This volume explores the relationship between politics and pamphleteering in the Dutch Republic. By analyzing the political role of pamphlets and their interplay with other media in public debates, the articles provide a new understanding of Dutch political culture.

During the seventeenth and eighteenth centuries, the Dutch Republic was one of the main centers of media in Europe. These media included newspapers, pamphlets, news digests, and engravings. Early Modern Media and the News in Europe brings together fifteen articles dealing with this early news industry in relation to politics and society, written by Joop W. Koopmans in recent decades. They demonstrate the important Dutch position within early modern news networks in Europe. Moreover, they address a variety of related themes, such as the supply of news during wars and disasters, the speed of early modern news reports, the layout of early newspapers and the news value of their advertisements, and censorship of books and news media.

Printed Pandemonium is a fresh take on one of the most violent political upheavals in early modern history: the popular riots, the political murders and the brutal purifications of local governments in the Dutch Republic during the so-called ‘Year of Disaster’ 1672. Printed Pandemonium gives an insight into the relationship between political event and political communication in the early modern world. The popular revolts of 1672 were the work of ‘normal’ citizens who rioted and killed, but also politically participated by reading, writing and debating hundreds of different pamphlets and petitions that were put on the market during that momentous year. In total somewhere between one and two million pamphlets flooded the Dutch Republic in 1672. This study is the first analysis of all these pamphlets.

For this bilingual (English-French) anthology of early modern fictitious catalogues, selections were made from a multitude of texts, from the genre’s beginnings (Rabelais’s satirical catalogue of the Library of St.-Victor (1532)) to its French and Dutch specimens from around 1700. In thirteen chapters, written by specialists in the field, diverse texts containing fictitious booklists are presented and contextualized. Several of these texts are well known (by authors such as Fischart, Doni, and Le Noble), others – undeservedly – are less known, or even unrecorded. The anthology is preceded by a literary historical and theoretical introduction addressing the parodic and satirical aspects of the genre, and its relationship to other genres: theatre, novel, and pamphlet. Contributors: Helwi Blom, Tobias Bulang, Raphaël Cappellen, Ronnie Ferguson, Dirk Geirnaert, Jelle Koopmans, Marijke Meijer Drees, Claudine Nédelec, Patrizia Pellizzari, Anne-Pascale Pouey-Mounou, Paul J. Smith, and Dirk Werle.

Innocence Abroad explores the encounter between the Netherlands and the New World in the sixteenth and seventeenth centuries.

This book traces the impact of the English Civil Wars and the resulting support for the royalist cause in the Dutch Republic.

The tumultuous relations between Britain and the United Provinces in the seventeenth century provide the backdrop to this book, striking new ground as its transnational framework permits an overview of their intertwined culture, politics, trade, intellectual exchange, and religious debate. How the English and Dutch understood each other is coloured by these factors, and revealed through an imagological method, charting the myriad uses of stereotypes in different genres and contexts. The discussion is anchored in a specific context through the lives and works of John Milton and Andrew Marvell, whose complex connections with Dutch people and society are investigated. As well as turning overdue attention to neglected Dutch writers of the period, the book creates new possibilities for reading Milton and Marvell as not merely English, but European poets.