he has become. Now, with a small event—a confrontation with one of the damned souls—he makes a decision that will reverberate through every being in Hell. Sargatanas decides to attempt the impossible, to rebel, to endeavor to go Home and bring with him anyone who chooses to follow . . . be they demon or soul. He will stake everything on this chance for redemption. *Guillermo del Toro, Academy Award-Winning Director of The Shape of Water At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

How can we understand the infinite variety of cities? Darran Anderson seems to exhaust all possibilities in this work of creative nonfiction. Drawing inspiration from Marco Polo and Italo Calvino, Anderson shows that we have much to learn about ourselves by looking not only at the cities we have built, but also at the cities we have imagined. Anderson draws on literature (Gustav Meyrink, Franz Kafka, Jaroslav Hasek, and James Joyce), but he also looks at architectural writings and works by the likes of Bruno Taut and Walter Gropius, Medieval travel memoirs from the Middle East, mid-twentieth-century comic books, Star Trek, mythical lands such as Cockaigne, and the works of Claude Debussy. Anderson sees the visionary architecture dreamed up by architects, artists, philosophers, writers, and citizens as wedded to the egalitarian sense that cities are for everyone. He proves that we must not be locked into the structures that exclude ordinary citizens--that cities evolve and that we can have input. As he says: "If a city can be imagined into being, it can be re-imagined as well.”