An in-depth look at one of the richest collections of American art, assembled by Electra Havemeyer Webb, renowned collector and founder of Shelburne Museum. Electra Havemeyer Webb assembled Shelburne Museum’s trove of American paintings in the late 1950s, creating a renowned and rich survey of American portraits, landscapes, marine paintings, sporting art, still lifes, and genre scenes from the eighteenth to the early twentieth centuries. During an era that preferred European modernism and abstraction, Webb’s visionary endeavor presented a new story of the United States: an attractive and industrious nation with its own valuable artistic traditions. This handsome book features the best of Shelburne’s American paintings, including works by colonial painters John Wollaston and John Singleton Copley, portraits by William Matthew Prior and Ammi Phillips, Hudson River School landcapes by Thomas Cole, Albert Bierstadt, and John Frederick Kensett, and scenes of American life by Eastman Johnson, Winslow Homer, Andrew Wyeth, and many more. The collection is also notable for its great depth in the works by Fitz Henry Lane, Martin Johnson Heade, Arthur Fitzwilliam Tait, Carl Rungius, Grandma Moses, and Ogden Pleissner.

Published on the occasion of an exhibition of the same name held at Tate Modern, London, July 12-October 22, 2017; Crystal Bridges Museum of American Art, Bentonville, Arkansas, February 3-April 23, 2018; and Brooklyn Museum, New York, September 7, 2018-February 3, 2019.

In Painting Nature for the Nation: Taki Katei and the Challenges to Sinophile Culture in Meiji Japan, Rosina Buckland offers an account of the career of the painter Taki Katei (1830–1901). Drawing on a large body of previously unpublished paintings, collaborative works and book illustrations by this highly successful, yet neglected, figure, Buckland traces how Katei transformed his art and practice based in modes derived from China in order to fulfil the needs of the modern nation-state at large-scale exhibitions and at the imperial court. She provides a rare examination of the vibrant world of Chinese-inspired culture during the 1880s, and the hostility which it faced in the following decade.

Exhibition includes approximately 2% of the acquisitions made during the 1990s.

Spectacular landscapes, epic stories and diverse peoples feature in this expansive historical survey of American painting. The 89 artworks by some 74 artists traverse over 200 years of rich history, from the colonial era to the mid-20th century. Readers will encounter the sublime poetry and drama of the land, the ambition and optimism of the country's pioneers, the challenges of the frontier, the intimacy of family life and the intensity of the modern city. The roots of the American character and nation will be revealed through images ranging from the Grand Canyon to the Brooklyn Bridge, from classic portraits to modern abstraction. America: Painting a Nation includes works by artists such as Mary Cassatt, Winslow Homer, Edward Hopper, Georgia O'Keeffe, Jackson Pollock, Mark Rothko, John Singer Sargent and James McNeill Whistler from the collections of some of the finest art museums in the US (The Terra Foundation, Chicago; the Philadelphia Museum of Art; the Museum of Fine Arts, Houston; the Los Angeles County Museum of Art; and The Virginia Museum of Fine Arts). Essays by Angela Miller (USA) and Chris McAuliffe (Australia), combined with entries on each of the artworks and biographies on each artist, illuminate this fascinating survey of American painting from 1750 to 1967.

This multidisciplinary book offers the first broad ecocritical review of American art and examines the environmental contexts of artistic practice from the colonial period to the present day. Tracing how visions of the environment have changed from the Native-European encounter to the emergence of modern ecological activism, more than a dozen scholars and practitioners discuss how artists have both responded to and actively instigated changes in ecological understanding.

"Explores history painting in the United States during the middle decades of the nineteenth century, as exemplified by Emanuel Leutze's Washington Crossing the Delaware (1851). Includes the work of artists such as Daniel Huntington, Lilly Martin Spencer, and Eastman Johnson"--Provided by publisher.