Tracy Patrick's second collection is a series of ekphrastic poems based on art of the First World War. Ranging from sestinas, sonnets, aeolic verse, and villanelle, to free verse and experimental poetry, each poem is a response to a particular painting by artists such as John Lavery, Olive Mudie-Cook, Randolphe Schwabe, CRW Nevinson, Ann Airy, Stanley Spencer, Percy Wyndham Lewis, and Otto Dix. Includes four colour plates from the Imperial War Museum.

This new, illustrated catalogue deals with artists the bulk of whose work falls within the first half of the fifteenth century, around 1400-1460, predominantly in Tuscany. Yet within this relatively narrow chronological and geographical confine we find some of the most influential and innovative painters of the Italian Renaissance, including Masaccio, Fra Angelico, Pisanello and Uccello. An essay by Susanna Avery-Quash traces the growth of interest in early Italian painting in Britain. Every picture has been re-examined with conservators, and new information gleaned about its technique and condition. All the paintings are reproduced full-page, in colour, together with many details, comparative illustrations and reconstructions.

This fully illustrated book offers a highly enjoyable and intelligently-written tour through art history, with the renowned art critic and poet Michael Glover. Every Saturday for the best part of a decade, thousands of people have been turning to the pages of the British newspaper The Independent to read Michael Glover's thoughts about a particular piece of art. Pithy, astute, erudite, often humorous, and always engaging, these enormously popular essays are filled with compelling and entertaining observations as well as trenchant commentary about art, history, culture, and humanity. Collected for the first time in book form, this selection of 50 essays--a number of which have been exclusively written for this volume--is organized in an unexpected manner, allowing readers to see connections and juxtapositions between works. Their subjects cover an enormous span in terms of style, era, and geography--from Rembrandt's Bathsheba with King David's Letter and El Greco's The Vision of St. John to Ai Wei Wei's Iron Tree and Georgia O'Keeffe's Single Lily with Red. All the texts are accompanied by full-color illustrations of the work in focus. With its compact format, this book is the perfect companion to a day at the museum, but also lends itself to leisurely dipping in-and-out of, either at home or as part of a daily commute. A great gift for art lovers, this book will also introduce Michael Glover to a host of new readers eager to learn about art from a charming and knowledgeable teacher.

Arguably the quintessential work of the High Renaissance in Venice, Titian's Venus of Urbino also represents one of the major themes of western art: the female nude. But how did Titian intend this work to be received? Is she Venus, as the popular title - a modern invention - implies; or is she merely a courtesan? This book tackles this and other questions in six essays by European and American art historians. Examining the work within the context of Renaissance art theory, as well as the psychology and society of sixteenth-century Italy, and even in relation to Manet's nineteenth-century 'translation' of the work, their observations begin and end with the painting itself, and with appreciation of Titian's great achievement in creating this archetypal image of feminine beauty.

Rose-Marie and Rainer Hagen provide answers to these and other questions about world-famous works of art. Guiding our eye to revealing details, they also shed fascinating light on fishions and lifestyles, loves and intrigues, politics and people, and transform our encounter with art into an exciting adventure. Book jacket.

Frame Work explores how framing devices in the art of Renaissance Italy respond, and appeal, to viewers in their social, religious, and political context.