The author of Sir Lawrence Alma-Tadema surveys the life and work of James Tissot (1836-1902) and, for the first time in a large format, presents a superb selection of Tissot's finest paintings. Includes a list of his paintings in public collections. 60 illustrations, including 40 in full color.

This handbook explores key aspects of art and architecture in ancient Greece and Rome. Drawing on the perspectives of scholars of various generations, nationalities, and backgrounds, it discusses Greek and Roman ideas about art and architecture, as expressed in both texts and images, along with the production of art and architecture in the Greek and Roman world.

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What is art history? Why, how, and where did it originate, and how have its methods changed over time? The history of art has been written and rewritten since classical antiquity. Since the foundation of the modern discipline of art history in Germany in the late eighteenth century, debates about art and its histories have intensified. Historians, philosophers, psychologists, and anthropologists among others have changed our notions of what art history has been, is, and might be. This anthology is a guide to understanding art history through critical reading of the field’s most innovative and influential texts, focusing on the past two centuries. Each section focuses on a key issue: art as history; aesthetics; form, content, and style; anthropology; meaning and interpretation; authorship and identity; and the phenomenon of globalization. More than thirty readings from writers as diverse as Winckelmann, Kant, Mary Kelly, and Michel Foucault are brought together, with editorial introductions to each topic providing background information, bibliographies, and critical elucidations of the issues at stake. This updated and expanded edition contains sixteen newly included extracts from key thinkers in the history of art, from Giorgio Vasari to Walter Benjamin and Satya Mohanty; a new section on globalization; and also a new concluding essay from Donald Preziosi on the tasks of the art historian today.

First published in 1997. For this second edition of Art Books: A Basic Bibliography of Monographs on Artists, the vast number of new books published since 1985 was surveyed and evaluated. This has resulted in the selection of 3,395 additional titles. These selections, reflective of the increase in the monographic literature on artists during the last ten years, are evidence of the activities of a larger number of art historians in more countries worldwide, of the increasingly diverse and ambitious exhibition programs of museums whose number has also increased dramatically, and also of a lively international art market and the attendant gallery activities. The selections of the first edition have been reviewed, errors have been corrected and important new editions and reprints have been noted. The second edition contains 278 names of artists not represented in the first edition.

The Oxford Companion to Christian Art and Architecture is a unique and fascinating exploration of the art and architecture that has been influenced and inspired by Biblical stories and Christian history and beliefs. Richly illustrated and with a Glossary of Architectural Terms and an extensive Bibliography, the Companion combines important general essays on the periods and styles important in the history of Christian art with hundreds of shorter entries that describe specific works, artists, themes, and visual images and which give the reader practical guidance on where in Europe to locate the works described. The most comprehensive reference work on Christian art and architecture available includes: * Detailed essays on periods and styles in art and architecture: Anglo- Saxon, Byzantine, Carolingian, Coptic, Early Christian, Gothic, Irish, Ottonian, Renaissance, Rococo, Romanesque; Mannerism, Neoclassicism, * General background on Christian doctrine, beliefs, and tradition: liturgical year, colours, vessels, and vestments; the Ten Commandments, Seven Deadly Sins, and the Two Trinities; Candlemas, Holy Week, Stations of the Cross, and religious orders * Forms of art influenced by Christian ideas: altarpieces, tombs, and caskets; illuminated manuscripts, mosaics, frescoes, and brasses; stained glass, portal sculpture, and standing crosses; fonts, fountains, and rose windows * Specific references to individual artists and sculptors and to their works: Fra Angelico, Bernini, and Botticelli; Marc Chagall, Eric Gill, and Stanley Spencer; the great painters of the Italian Renaissance: Raphael, Titian, Michelangelo, and Leonardo da Vinci * Places, buildings, and architects: Assissi, Ravenna, Venice, and Sistine Chapel; baptistery, belfry, cloister, chapter house, and churches: twentieth century, centrally planned, abbey, collegiate; Bentley, Brunelleschi, Wren, and Gibbs * Biblical themes, stories, and people as the subject ofart: from the Old Testament Adam and Eve, Abraham, and Tower of Babel; the Nativity, Circumcision, Baptism, Life, Crucifixion, and Resurrection of Christ from the Gospels; Miracle at Bolsena, Good Samaritan, parables, Apocalypse * Descriptions and explanations of images, icons, and symbols: allegory, attribute, emblem, and type; angels and archangels, symbolic beasts, birds, dove, serpent, and dragon; Signs of the Zodiac, rainbow, labyrinth, and Wheel of Fortune * Significant saints, popes, rulers, and patrons: saints Agnes, Agatha, and Catherine of Siena; saints Peter, Paul, Francis, and Jerome; Charlemagne and Emperor Constantine the Great; popes Clement VII, Urban VIII and Leo X; Doctors of the Church, St Augustine, Erasmus, and Knights Templar