The legendary exploits of Lawrence of Arabia are the starting point for this captivating World War I suspense novel As the future of Europe is being decided in the muddy trenches of the Western Front, Lieutenant Thomas Edward Lawrence is thousands of miles away, toiling in the map room of the British Army’s general headquarters in Cairo. But the young intelligence officer has big ideas—none bigger than his vision of a unified Arabia free of its Ottoman rulers. Before T. E. Lawrence can become Lawrence of Arabia, however, he must first contend with the notorious German spy Wilhelm Wassmuss. Local tribes are capturing British soldiers at the German’s behest, and the War Office has sent an assassin to take care of the problem once and for all. It is Lawrence’s job to get Captain Quinn within range of his target, a task made all the more difficult by Wassmuss’s deep knowledge of the desert and its people. In matching wits with a sinister European nemesis, Lawrence starts down a path that will change the face of the Middle East forever. Empire of Sand is the 1st book in the Great British Heroes and Antiheroes Trilogy, which also includes Death on the Ice and Signal Red.

Discloses the Israeli plan to assassinate the known terrorist leaders responsible for the Munich massacre of Israeli athletes and chronicles the story of the hit-squad's leader, a man morally destroyed by his mission.

A groundbreaking critique of the West's historical, cultural, and political perceptions of the East that is—three decades after its first publication—one of the most important books written about our divided world. "Intellectual history on a high order ... and very exciting." —The New York Times In this wide-ranging, intellectually vigorous study, Said traces the origins of "orientalism" to the centuries-long period during which Europe dominated the Middle and Near East and, from its position of power, defined "the orient" simply as "other than" the occident. This entrenched view continues to dominate western ideas and, because it does not allow the East to represent itself, prevents true understanding.

Diana Mayo is young, beautiful, wealthy--and independent. Bored by the eligible bachelors and endless parties of the English aristocracy, she arranges for a horseback trek through the Algerian desert. Two days into her adventure, Diana is kidnapped by the

Captain Corelli’s Mandolin meets The Marrying of Chani Kaufman in this cinematic novel about the birth of Israel and the true story of the marriages of convenience that were arranged to smuggle Jewish women out of Nazi-occupied Europe. On the eve of World War II, a ship bearing twenty young men sets sail from the Palestine Territory toward Europe. Eagerly awaiting them on the other side are twenty young women, whom the men have never met. They have been set up in arranged marriages to enable Jewish women to escape Nazi Germany and enter Palestine without being turned back by the British. But when Yaacov Markovitch, a thoroughly unremarkable man, finds himself married to Bella Zeigerman, the most beautiful woman he has ever set eyes upon, things start to get complicated. Yaacov’s fake marriage is the beginning of a lifelong obsession, as he vows to make his beautiful bride, Bella, love him, despite her determination to break free. Their changing fortunes take them through war, upheaval, terrible secrets, tragedy, joy, and loss. Vital, funny, and tender, One Night, Markovitch brilliantly fuses personal lives and epic history in an unforgettable story of endless, hopeless longing and the desperate search for love.

In Frames of War, Judith Butler explores the media’s portrayal of state violence, a process integral to the way in which the West wages modern war. This portrayal has saturated our understanding of human life, and has led to the exploitation and abandonment of whole peoples, who are cast as existential threats rather than as living populations in need of protection. These people are framed as already lost, to imprisonment, unemployment and starvation, and can easily be dismissed. In the twisted logic that rationalizes their deaths, the loss of such populations is deemed necessary to protect the lives of ‘the living.’ This disparity, Butler argues, has profound implications for why and when we feel horror, outrage, guilt, loss and righteous indifference, both in the context of war and, increasingly, everyday life. This book discerns the resistance to the frames of war in the context of the images from Abu Ghraib, the poetry from Guantanamo, recent European policy on immigration and Islam, and debates on normativity and non-violence. In this urgent response to ever more dominant methods of coercion, violence and racism, Butler calls for a re-conceptualization of the Left, one that brokers cultural difference and cultivates resistance to the illegitimate and arbitrary effects of state violence and its vicissitudes.