Originally published in 1966, the Reeseschrift remains one of the most significant collections of musicological writings ever assembled. Its fifty-six essays, written by some of the greatest scholars of our time, range chronologically from antiquity to the 17thcentury and geographically from Byzantium to the British Isles. They deal with questions of history, style, form, texture, notation, and performance practice.

First Published in 2002. This guide introduces students and scholars to the literature on Palestrina as well as the complicated history of the publication of his works. This bibliography is divided into four primary sections: historical background on musical, social, and cultural life; biographical literature; studies of sources, music, and style; and reception history. They are divided roughly into the periods dating from Palestrina's lifetime to about 1750; from about 1750 to about 1914; from 1914 to the present. This title also contains historical research on performance conditions and practices as they would have applied in Palestrina's time.

The first comprehensive study of Bartolomeo Cristofori's working life, featuring detailed technical documentation about his instruments.

This book comprises an edition of the Spataro Correspondence, so called after its main author, the Bolognese music theorist Giovanni Spataro (c. 1459-1541). Spataro's main correspondents were Giovanni del Lago and Pietro Aaron. The 110 letters, which survive in the Biblioteca ApostolicaVaticana and the Bibliotheque Nationale, offer a vivid insight into the intellectual world of a group of sixteenth-century music theorists and performing musicians living in Italy. With this edition an important body of source material now becomes readily available. Each letter appears in its entirety in the original Italian, with a full English summary, commentary, and notes. A reference section includes a biographical dictionary and explanatory notes on problematic terms.

Early Music History is devoted to the study of music from the early Middle Ages to the end of the seventeenth century. It demands the highest standards of scholarship from its contributors, all of whom are leading academics in their fields. It gives preference to studies pursuing interdisciplinary approaches and to those developing novel methodological ideas. The scope is exceptionally broad and includes manuscript studies, textual criticism, iconography, studies of the relationship between words and music and the relationship between music and society. Articles in volume ten include: Machaut's motet 15 and the Roman de la Rose: the literary context of Amours qui a le pouoir/Faus Samblant m' a deceii/Vidi Dominum; Giulo de' Medici's music books; Parisian nobles, a Scottish princess and the woman's voice in late medieval song.