"From the award-winning author of Stealing Buddha's Dinner, a powerful memoir of a mother-daughter relationship fragmented by war and resettlement. At the end of the Vietnam War, when Beth Nguyen was eight months old, she and her father, sister, grandmother, and uncles fled Saigon for America. Beth's mother stayed-or was left-behind, and they did not meet again until Beth was nineteen. Over the course of her adult life, she and her mother have spent less than twenty-four hours together. Owner of a Lonely Heart is a memoir about parenthood, absence, and the condition of being a refugee: the story of Beth's relationship with her mother. Framed by a handful of visits over the course of many years-sometimes brief, sometimes interrupted, sometimes with her mother alone and sometimes with her sister-Beth tells a coming-of-age story that spans her own Midwestern childhood, her first meeting with her mother, and becoming a parent herself. Vivid and illuminating, Owner of a Lonely Heart is a deeply personal story of family, connection, and belonging: as a daughter, a mother, and as a Vietnamese refugee in America"--

Yes have now been on the rock circuit for an incredible 34 years. Jon Anderson, Steve Howe, Rick Wakeman, Chris Squire and Bill Bruford are just some of the star players who helped to make the band one of the greatest-ever names in classic rock. Their turbulent story spans the early days of pub and club gigs, international supergroup status in the heyday of rock, and various line-ups since.Chris Welch's definitive biography of Yes is once again updated to include the historic return of Rick Wakeman to the classic Yes line up during 2002 and their subsequent highly successful tour of America.

Few styles of popular music have generated as much controversy as progressive rock, a musical genre best remembered today for its gargantuan stage shows, its fascination with epic subject matter drawn from science fiction, mythology, and fantasy literature, and above all for its attempts to combine classical music's sense of space and monumental scope with rock's raw power and energy. Its dazzling virtuosity and spectacular live concerts made it hugely popular with fans during the 1970s, who saw bands such as King Crimson, Emerson, Lake and Palmer, Yes, Genesis, Pink Floyd, and Jethro Tull bring a new level of depth and sophistication to rock. On the other hand, critics branded the elaborate concerts of these bands as self- indulgent and materialistic. They viewed progressive rock's classical/rock fusion attempts as elitist, a betrayal of rock's populist origins. In Rocking the Classics, the first comprehensive study of progressive rock history, Edward Macan draws together cultural theory, musicology, and music criticism, illuminating how progressive rock served as a vital expression of the counterculture of the late 1960s and 1970s. Beginning with a description of the cultural conditions which gave birth to the progressive rock style, he examines how the hippies' fondness for hallucinogens, their contempt for Establishment-approved pop music, and their fascination with the music, art, and literature of high culture contributed to this exciting new genre. Covering a decade of music, Macan traces progressive rock's development from the mid- to late-sixties, when psychedelic bands such as the Moody Blues, Procol Harum, the Nice, and Pink Floyd laid the foundation of the progressive rock style, and proceeds to the emergence of the mature progressive rock style marked by the 1969 release of King Crimson's album In the Court of the Crimson King. This "golden age" reached its artistic and commercial zenith between 1970 and 1975 in the music of bands such as Jethro Tull, Yes, Genesis, ELP, Gentle Giant, Van der Graaf Generator, and Curved Air. In turn, Macan explores the conventions that govern progressive rock, including the visual dimensions of album cover art and concerts, lyrics and conceptual themes, and the importance of combining music, visual motif, and verbal expression to convey a coherent artistic vision. He examines the cultural history of progressive rock, considering its roots in a bohemian English subculture and its meteoric rise in popularity among a legion of fans in North America and continental Europe. Finally, he addresses issues of critical reception, arguing that the critics' largely negative reaction to progressive rock says far more about their own ambivalence to the legacy of the counterculture than it does about the music itself. An exciting tour through an era of extravagant, mind-bending, and culturally explosive music, Rocking the Classics sheds new light on the largely misunderstood genre of progressive rock.

Amid the recent increase in scholarly attention to rock music, Understanding Rock stands out as one of the first books that subjects diverse aspects of the music itself to close and sophisticated analytical scrutiny. Written by some of the best young scholars in musicology and music theory, the essays in this volume use harmonic, melodic, rhythmic, formal, and textual approaches in order to show how and why rock music works as music. Topics of discussion include the adaptation of blues and other styles to rock; the craft of songwriting; techniques and strategies of improvisation; the reinterpretation of older songs; and the use of the recording studio as a compositional tool. A broad range of styles and groups is covered, including Yes, the Beach Boys, Cream, k.d. lang, Paul Simon, Jimi Hendrix, and the Grateful Dead.

"Knight Rider Legacy: The Unofficial Guide to the Knight Rider Universe" by Joe Huth IV and Richie F. Levine is the ultimate guide to the creation and production of this cult classic. Contained within are extensive cast and crew interviews, a season-by-season episode guide loaded with trivia, details on each "Knight Rider" spin-off, and rare, never before published photos! Fans will discover: How Glen Larson came up with the idea for "Knight Rider" (it was based on an episode of "B.J. and the Bear"--Larson's previous series). How David Hasselhoff almost blew his chance at becoming the "Knight Rider," Why William Daniels declined on-screen credit. The reason behind Patricia McPherson's firing and rehiring. How the stunt team performed K.I.T.T.'s incredible feats. The making of "Knight Rider 2000," "Knight Rider 2010," and "Team Knight Rider," If you loved the handsome Michael Knight, the intelligent Bonnie Barstow, the dashing Devon Miles, and the jaw-dropping feats performed by K.I.T.T., then "Knight Rider Legacy" is for you!

With the advent of new technology at lower prices, high-quality home recording has become an accessible and even essential aspect of being a musician today. Multi-Track Recording is an introduction and guide to the latest equipment, how it works, and how to use it. Designed by the publishers of Guitar Player and Keyboard magazines, this comprehensive and easy-to-understand book explains how to set up a home studio with 4-track tape recorders, how to choose outboard gear and effects devices for your own unique sound, how to synchronize your tracks with various simple and advanced technologies, and how to incorporate MIDI in your home recording, whether it's analog or digital. Suitable for both working at home and advancing to the studio, Multi-Track Recording offers invaluable tips on choosing a mixer, soundproofing, echo and delay, reverb, compression, stereo, noise gates, sync tones and click tracks, SMPTE, drum machines, MIDI time code, advanced techniques and the latest applications and MIDI and tapeless recording. Written by working musicians and studio professionals, the book has practical creative tips as well as the basic information, theory and technique necessary to make professional sounding multi-track recordings-yourself.