Marlene Dumas’s works respond more than ever to the uncertainty and sensuality of the painting process itself. Allowing the structure of the canvases and the materiality of the paint greater freedom to inform the development of her compositions, the artist has likened the creation of these works to the act of falling in love: an unpredictable and open-ended process that is as filled with awkwardness and anxiety as it is with bliss and discovery. Myths & Mortals documents a selection of paintings—debuted in the spring of 2018 at David Zwirner, New York—ranging from monumental nude figures to intimately scaled canvases that present details of bodily parts and facial features. Several nearly ten-foot-tall paintings focus on individual figures, including a number of male and female nudes and a seemingly solemn bride, whose expression is obscured behind a floor-length veil. Like the Greek gods and goddesses, the figures in these paintings are at once larger than life and overwhelmingly human. The smaller-scale paintings—referred to by the artist as “erotic landscapes”—present a variety of fragmentary images: eyes, lips, nipples, or lovers locked in a kiss. Evident across all of these works is the artist’s uniquely sensitive treatment of the human form and her constantly evolving experimentation with color and texture. Alongside these paintings, Dumas presents an expansive series of thirty-two works on paper originally created for a Dutch translation of William Shakespeare’s narrative poem Venus & Adonis (1593) by Hafid Bouazza (2016). Myths & Mortals is accompanied by new scholarship on the artist by Claire Messud and a text by Dumas herself.

The most comprehensive resource available on creation myths from around the world—their narratives, themes, motifs, similarities, and differences—and what they reveal about their cultures of origin. ABC-CLIO's breakthrough reference work on creation beliefs from around the world returns in a richly updated and expanded new edition. From the Garden of Eden, to the female creators of Acoma Indians, to the rival creators of the Basonge tribe in the Congo, Creation Myths of the World: An Encyclopedia, Second Edition examines how different cultures explain the origins of their existence. Expanded into two volumes, the new edition of Creation Myths of the World begins with introductory essays on the five basic types of creation stories, analyzing their nature and significance. Following are over 200 creation myths, each introduced with a brief discussion of its culture of origin. At the core of the new edition is its enhanced focus on creation mythology as a global human phenomenon, with greatly expanded coverage of recurring motifs, comparative themes, the influence of geography, the social impact of myths, and more.

"The book is about a new development in Italian Renaissance art; its aim is to show how artists and humanists came together to effect this revolution, it is important because this is a long-ignored but crucial aspect of the Italian Renaissance, showing us why the masterpieces we take for granted are the way they are, and thre is no competitor in the field. The book sheds light on some of the world's greatest masterpirces of art, including Botticelli's Venus, Leonardo's Leda, Raphael's Galatea, and Titian's Bacchus and Ariadne"--Provided by publisher.

Traces the story of how ancient cultures envisioned artificial life, automata, self-moving devices and human enhancements, sharing insights into how the mythologies of the past related to and shaped ancient machine innovations.