In this book, nine artists share their secrets for painting light's awesome intensity and soft luminance, its dramatic contrasts and delicate shadows. Through their inspirational, step-by-step demonstrations, you'll learn how to use watercolor, pastel, oil and acrylic to paint compositions filled with drama, atmosphere and light--Jacket.

Twenty popular artists/teachers--among them, Zoltan Szabo, Skip Lawreence and Tom Hill--teach essential techniques for painting grass, earth, trees, wildflowers and other elements of nature's beauty. This unparalleled guide will help even the beginning artist paint successful outdoor scenes.

In this book, readers will discover an array of special, easy-to-follow tips and techniques for wielding colors and values in a variety of mediums with confidence. They'll begin by learning to master the application of tonal values--the foundation of lights and darks upon which colors depend. Next they'll find clear, concise guidelines for imbuing their work with color--everything from hue, intensity and shadow to color temperature and "broken colors." Finally, they'll learn how to use value and color together to create evocative moods and stunning special effects, such as time of day, the seasons, weather, fog, mist and clouds. Step-by-step demonstrations make learning easy and fun, no matter what the artist's skill level!Rachel Rubin Wolf is a freelance writer, editor and artist. She is the author of more than 20 books including the Acrylic Painter's Book of Styles and Techniques, the Best of Flower Painting and Art from the Parks. She lives in Cincinnati, Ohio.

Continuing in the spirit of the "wildly" popular first edition, new works from today's finest wildlife artists of every medium are featured in a celebration of art and nature. 130 full-color photos, illustrations.

A look at the painting traditions of northwestern India in the eighteenth century, and what they reveal about the political and artistic changes of the era In the long eighteenth century, artists from Udaipur, a city of lakes in northwestern India, specialized in depicting the vivid sensory ambience of its historic palaces, reservoirs, temples, bazaars, and durbars. As Mughal imperial authority weakened by the late 1600s and the British colonial economy became paramount by the 1830s, new patrons and mobile professionals reshaped urban cultures and artistic genres across early modern India. The Place of Many Moods explores how Udaipur’s artworks—monumental court paintings, royal portraits, Jain letter scrolls, devotional manuscripts, cartographic artifacts, and architectural drawings—represent the period’s major aesthetic, intellectual, and political shifts. Dipti Khera shows that these immersive objects powerfully convey the bhava—the feel, emotion, and mood—of specific places, revealing visions of pleasure, plenitude, and praise. These memorialized moods confront the ways colonial histories have recounted Oriental decadence, shaping how a culture and time are perceived. Illuminating the close relationship between painting and poetry, and the ties among art, architecture, literature, politics, ecology, trade, and religion, Khera examines how Udaipur’s painters aesthetically enticed audiences of courtly connoisseurs, itinerant monks, and mercantile collectives to forge bonds of belonging to real locales in the present and to long for idealized futures. Their pioneering pictures sought to stir such emotions as love, awe, abundance, and wonder, emphasizing the senses, spaces, and sociability essential to the efficacy of objects and expressions of territoriality. The Place of Many Moods uncovers an influential creative legacy of evocative beauty that raises broader questions about how emotions and artifacts operate in constituting history and subjectivity, politics and place.

Poetic and sparse, a bedtime story told by the elements.