A Honeycomb for Aphrodite: Reflections on Ovid's Metamorphoses by A. S. Kline. Illustrated with engravings by Crispijn van de Pass. With this innovative analysis of Ovid's Metamorphoses the author provides an essential companion volume to his translation of the work itself. The nature and structure of Ovid's brilliant retelling of Greek myths is explained, while emphasising his broadly humanist approach. The concept of loosely connected tales linked and sustained by the author's style, personality, and world-view, is contrasted with the epic mode as exemplified by Virgil's Aeneid, while seen as being justified in its own right. The exploration of structure is deepened by detailed discussion of the key concepts and themes which run throughout the work. These range from the religious and mythical, to the social and ethical, and highlight Ovid's prime areas of interest and personal attitudes and values, while placing the Metamorphoses within the context of his other literary achievements, and the milieu of Augustan Rome. The manner in which these common concepts and themes are echoed and expanded through disparate myths and tales is highlighted by copious references to specific examples and illustrative passages in the work, allowing the reader rapid access to the supporting evidence within the text itself. A Honeycomb for Aphrodite argues for a more thoughtful appreciation of Ovid's major creation, claiming that his design is more than just a vivid and charming re-telling of the Greek originals, but a deeply-felt humanist development, in which civilised Roman values re-interpret the ancient natural and spiritual environment of Ovid's Greek sources in a manner destined to influence the whole of European culture, not simply the Medieval and Renaissance periods. Ovid is here seen as strengthening and enriching an alternative view of life to that presented by imperialistic, heroic or tragic literature; a view in which tenderness and pathos, pity and moderation transform the human, and humanise the world. This and other texts available from Poetry in Translation (www.poetryintranslation.com).

Parallel latin & English texts.

Georg Luck, antes de fallecer en febrero de 2013, dejó un borrador de su comentario textual al libro XV de las Metamorfosis de Ovidio. Cumplió con su compromiso hacia el Grupo de Investigación Nicolaus Heinsius de Huelva, aunque no llegó a culminar su obra. Se ha preferido, no obstante, entregarlo a las prensas y no condenarlo a beber en las aguas del río Lete. La publicación del Comentario se presenta en el Simposio de Estudios Ovidianos, celebrado en Huelva (5-6 de octubre de 2017), como un acto de pietas hacia uno de los mejores filólogos ovidianos del s. XX.

Ovid's Metamorphoses is one of the most influential works of Western literature, inspiring artists and writers from Titian to Shakespeare to Salman Rushdie. These are some of the most famous Roman myths as you've never read them before—sensuous, dangerously witty, audacious—from the fall of Troy to birth of the minotaur, and many others that only appear in the Metamorphoses. Connected together by the immutable laws of change and metamorphosis, the myths tell the story of the world from its creation up to the transformation of Julius Caesar from man into god. In the ten-beat, unrhymed lines of this now-legendary and widely praised translation, Rolfe Humphries captures the spirit of Ovid's swift and conversational language, bringing the wit and sophistication of the Roman poet to modern readers. This special annotated edition includes new, comprehensive commentary and notes by Joseph D. Reed, Professor of Classics and Comparative Literature at Brown University.