A new Roland Emmerich film - Anonymous - was released in October 2011. The seventeenth Earl of Oxford (1550-1604), says Emmerich, wrote the Shakespearian works. How could such a postulation come about and where does this doubt as to William Shaksper's authorship come from? (No offence is intended by calling the actor from Stratford-upon-Avon "Shaksper"; he certainly wouldn't have taken any, that's how he wrote it on his marriage license.) - After the academic world has been guessing and floundering for 150 years, the literary detective Kurt Kreiler surprises us with a book that addresses this subject after years of sound and thorough academic research. This is definitely the leading book on this subject. Chapters 1 and 2 explain why Will Shaksper from Stratford-upon-Avon was not an author. In chapter 3, ten works of the author William Shakespeare will be analysed with a view to determine what criteria the author must have had in order to write the works in question. Which foreign lands had the author visited? What historical references have been made? When were the pieces written? Chapter 4 examines the social perspectives of the "Author of the plays". Chapter 5 examines what Shakespeare's literary contemporaries knew about him, with whom did they associate him, what qualities did they attribute to him? An analysis of the Harvey-Nashe-Quarrel show us that they both agree that the author "Master William" was the creator of the figure Falstaff and that this author was Eduard de Vere, Earl of Oxford. Chapter 6 deals with the first part of the biography of Eduard de Vere. Chapters 7 and 8 show that the the profile of the Author that was developed in chapters 3-5 correlates logically and universally with the biography of the Earl of Oxford. Chapter 9 is a continuation of the biography of the writer and spear shaker "William Shake-speare" up to his death in 1604. Chapter 10 shows why, how and for whom the dramatist Ben Jonson went about the task of procuring the nom de plume Shake-speare. By using the coincidental similarity between the names Shake-speare and Shaksper, Jonson posthumously set up a marionette to claim authorship of the Shakespearian works. Kurt Kreiler (b. 23 June 1950) is a German author and dramaturg. He read philology and philosophy at university, his studies culminating in a doctoral thesis on the short lived Bavarian Republic of People's Councils (1918/19). In 1983 he began his work as a writer for television and radio. In 2009 Insel Verlag published Kreiler's: "The Man who invented Shakespeare"; a book that caused a considerable stir in Germany."

The inside story of Elizabeth I's inner circle and the crucial human relationships which lay at the heart of her personal and political life. It is a vivid and often dramatic account, offering a deeper insight into Elizabeth's emotional and political conduct, and challenging many popular myths about her.

The debate over the true author of the Shakespeare canon has raged for centuries. Astonishingly little evidence supports the traditional belief that Will Shakespeare, the actor and businessman from Stratford-upon-Avon, was the author. Legendary figures such as Mark Twain, Walt Whitman and Sigmund Freud have all expressed grave doubts that an uneducated man who apparently owned no books and never left England wrote plays and poems that consistently reflect a learned and well-traveled insider's perspective on royal courts and the ancient feudal nobility. Recent scholarship has turned to Edward de Vere, 17th Earl of Oxford-an Elizabethan court playwright known to have written in secret and who had ample means, motive and opportunity to in fact have assumed the "Shakespeare" disguise. "Shakespeare" by Another Name is the literary biography of Edward de Vere as "Shakespeare." This groundbreaking book tells the story of de Vere's action-packed life-as Renaissance man, spendthrift, courtier, wit, student, scoundrel, patron, military adventurer, and, above all, prolific ghostwriter-finding in it the background material for all of The Bard's works. Biographer Mark Anderson incorporates a wealth of new evidence, including de Vere's personal copy of the Bible (in which de Vere underlines scores of passages that are also prominent Shakespearean biblical references).

This book explores the history of invented encounters between Shakespeare and the Queen Elizabeth I, and examines how and why the mythology of these two cultural icons has been intertwined in British and American culture. It follows the history of meetings between the poet and the queen through historical novels, plays, paintings, and films, ranging from works such as Sir Walter Scott's Kenilworth and the film Shakespeare in Love to lesser known examples. Raising questions about the boundaries separating scholarship and fiction, it looks at biographers and critics who continue to delve into links between these two. In the Shakespeare authorship controversy there have even been claims that Shakespeare was Elizabeth's secret son or lover, or that Elizabeth herself was the genius Shakespeare. The author examines the reasons behind the lasting appeal of their combined reputations, and locates this interest in their enigmatic sexual identities, as well as in the ways they represent political tensions and national aspirations.