The genius of Vedvyasa as the author of the great epic The Mahabharata is evident by the way he interrupts his narratives at various places to introduce literary gems like Srimad Bhagwat Gita just before the commencement of the war. The Vana Parva, which contains many more gems like the stories of Nala-Damyanti, Satyavan-Savitri, Harishchandra, Ashtavakra Gita, etc., is another similar example. True to his genius of introducing gems by creating situations for their introduction, Vedvyasa follows this style throughout the various Parvas of The Mahabharata particularly the Vana Parva. A huge section of the Vana Parva covers the entire period of the Pandavas exile and could, very well, have existed as a separate book; but the way Vedvyasa inserts it immediately after the game of dice that results in the exile of Pandavas integrates it beautifully with the main text of The Mahabharata. Similarly all the other gems referred to above were introduced as a consequence to the questions asked by Yudhishthira to various Rishis who visited Padavas during the course of their long exile. This book attempts to highlight this beautiful and captivating style of writing.

It Is A Transformation Of An Ancient Legend Into A Modern Novel. In This Process, It Has Gained Rational Credibility And A Human Perspective. The Main Incident, The Bharata War, Symbolic Of The Birthpangs Of A New World-Order, Depicts A Heroic But Vain Effort To Arrest The Disintegration And Continue The Prevailing Order. It Is Viewed From The Stand Points Of The Partisan Participants And Judged With Reference To The Objective Understanding Of Krishna. Narration, Dialogue, Monologue And Comment All Are Employed For Its Presentation. Shot Through With Irony, Pity And Understanding Objectivity, The Novel Ends With The True Tragic Vision Of Faith In Life And Hope For Mankind.

Volume 3 - On the Battlefield of KurukshetraThe first two volumes of the Mahabharata described the growing animosity between the Kauravas and the Pandavas, the costly game of dice which led to the banishment of the Pandavas for thirteen years, the events

Eleven year old Samhita Arni s beautifully illustrated version of the Mahabharatha is a bold and fresh re-telling of the great epic.

Over a period of ten years, William Sax studied the inhabitants of the former kingdom of Garhwal, located in north India. He saw and took part in many performances of the pandav lila, a ritual reenactment of scenes from the Mahabharata in dance.

"Following the fractured origins and destines of two brothers named after demigods from the ancient epic the Mahabharata, we meet a family struggling with the reverberations of the past in their lives. These ten interlinked stories redraw the map of our world in surprising ways: following an act of violence, a baby girl is renamed after a Hindu goddess but raised as a Muslim; a lonely butcher from Angola finds solace in a family of refugees in New Jersey; a gentle entomologist, in Sri Lanka, discovers unexpected reserves of courage while searching for his missing son"--Amazon.com.

Arjuna is the immortal tale of one of IndiaÕs greatest heroes. These pages retell in riveting detail the story of the Pandava Warrior-Prince who has captured the imagination of millions across centuries. This is the intense and human story of his loves, friendship, ambitions, weaknesses and follies, as well as his untimely death and revival, his stint as a eunuch, and the innermost reaches of his thoughts.Told in a refreshingly modern and humourous style and set against the staggering backdrop of the Mahabharata. ArjunaÕs story appeals equally to the average, discerning reader and the scholar. It spans the epic journey from before his birth, when omens foretold his greatness, across the fabled, wondrous landscape that was his life.