When Covid-19 swept the world, governments scrambled to protect their citizens and chart a course back to normality. As Health Secretary, Matt Hancock was at the forefront of Britain's battle against the virus, trying to steer the country through the crisis in a world where information was scarce, judgements huge and the roadmap non-existent. Drawing on a wealth of never-before-seen material, including official records, his notes at the time and communications with all the key players in Britain's Covid-19 story, this candid account reveals the inner workings of government during a time of national crisis, reflecting on both the successes and the failures. Recounting the most important decisions in the race to develop a vaccine in record time and to build a nationwide testing capacity from the ground up, Pandemic Diaries provides the definitive account of Britain's battle to turn the tide against Covid-19. Crucially, it also offers an honest assessment of the lessons we need to learn to be prepared for next time – because there will be a next time.

The present residing situation has forced each being to change it's regular monotonous routine towards life. It has spectacularly erased irrespective of cast and creed or religion. This book is just the penned down outbrought version of a few very abled writers, who brought out their daily journals, thoughts they faced and some deep held melancholic incidents. A book would be an understatement to what these young minds have women together after they grabbed the chance thrown their way by life to cross paths with their very own mindtype people. By supporting one another we now want to express and also relate to many other hidden writers out there, who might find it hard to come out.... A small message from our writers: "You are not alone, we are there for you. "

The Pandemic Diaries is a series of pointed, emotional and sarcastic word collages that bring together renowned artist Dolores Poacelli's many years as a fine artist and graphic designer, her abundance of opinions and her love of satire.These document her highly personal feelings about the global pandemic. A hand-picked selection of her 102 black and white collages, each piece has a visual attitude and a tactile quality like so much of her abstract art.

March 2020 When the COVID-19 pandemic hit Canada, Vancouver-based comic artist Jason Turner recognized that both his community and the world were undergoing major changes that needed to be documented. Outbreak Diaries is an autobiographical diary-style comic that covers the complexities of working, maintaining relationships, and staying sane during an exceptionally difficult period of time.

The COVID-19 pandemic has dramatically changed social interactions. Social distancing policies, lockdowns, and mandatory quarantines have accelerated the technological mediation of communication (e.g. AI-mediated communication, computer-mediated communication) on an unprecedented scale, willingly or otherwise. Many physical activities such as office work, education, and conferences have had to be performed in the online space through social media apps, the metaverse or specialized programs on mobile phones or laptops as part of pandemic control efforts. As a result, digitally mediated channels have become critical for information acquisition and communication across a wide spectrum of human activities such as education, social interaction, entertainment, and commercial activities. Human beings are increasingly reliant on non-human agents, including social media, Artificial Intelligence (AI) powered tools, or smartphone mobile devices for most routine activities, professional communication, and social interactions. As scientific understanding of COVID-19 improves, pandemic restrictions are gradually loosening. However, it remains to be seen whether the pandemic communication paradigm characterized by heavy technological mediation and reliance on non-human agents will also gradually decline, or will the paradigm shift become deeply entrenched with further acceleration of dependency on technological mediation and non-human agents.

During the early days of the COVID-19 health crisis, Fang Fang’s Wuhan Diary provided an important portal for people around the world to understand the outbreak, local response, and how the novel coronavirus was impacting everyday people. But when news of the international publication of Wuhan Diary appeared online in early April of 2020, Fang Fang’s writings became the target of a series of online attacks by “Chinese ultra-nationalists.” Over time, these attacks morphed into one of the most sophisticated and protracted hate Campaigns against a Chinese writer in decades. Meanwhile, as controversy around Wuhan Diary swelled in China, the author was transformed into a global icon, honored by the BBC as one of the most influential women of 2020 and featured in stories by dozens of international news outlets. This book, by the translator of Wuhan Diary into English, alternates between a first-hand account of the translation process and more critical observations on how a diary became a lightning rod for fierce political debate and the target of a sweeping online campaign that many described as a “cyber Cultural Revolution.” Eventually, even Berry would be pulled into the attacks and targeted by thousands of online trolls. This book answers the questions: why would an online lockdown diary elicit such a strong reaction among Chinese netizens? How did the controversy unfold and evolve? Who was behind it? And what can we learn from the “Fang Fang Incident” about contemporary Chinese politics and society? The book will be of interest to students and scholars of translation, as well as anyone with special interest in translation, US-Chinese relations, or internet culture more broadly.

Some years—1789, 1929, 1989—change the world suddenly. Or do they? In 2020, a pandemic converged with an economic collapse, inequalities exploded, and institutions weakened. Yet these crises sprang not from new risks but from known dangers. The world—like many patients—met 2020 with a host of preexisting conditions, which together tilted the odds toward disaster. Perhaps 2020 wasn’t the year the world changed; perhaps it was simply the moment the world finally understood its deadly diagnosis. In The Long Year, some of the world’s most incisive thinkers excavate 2020’s buried crises, revealing how they must be confronted in order to achieve a more equal future. Keeanga-Yamahtta Taylor calls for the defunding of police and the refunding of communities; Keisha Blain demonstrates why the battle against racism must be global; and Adam Tooze reveals that COVID-19 hit hardest where inequality was already greatest and welfare states weakest. Yarimar Bonilla, Xiaowei Wang, Simon Balto, Marcia Chatelain, Gautam Bhan, Ananya Roy, and others offer insights from the factory farms of China to the elite resorts of France, the meatpacking plants of the Midwest to the overcrowded hospitals of India. The definitive guide to these ongoing catastrophes, The Long Year shows that only by exposing the roots and ramifications of 2020 can another such breakdown be prevented. It is made possible through institutional partnerships with Public Books and the Social Science Research Council.